{"id":38841,"date":"2025-02-15T18:29:00","date_gmt":"2025-02-15T17:29:00","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/theo-mercier-mona\/"},"modified":"2025-02-22T20:51:31","modified_gmt":"2025-02-22T19:51:31","slug":"theo-mercier-mona","status":"publish","type":"post","link":"https:\/\/www.mor-charpentier.com\/fr\/theo-mercier-mona\/","title":{"rendered":"Th\u00e9o Mercier @MONA"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Ouvert \u00e0 partir du 13 f\u00e9vrier, <strong><em>MIRRORSCAPE<\/em><\/strong> est un paysage dystopique sculpt\u00e9 cr\u00e9\u00e9 par Th\u00e9o Mercier pour le Mona (Museum of Old and New Art) en Tasmanie, \u00e0 l&#8217;aide de 80 tonnes de sable compact\u00e9 provenant de l&#8217;\u00eele.<\/p>\n\n<p class=\"wp-block-paragraph\">Ce paysage imaginaire a \u00e9t\u00e9 inspir\u00e9 par diff\u00e9rentes forces obscures, telles que les tsunamis, les tremblements de terre, les ouragans, les guerres et les bulldozers &#8211; les puissances de la destruction. Pendant son s\u00e9jour en Tasmanie, Mercier a \u00e9tudi\u00e9 et photographi\u00e9 chaque \u00e9l\u00e9ment, objet et mod\u00e8le d&#8217;\u00e9rosion g\u00e9ologique pour composer cette sc\u00e8ne dramatique, donnant le sentiment que cette situation sp\u00e9culative pourrait \u00eatre ancr\u00e9e sur place. <\/p>\n\n<p class=\"wp-block-paragraph\">Dans l&#8217;\u0153uvre, il y a un fort contraste entre la violence de la repr\u00e9sentation et la douceur et la fragilit\u00e9 du mat\u00e9riau. Dans l&#8217;imaginaire collectif, le sable est li\u00e9 \u00e0 l&#8217;enfance et aux souvenirs d&#8217;\u00e9t\u00e9. Mais ici, l&#8217;enfant est devenu adulte et le sable est aujourd&#8217;hui un mat\u00e9riau en voie de disparition. Pour construire nos villes, nos rues, nos maisons, l&#8217;extraction du sable provoque la destruction des montagnes, l&#8217;ass\u00e8chement des rivi\u00e8res, la disparition des \u00eeles et des c\u00f4tes.   <\/p>\n\n<p class=\"wp-block-paragraph\">En tant que paysage cr\u00e9\u00e9 par l&#8217;homme, <strong><em>MIRRORSCAPE<\/em><\/strong> refl\u00e8te la fa\u00e7on dont l&#8217;humanit\u00e9 construit sa propre destruction et soul\u00e8ve la question des \u00ab catastrophes naturelles \u00bb &#8211; les catastrophes naturelles sont-elles vraiment \u00ab naturelles \u00bb ? Alors que le calme et l&#8217;immobilit\u00e9 rencontrent le bruit et le chaos, une \u00e9trange r\u00e9conciliation semble avoir lieu dans le silence. L&#8217;installation est tendue entre le proph\u00e9tique et l&#8217;archa\u00efque &#8211; fossile du futur, souvenir d&#8217;un drame ancien ou proph\u00e9tie de sable ? C&#8217;est aussi un sablier g\u00e9ant. Jour apr\u00e8s jour, mois apr\u00e8s mois, les formes s&#8217;\u00e9rodent, les \u00e9l\u00e9ments se d\u00e9sagr\u00e8gent, le paysage dispara\u00eet. Mais le sable, lui, restera et suivra son propre chemin.     <\/p>\n\n<p class=\"wp-block-paragraph\">Dates : Ouvert du 15 f\u00e9vrier 2025 au 15 f\u00e9vrier 2026.<\/p>\n\n<p class=\"wp-block-paragraph\">Cr\u00e9dits :<br\/>Direction artistique par Th\u00e9o Mercier<br\/>Commissariat : Jarrod Rawlins, Olivier Varenne et Sarah Wallace<br\/>Sculpteurs de sable : Kevin Crawford, Enguerrand David, Sue McGrew et Leonardo Ugolini<br\/>Chef de projet et conseill\u00e8re artistique : C\u00e9line Peychet<br\/>Assistant de conception 3D : Marius Belmeguenai<br\/>Remerciements \u00e0 la formidable \u00e9quipe technique du MONA<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ouvert \u00e0 partir du 13 f\u00e9vrier, MIRRORSCAPE est un paysage dystopique sculpt\u00e9 cr\u00e9\u00e9 par Th\u00e9o Mercier pour le Mona (Museum of Old and New Art) en Tasmanie, \u00e0 l&#8217;aide de 80 tonnes de sable compact\u00e9 provenant de l&#8217;\u00eele. Ce paysage imaginaire a \u00e9t\u00e9 inspir\u00e9 par diff\u00e9rentes forces obscures, telles que les tsunamis, les tremblements de [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":38831,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"none","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[453],"tags":[],"class_list":["post-38841","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/38841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/comments?post=38841"}],"version-history":[{"count":1,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/38841\/revisions"}],"predecessor-version":[{"id":38842,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/38841\/revisions\/38842"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media\/38831"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media?parent=38841"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/categories?post=38841"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/tags?post=38841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}