Paz Errázuriz

mor charpentier @ARCO

We are pleased to announce our participation at this year’s ARCOmadrid fair! This time, our project wants to draw a survey of “immaterial” portraits that tell us about reality, identity, and how we see the world through the eyes of different artists. The proposal is divided into two large blocks: the first is dedicated to […]

Paz Errázuriz @Centro de la Imagen

Discover Paz Errázuriz’s work at her solo exhibition Formas de decir aquí at Centro de la Imagen in the frame of Mexico’s International Photography Festival (FIFMX). The exhibition presents different four corpus of Errázuriz’s work linked with social, affective and political resistance: Los nómadas del mar, portraying the last survivors of the kawésqar ethnic group; La […]

Teresa Margolles, Kader Attia and Paz Errázuriz @MAVI

Discover Teresa Margolles, Kader Attia and Paz Errázuriz‘s works at the latest MAVI exhibition Así van las cosas (The Way Things Go). The show questions the notion of instability and precarity, next to the idea of progress from different points of view regarding the social, economic and political contexts of our days. Teresa Margolles’ Ya […]

New Exhibition: Niñas @morcharpentier Bogotá

We are excited to announce our upcoming exhibition in Bogotá: Paz Errázuriz solo show Niñas. For our second exhibition in our gallery in Colombia we have prepared four big corpus of Paz Errázuriz’s oeuvre in order to trace some of her transversal interests in her career as photographer. Errázuriz has described her photographs as a […]

mor charpentier @ ARCO Madrid

On the occasion of ARCO 2021, mor charpentier presents a project involving multiple voices, organized around two main themes. The first of these has to do with “the archive and the testimony”: works in which the artist is a researcher, collector and witness of reality featuring the works of Lawrence Abu Hamdan, Lara Almarcegui, Oscar Muñoz, Rosângela Rennó, […]

mor charpentier new Online Viewing Room: American Boy

Discover the works of Alexander Apóstol, Daniel Correa Mejía, Paz Errázuriz, Teresa Margolles, Carlos Motta and Rossângela Rennó in our new Online Viewing Room: “American Boy”. The works that compose this selection seek to question the male portrait and its complexities through lenses that challenge the traditional notions of masculinity. The Viewing Room will be […]

Paz Errázuriz virtual conference @Banco de la República

Join Paz Errázuriz and the curator María Wills in a virtual conference in the Banco de la República Facebook page. The conference will be held as part of the events program for the ongoing exhibition Paz Errázuriz :Colecciones Fundación MAPFRE which explores the life and career of this Chilean photographer. The conference will be held virtually on […]

Paz Errázuriz @ Museo de Arte Miguel Urrutia

Discover Paz Errázuriz’s fascinating photographic portraits in the exhibition Paz Errázuriz: Colecciones de la Fundación MAPFRE. From colorful circus performers to fierce wrestlers and poised sex workers, Errázurriz’ black and white portraits capture the intimate relationship that the artist develops with her models. Paz Errázuriz: Colecciones de la Fundación MAPFRE opens April 1st 2021 at the Museo de Arte Miguel Urrutia, Bogotá.

Resisting the Present virtual opening @VORTIC ART

This week mor charpentier will open its virtual exhibition Resisting the Present, part of the Female Voices of Latin América presentation organized by VORTIC, the largest group of shows ever of Latin American female artists. The gallery’s show includes works by Paz Errázuriz, Teresa Margolles, Nohemí Pérez, and Rosângela Rennó. Their proposals traverse places of […]

Paz Errazuriz @Instituto Moreira Salles

A new installation in Sao Paulo of the artist’s first major retrospective, this exhibition covers her main photographic series. Individuals admitted to psychiatric hospitals, transvestites, members of a precarious circus, prostitutes, amateur boxers, blind people, passers-by, the elderly, an indigenous ethnic group in danger of extinction: all appear in the mostly black and white portraits of […]

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