Discover Uriel Orlow’s audioinstallation Up, Up, Up at the latest Kunstmuseum St.Gallen’s exhibition Unexpected Encounters. Up, Up, Up taps into biodiversity research in the Swiss alps and the Himalayas which reveals the climb of mountain flora due to climate change. By connecting two high altitude locations from the so-called Global North and South respectively, the […]
Discover Kader Attia’s and Bouchra Khalili’s works at the latest Es Baluard exhibition Sin Rumbo. Confrontar la Imago Mundi (Aimless. Confronting Imago Mundi). The show curated by Agustin Pérez Rubio presents a new interpretation of the Museum’s Collection, whose line of research is the representation and projection of the world in its contemporaneity. Through the […]
We are pleased to announce that Rosângela Rennó has been granted the 2023 Kering Women In Motion Award for Photography. Kering, through its Women In Motion program, is extending and strengthening its partnership with Les Rencontres d’Arles, committing to the festival for another five years as a major partner. This partnership has been initiated in […]
Discover Bouchra Khalili’s video Garden Conversation at the latest Kunsthaus Zürich exhibition Re-Orientations. Garden Conversation takes as a departure point the meeting in Cairo in January 1959 at the Embassy of Morocco of Ernesto Guevara and the old exiled Moroccan hero of the Rif War (1921-1926), Abdelkrim Al Khattabi. 55 years after Guevara and Khattabi’s […]
Art Basel Hong Kong, is now on view! Our proposal circles back to the theme of memory, particularly understood as a trace, or an impression that transforms our perception of reality. While some of the works mix personal elements with global storylines, others explore ways of expressing remembrance, oblivion and traces of reparation. Visit us […]
Nohemí Pérez’s project, Tierra de nadie, result of her 2023 Spring residency program at Artpace San Antonio is now on view. Her installation of charcoal drawings with embroidery and watercolors is the result of her on-site research on the US-Mexico border. In her time in Texas, Pérez got to explore the border as a “non-site” […]
Carlos Motta’s retrospective exhibition Stigmata is now open at the Museo de Arte Moderno de Bogotá. This show explores the artist’s concern to document the social conditions and political disputes of sexual, ethnic and gender minorities, challenging normative discourses through installations, drawings, videos, photographs, sculptures, performances and collaborative projects that comprise almost three decades of […]
Discover Alexander Apóstol’s and Lawrence Abu Hamdan’s work at the ICA Institute for Contemporary Art latest exhibition So it appears. The exhibition shows how abstraction can be a visual strategy, a way of revealing the aesthetic or political challenges of what is difficult or impossible to present. Alexander Apóstol is presenting Partidos políticos que han […]
Bittersweet Symphony is now open! The show invites us to consider the effects of humans on ecosystems while at the same time fantasizing about their absence as an ultimate symptom of a catastrophe in the making —perhaps also as a “solution” to the problem through the work of 5 different artists.From Fabien Conti‘s monumental series of […]
Discover Uriel Orlow’s installation What Plants Were Called Before They Had a Name at this year’s PhotoKTM in Kathmandu. In What Plants Were Called Before They Had a Name Orlow connects ethnobotanical resources with encounters with indigenous spiritual guides of the Guatemalan Altiplano and elsewhere as a way of recovering memory and linguistic presence. Coming […]
The Museum of Modern Art of New York exhibition Signal. How Video Transformed the Word has now opened, among which Carlos Motta’s installation We Who Feel Differently is being presented. The exhibition highlights over 70 media works, drawn primarily from MoMA’s collection, with many never before seen at the Museum. It reveals the ways in […]
Marwa Arsanios’ solo exhibition at Heidelberger Kunstverein Matter of Alliances is now open. In words of curators Søren Grammel and Mehveş Ungan, “Arsanios marks a new aesthetic perspective within the discourse shaped by Gayatri Spivak, co-founder of postcolonial theory, in her 1988 essay Can the Subaltern Speak?. At the same time, the artist expands the […]