{"id":29318,"date":"2022-11-04T22:37:59","date_gmt":"2022-11-04T21:37:59","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/?p=29318"},"modified":"2022-11-04T22:39:03","modified_gmt":"2022-11-04T21:39:03","slug":"mor-charpentier-artissima-2","status":"publish","type":"post","link":"https:\/\/www.mor-charpentier.com\/fr\/mor-charpentier-artissima-2\/","title":{"rendered":"mor charpentier @Artissima"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><br>We are pleased to announce our participation in this year\u2019s\u00a0Artissima Fair opening on November 4th.<br><br>For Artissima 2022, mor charpentier wants to develop a second chapter on the theme of the human landscape, not as a term to describe man-made structures and practices of reshaping the land, but as research on the traces of the human that can be found in nature and urban territories, and in the ways that both interact and coexist. On this occasion, a more historical and political dimension will be explored besides the relationships between ecology and the environment.<br>From Lawrence Abu Hamdan\u2019s audio-visual installation comprising kinetic lightboxes, based on an archive of images from the Lebanese war and in the present day, to Daniel Otero Torres\u2019 ceramic sculpture of the Southern Hemisphere with inscribed patterns of several animal migrations, discover the historical and political dimensions of shaping the land in the contemporary panorama<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We are pleased to showcase works by <strong>Lawrence Abu Hamdan, Rossella Biscotti, Malo Chapuy, Bouchra Khalili, Teresa Margolles, Yoshua Ok\u00f3n, Daniel Otero Torres, Nohem\u00ed P\u00e9rez <\/strong>and<strong> Charwei Tsai. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Artissima Fair\u00a0opens this Friday, see you there in booth Green 1 Brown 2!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are pleased to announce our participation in this year\u2019s\u00a0Artissima Fair opening on November 4th. For Artissima 2022, mor charpentier wants to develop a second chapter on the theme of the human landscape, not as a term to describe man-made structures and practices of reshaping the land, but as research on the traces of the [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":29319,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[437,16,434,3,22,532,23,5,14],"tags":[],"class_list":["post-29318","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bouchra-khalili","category-charwei-tsai","category-daniel-otero","category-fairs","category-lawrence-abu-hamdan","category-nohemi-perez","category-rossella-biscotti","category-teresa-margolles","category-yoshua-okon"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/29318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/comments?post=29318"}],"version-history":[{"count":0,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/29318\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media\/29319"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media?parent=29318"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/categories?post=29318"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/tags?post=29318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}