Join us this Saturday January 15th for the opening of our first exhibition of 2022: 𝘙𝘦𝘲𝘶𝘪𝘦𝘮. The group show reflects upon the concept of ruins and remnants as elements that evidence political, ecological, social and human concerns with regard to history. Ruins tell a story, but they also provide us with doubts concerning both the […]
Descubra la última exposición individual de Milena Bonilla 𝘛𝘩𝘦 𝘏𝘰𝘶𝘳 𝘉𝘦𝘧𝘰𝘳𝘦 𝘚𝘶𝘯𝘴𝘦𝘵 en la Galeria Municipal do Porto. Esta exposición es un desarrollo más en la investigación de Milena Bonilla, que explora los límites del archivo y la interpretación de la historia como una forma de articular una posible memoria colectiva. En este proyecto la […]
Discover Bianca Bondi’s piece The Antechambre (Thai Crane) in this year’s Thailand Biennale, Korat 2021 𝘉𝘶𝘵𝘵𝘦𝘳𝘧𝘭𝘪𝘦𝘴 𝘍𝘳𝘰𝘭𝘪𝘤𝘬𝘪𝘯𝘨 𝘰𝘯 𝘵𝘩𝘦 𝘔𝘶𝘥: 𝘌𝘯𝘨𝘦𝘯𝘥𝘦𝘳𝘪𝘯𝘨 𝘚𝘦𝘯𝘴𝘪𝘣𝘭𝘦 𝘊𝘢𝘱𝘪𝘵𝘢𝘭. The Antechambre (Thai Crane) is a site-specific installation that comes from its first presentation The Antechamber, (Tundra Swan) in the Busan Biennale 2020. It is inspired by the poem “Tundra Swan” by South Korean poet Hyesoon […]
Happy Holidays! At mor charpentier we are sincerely thankful for a year of insightful exhibitions, uncharted inquiries and new inspirations. Thanks to everyone who contributed to make the exhibitions, fairs and events possible. We will be taking a break for the holidays and will reopen the galleries in Paris and Bogotá on the 4th and […]
Discover the works of Nohemí Pérez and Rossella Biscotti at this year’s Cuenca Biennale. This year’s Biennale focuses on traditional and ancestral knowledge, critical ecofeminism focused on future scenarios. Nohemís’ work 𝘋𝘦 𝘙𝘦𝘴𝘶𝘳𝘦𝘤𝘤𝘪𝘰𝘯 is a photographic -music score mural that is activated by a soprano. This performative installation talks about violence in Colombia and the visual aids through which […]
We are glad to announce that artists Bianca Bondi and Uriel Orlow will participate in this year’s Thailand Biennale, Korat 2021 𝘉𝘶𝘵𝘵𝘦𝘳𝘧𝘭𝘪𝘦𝘴 𝘍𝘳𝘰𝘭𝘪𝘤𝘬𝘪𝘯𝘨 𝘰𝘯 𝘵𝘩𝘦 𝘔𝘶𝘥: 𝘌𝘯𝘨𝘦𝘯𝘥𝘦𝘳𝘪𝘯𝘨 𝘚𝘦𝘯𝘴𝘪𝘣𝘭𝘦 𝘊𝘢𝘱𝘪𝘵𝘢𝘭. The Biennale focuses on the uncertainty of the future, proposing images of play and struggle on a puddle of mud. The artists have carried out a remote […]
El 25 y 26 de noviembre, Rossella Biscotti presentó una recreación de Takemitsu Toru: Música acuática para cinta magnética (1960) con Attila Faravelli, en su performance “Amphoric” en Pirelli Hangar Bicocca. La actuación fue un «sonido de agua» grabado en un diminuto agujero dentro de las rocas, amplificado aquí por el eco de 3000m2 del […]
Descubre las obras de Carlos Motta que forman parte de la exposición 𝘚𝘬𝘪𝘯 𝘪𝘯 𝘛𝘩𝘦 𝘎𝘢𝘮𝘦, parte de Miami Art Week. La muestra ha sido descrita como una oferta colectiva sobre el tacto, la transmisión y la piel —el potencial, la vulnerabilidad y el riesgo que contiene— como un límite para proteger del peligro o […]
Nos complace anunciar nuestra participación en Art Basel Miami Beach de este año, que se inaugurará el 2 de diciembre. Para su décima participación mor charpentier presenta un proyecto que gira en torno a la memoria de los lugares y los espacios del recuerdo. Esos lugares pueden reactivar la memoria de quienes alguna vez los […]
Discover Daniel Otero Torres’ work in the exhibition 𝘜𝘣𝘶𝘯𝘵𝘶, 𝘢 𝘭𝘶𝘤𝘪𝘥 𝘥𝘳𝘦𝘢𝘮 at the Palais de Tokyo The exhibition reflects upon this African concept, which has been difficult to translate to Western languages, but can be understood as «I am because we are.» The exhibition aims to be «Ubuntu» in that it looks to transform artistic […]
Our inaugural exhibition 𝘛𝘦𝘳𝘳𝘢 𝘕𝘰𝘴𝘵𝘳𝘢 at our new space in Bogotá reflects on History, territory and belonging. Terra Nostra stands for “Our Land” — the Earth that we share, our common ground— underlining the bonds and dependabilities that link human existence across the planet. mor charpentier’s opening exhibition in Bogotá is a project that seeks […]
Discover Yoshua Okón’s work 𝘊𝘢𝘯𝘯𝘦𝘥 𝘓𝘢𝘶𝘨𝘩𝘵𝘦𝘳 as part of AMEXICA exhibition at the Servais Family Collection. The piece was created as part of an invitation to Ciudad Juárez in which artists were asked to create works based on their experience in the city during a period of extreme violence. The piece focuses on Ciudad Juárez as […]