The Accumulation of Capital (riddled), 2019
(Mixed media Installation : Damaged book, mural texts, metal sculpture – Detail)
The Accumulation of capital (riddled), 2019
(Mixed Media Installation : Damaged book, mural text, metal sculpture – Exhibition view, A Tale of a Tub, Rotterdam, 2019)
Dark Fading Chlorophyll (Luxemburg), 2019
(Two Slide Projections – Installation view, A Tale of a Tub, Rotterdam, 2019)
Spring Starts as a Murmure, 2019
(Installation : Wooden table, metal threads, paper and seeds)
Spring Starts as a Murmure, 2019
(Installation : Wooden table, metal threads, paper and seeds – Detail)
Lo que no diremos, 2018
(Exhibition view, Claustro San Agustin, Bogota)
Size/To Sell or to Rent, 2006
(Installation : Thread balls, table, labels)
Capital/Piracy, 2007-2008
(Large scale Project – Exhibition view, Claustro San Agustin, Bogota, 2018)
Capital/The Sinister Skilfully Written, 2007-2008
(Ink on 3 canvases – Exhibition view, Koldo Mixtelena Kulturunea, San Sebastian, 2019)
Stone Deaf, 2009-2010
(Mixed media installation : Graphite on paper and single channel video – Exhibition view, The Jewish Museum, New York, 2017)
Stone Deaf, 2009-2010
(Installation : graphite on paper and single channel video – Exhibition view, Witte de With, Rotterdam, 2010)
Stone Deaf, 2009-2010
(Graphite on paper, rubbing – Detail)
An Endless Present, 2013
(Series of 15 C-prints – Installation view)
Money, 2012
(260 drawings, scrubbing on paper – Installation view)
Money, 2012
(Series of 260 drawings, scrubbing on paper – Detail)
Low-Intensity Operations, 2015
(Exhibition view, The Mistake Room, Los Angeles)
An Enchanted Forest, 2013-2014
(Mixed Media Installation – Exhibition view, Golden Thread Gallery, Belfast, 2016)
An Enchanted Forest, 2013-2014
(Mixed Media Installation – Exhibition view, Cisneros Fontanals Art Foundation, Miami, 2013)
Ladies Parrots and Narcotics, 2017
(Performance with Luisa Ungar – Installation view, Ar/Ge Kunst, Bolzano, 2017)
In The Mood for Love or How to Move a Criminal, 2015
(C-Print)
Noises – Gestures on Common Ground, 2019
(Series of drawings on paper – Exhibition view, Punt WG, Amsterdam, 2019)
Two Narcotics Tracing a Cluster Inside a Dreaming Spiral, 2016
(Series of 13 C-prints)
Two Narcotics Tracing a Cluster Inside a Dreaming Spiral, 2016
(Series of 13 C-prints – Detail)
A Report to an Academy, 2010-2012
(Mixed media installation : sound piece, palms, turntables, poster – Installation view, Centro Colombo Americano, Bogota, 2012)
Dejá Vù / Museo Nacional de Bellas Artes, 2010
(Site Specific intervention, Cordoba, Argentina)
Poisoned – Behind that Grid There is a Maze, 2019
(Live Performance, punt WG, Amsterdam)
Pavilion Amsterdam, 2017
(Live performance with Luisa Ungar, Rijksmuseum, Amsterdam)

Milena Bonilla

Milena Bonilla est née en 1975 à Bogota. Elle vit et travaille à Amsterdam.

Après des études en arts visuels l’Universidad Jorge Tadeo Lozano à Bogota, elle a suivi une formation à la Rijksakademie van beeldende kunsten à Amsterdam (2009-2010).

La pratique de Milena Bonilla explore le savoir en tant que force de travail, et s’interroge sur la nature conçue comme une entité colonisée par le langage et dévorée par les images. Dans ses cartes, elle pose la question de la colonisation et des frontières en s’appuyant sur la dominance exercée par les Etats-Unis et l’Espagne sur l’Amérique Latine. Pour donner forme à ces réflexions, l’artiste utilise différents médiums, tels que l’installation, la vidéo, le dessin, l’écriture, la photographie ou encore des interventions dans l’espace public.

Son travail a été présenté dans plusieurs institutions et manifestations internationales, telles que Garage, Rotterdam; The Mistake Room, Los Angeles; The Rijksmuseum, Amsterdam; Ar/Ge Kunst, Bolzano; Kadist, San Francisco; The Jewish Museum, New York; MAMM, Medellín, Colombie; Spring Workshop, Hong Kong; CA2M, Madrid; MNBA, Buenos Aires; The Photographer’s Gallery et The International Institute of Visual Arts, Londres; Witte de With, Rotterdam; Konstall C, Stockholm; Biennale de Marrakech; 10ème Biennale de la Havane, Cuba ; 12ème Biennale d’Istanbul ; 9ème Biennale de Shanghai et la 3ème Biennale de Bucarest.

En 2017, Milena Bonilla a reçu le prix ‘The Work Award Proven Talent’, décerné par le Mondriaan Fonds.

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Current exhibition

  • Les testaments trahis
  • Lawrence Abu Hamdan - Milena Bonilla - Chen Ching-Yuan - Voluspa Jarpa - Bouchra Khalili - Teresa Margolles - Oscar Muñoz
  • July 2nd - August 8th