Lawrence Abu Hamdan, Carlos Motta, Rosângela Rennó

The exhibition A través del cristal, Oscar Muñoz’ second solo show at mor charpentier, has been recommended by Emmanuelle Laqueux as one of the top three exhibitions to visit in Paris in April 2017.

The work of Lawrence Abu Hamdan is participating in “Strange Attractor” an exhibition exploring the uncertainties and poetics of networks, environmental events, technology, and sound in Ballroom Marfa.

Marwa Arsanios is part of the group show “Show Me Your Archive and I Will Tell You Who is in Power” at KIOSK, Ghent, Belgium. Show Me Your Archive and I Will Tell You Who is in Power combines an exhibition with a public program of lectures, panel discussions, performances and screenings to present stories from the […]

Co-edited by Cobogó, the book “Espírito de tudo” was presented on April 25, 2017 and it is based on the eponymous solo exhibition of the artist in Oi Futuro Flamengo.  

As part of the CalArts’ Cinematic Voices lecture, the Mexican artist Yoshua Okon gave a talk at the Bijou Theatre on April 25, 2017.

Lawrence Abu Hamdan participated in documenta 14 at the Athens Conservatoire. The Athens Conservatoire, commonly referred to as Odeion, is part of an unrealized urban plan that won the architect Ioannis Despotopoulos first prize in a competition held for the Athens Cultural Center in 1959.

Yoshua Okon’s work is participating in Reverberaciones, an exhibition of art and sound in the collections of the MUAC, Mexico City.

Carlos Motta is participating in the group show We’re Happy Here in the Happy House that opened on April 21st, 2017 at Proyecto Amil in Lima, Peru.

Thirty years after the exhibition Hommage à Ferrari, the Fondation Cartier will once again focus its attention on the world of cars with the exhibition Autophoto dedicated to photography’s relationship to the automobile. The work of Rosângela Rennó is participating in the exhibition curated by Xavier Barral and Philippe Séclier, on view through September 24, 2017.