febrero 6, 2020
We live in a world that is increasingly saturated with images.Their number is growing so exponentially – each day more than three billion images are shared on social networks – that the space of visibility seems to be literally inundated. As if it can no longer contain the images that constitute it. As if there were no more room, no more interstices between the images.This brings us closer to the point that Walter Benjamin imagined, almost a hundred years ago now, as “the one hundred percent image space”.
Faced with such an overproduction of images, questions need to be asked, more than ever before, about their storage, management, transportation (even if it is electronic) and the paths they follow, their weight, the ﬂuidity or viscosity of their exchanges, their ﬂuctuating values – in short, questions about their economy.
In the book from which this exhibition is derived1, the economic aspect of the life of images is called iconomy.