For the US premiere of Bouchra Khalili’s The Tempest Society (2017) the artist will discuss her film and new artist book by the same title with curator and writer Omar Berrada. Commissioned by documenta 14 (Athens), The Tempest Society considers the forgotten heritage of Al-Assifa (“The Tempest” in Arabic), an agitprop theater comprising North African immigrant workers and French […]

In “Bergama Stereo”, an architectural installation with sound, the Istanbul-based artist and musician Cevdet Erek references the form, the historically attributed function and the ongoing reception of the Pergamonaltar, now located in Berlin, and creates a new interpretation of the famous Hellenistic edifice.

Home Works: A Forum on Cultural Practices, is a multidisciplinary forum taking place across Beirut every three years and featuring group exhibitions and artist projects and commissions, talks, panels, and readings, music, dance, and theatre performances, film and video screenings and publications.

Charwei Tsai’s videos bring some sense of nostalgic feeling from the songs sang by women in detention center in London, which emphasise her investigation of memory of homeland within their despair and displacement.

The Second Anren Biennale draws on two historical metaphors regarding East and West to express the main themes of contemporary art in the age of globalization: In an era of complex and dramatic conflict, in which rival civilizations observe the world, how do we talk and communicate with each other?

In January 1963, Al Hilal magazine published an article on the establishment of a ballet school in Cairo. The school, described as a “factory of new bodies”, was to become an important institution in Nasser’s nation-state building project. Ballet was positioned to become the new dance form that would create a rupture with folkloric dances and “modernize” […]

A new solo show, The Riddle and Other Circumstances, present recent pieces by Liliana Porter, including installations and works on canvas.

Bringing together 13 artists and collectives, ‘Phantom Limb’ interrogates our lived relationship to material heritage. Ranging across diverse media, the works on display pose pressing questions around the writing of history, the weaponization of heritage and the construction of foundation myths.

The exhibition essays a series of themes rather like short stories, in an attempt to review the different approaches taken by the artists from the FRACS (Fonds Régionaux D’Art Contemporain) collections through their works. One conceptual nucleus from this selection examines transit and migration through the themes of identity, social tension, and gender.