{"id":4093,"date":"2020-07-10T14:56:08","date_gmt":"2020-07-10T14:56:08","guid":{"rendered":"https:\/\/mor.local\/lawrence-abu-hamdan-kunsthalle-mainz\/"},"modified":"2020-09-04T15:57:44","modified_gmt":"2020-09-04T15:57:44","slug":"lawrence-abu-hamdan-kunsthalle-mainz","status":"publish","type":"post","link":"https:\/\/www.mor-charpentier.com\/fr\/lawrence-abu-hamdan-kunsthalle-mainz\/","title":{"rendered":"Lawrence Abu Hamdan @Kunsthalle Mainz"},"content":{"rendered":"<p>Lawrence Abu Hamdan, Ursula Biemann, Paulo Tavares and the Forensic Architecture research collective are all linked by concept of the \u2018void\u2019.\u00a0<em>Enter the Void<\/em>\u00a0presents the approach that connects these actors: seeking out gaps in the communication of events, in chains of evidence or in the administration of justice as if they were nothingnesses in our sensual and physical perception.<\/p>\n<p style=\"text-align: center;\">https:\/\/www.kunsthalle-mainz.de\/en\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lawrence Abu Hamdan, Ursula Biemann, Paulo Tavares and the Forensic Architecture research collective are all linked by concept of the \u2018void\u2019.\u00a0Enter the Void\u00a0presents the approach that connects these actors: seeking out gaps in the communication of events, in chains of evidence or in the administration of justice as if they were nothingnesses in our sensual [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[22],"tags":[],"class_list":["post-4093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lawrence-abu-hamdan"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/4093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/comments?post=4093"}],"version-history":[{"count":0,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/4093\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media\/4095"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media?parent=4093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/categories?post=4093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/tags?post=4093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}