The Second Anren Biennale draws on two historical metaphors regarding East and West to express the main themes of contemporary art in the age of globalization: In an era of complex and dramatic conflict, in which rival civilizations observe the world, how do we talk and communicate with each other?

In January 1963, Al Hilal magazine published an article on the establishment of a ballet school in Cairo. The school, described as a “factory of new bodies”, was to become an important institution in Nasser’s nation-state building project. Ballet was positioned to become the new dance form that would create a rupture with folkloric dances and “modernize” […]

A new solo show, The Riddle and Other Circumstances, present recent pieces by Liliana Porter, including installations and works on canvas.

Bringing together 13 artists and collectives, ‘Phantom Limb’ interrogates our lived relationship to material heritage. Ranging across diverse media, the works on display pose pressing questions around the writing of history, the weaponization of heritage and the construction of foundation myths.

The exhibition essays a series of themes rather like short stories, in an attempt to review the different approaches taken by the artists from the FRACS (Fonds Régionaux D’Art Contemporain) collections through their works. One conceptual nucleus from this selection examines transit and migration through the themes of identity, social tension, and gender.

Screening of the movie The Tempest Society, followed by a talk between Bouchra Khalili, the author, and Carles Guerra, director of the Fundació.

Visual artist Theo Mercier and dancer Steven Michel (recipients of the Silver Lion for Dance at the 2019 Venice Biennale) build an ironic and ruthless critique against the illusion of freedom and well-being promoted by major commercial powers.

The museum will be presenting a selection of works by French and international contemporary artists from the 330 pieces in the Lafayette Anticipations Collection – the Moulin Family Endowment Fund.