{"id":27219,"date":"2022-06-17T18:53:13","date_gmt":"2022-06-17T16:53:13","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/marwa-arsanios-documenta-fifteen\/"},"modified":"2022-06-17T19:24:42","modified_gmt":"2022-06-17T17:24:42","slug":"marwa-arsanios-documenta-fifteen","status":"publish","type":"post","link":"https:\/\/www.mor-charpentier.com\/fr\/marwa-arsanios-documenta-fifteen\/","title":{"rendered":"Marwa Arsanios @documenta fifteen"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">D\u00e9couvrez le quatri\u00e8me chapitre de la s\u00e9rie de films de <strong>Marwa Arsanios<\/strong>, <em>Who is Afraid of Ideology<\/em> ? \u00e0 docuemnta fifteen <\/p>\n\n<p class=\"wp-block-paragraph\">Le film s&#8217;inscrit dans le cadre d&#8217;un projet de collaboration qui tente de faire changer le statut d&#8217;un terrain priv\u00e9 dans le nord du Liban en un waqf commun ou social. L&#8217;objectif serait de faire pr\u00e9valoir le droit d&#8217;utilisation sur le droit de propri\u00e9t\u00e9. Les terres ne seraient utilis\u00e9es que par des personnes qui ne poss\u00e8dent pas de terres \u00e0 des fins agricoles. Le film suit ce processus et y ajoute une r\u00e9flexion sur la mani\u00e8re dont la terre, en tant qu&#8217;objet vivant, r\u00e9siste par nature \u00e0 la propri\u00e9t\u00e9. La mati\u00e8re et la terre deviennent le t\u00e9moin d&#8217;une certaine histoire de la non-propri\u00e9t\u00e9. L&#8217;interconnexion du g\u00e9ologique, de l&#8217;historique, du juridique et de l&#8217;agricole met en avant une sorte d&#8217;\u00e9cologie de la pens\u00e9e dont le but est la communalisation et la r\u00e9habilitation.<\/p>\n\n<p class=\"wp-block-paragraph\">L&#8217;installation pour documenta fifteen comprend une s\u00e9rie de panneaux qui montrent les r\u00e8gles \u00e9tablies par Marwa et la communaut\u00e9 pour l&#8217;utilisation de la terre et des ressources \u00e0 la fronti\u00e8re syrienne. Cela souligne la mani\u00e8re dont ce projet transcende le cadre artistique, en cr\u00e9ant un projet social de longue dur\u00e9e.<\/p>\n\n<p class=\"wp-block-paragraph\"><em>Who is Afraid of Ideology?<\/em> Part 4 is a project in collaboration with Maya Dghaidi (legal research), Wissam Saade (historical research), Amany Dagher and Wael Yammine de Soils Permaculture Association Lebanon.<\/p>\n\n<p class=\"wp-block-paragraph\">documenta fifteen, commissariat de @ruangrupa, ouvre ce samedi 18 juin. Ne le manquez pas!<\/p>\n\n<p class=\"wp-block-paragraph\">Travail cin\u00e9matographique avec Mazen Hachem, Katrin Ebersohn, Joanna Dammour et le mus\u00e9e g\u00e9ologique de l&#8217;AUB, Nancy Nasseredine, Mohamed Blakah, Mohammad Shawky Hassan, Salma Said, Nagham Darwich, Boutros Arsanios, Alaa Abdullatif, Jochen Jezussek, Nadim Choufi, Jowe Harfouche, Marie Nour Hechaime, Rabih Beaini, Magda Nammour et la Biblioth\u00e8que Orientale de Beyrouth, Safa Hamzeh, Rosemay Hechaime.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u00e9couvrez le quatri\u00e8me chapitre de la s\u00e9rie de films de Marwa Arsanios, Who is Afraid of Ideology ? \u00e0 docuemnta fifteen Le film s&#8217;inscrit dans le cadre d&#8217;un projet de collaboration qui tente de faire changer le statut d&#8217;un terrain priv\u00e9 dans le nord du Liban en un waqf commun ou social. L&#8217;objectif serait de [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":27215,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[453],"tags":[],"class_list":["post-27219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/27219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/comments?post=27219"}],"version-history":[{"count":0,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/27219\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media\/27215"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media?parent=27219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/categories?post=27219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/tags?post=27219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}