{"id":27164,"date":"2022-05-27T20:18:35","date_gmt":"2022-05-27T18:18:35","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/teresa-margolles-kader-attia-and-paz-errazuriz-mavi\/"},"modified":"2022-06-17T00:00:11","modified_gmt":"2022-06-16T22:00:11","slug":"teresa-margolles-kader-attia-and-paz-errazuriz-mavi","status":"publish","type":"post","link":"https:\/\/www.mor-charpentier.com\/fr\/teresa-margolles-kader-attia-and-paz-errazuriz-mavi\/","title":{"rendered":"Teresa Margolles, Kader Attia and Paz Err\u00e1zuriz @MAVI"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">D\u00e9couvrez les \u0153uvres de <strong>Teresa Margolles<\/strong>, <strong>Kader Attia<\/strong> et <strong>Paz Err\u00e1zuriz<\/strong>lors de la derni\u00e8re exposition du MAVI <em>As\u00ed van las cosas<\/em> (La fa\u00e7on dont les choses se d\u00e9roulent). L&#8217;exposition interroge la notion d&#8217;instabilit\u00e9 et de pr\u00e9carit\u00e9, ainsi que l&#8217;id\u00e9e de progr\u00e8s, \u00e0 partir de diff\u00e9rents points de vue sur les contextes sociaux, \u00e9conomiques et politiques de notre \u00e9poque.<\/p>\n\n<p class=\"wp-block-paragraph\"><strong><em>Ya Basta Hijos de Puta<\/em><\/strong> de Teresa Margolles est un narco-message qui a \u00e9t\u00e9 utilis\u00e9 \u00e0 partir de 2010 entre deux bandes rivales \u00e0 la recherche du contr\u00f4le territorial \u00e0 Ciudad Juarez. Cette s\u00e9rie de messages sont li\u00e9s \u00e0 la violence apport\u00e9e par le d\u00e9veloppement du trafic qui entoure la ville.<\/p>\n\n<p class=\"wp-block-paragraph\">La vid\u00e9o <strong><em>Oil and Sugar<\/em><\/strong> de Kader Attia enregistre en temps r\u00e9el un close up de cubes de sucre cristallins empil\u00e9s comme des briques sur un plateau d&#8217;argent. L&#8217;utilisation de ces mat\u00e9riaux renvoie \u00e0 la relation contemporaine avec l&#8217;esclavage, le p\u00e9trole \u00e9tant constamment associ\u00e9 \u00e0 la colonisation.<\/p>\n\n<p class=\"wp-block-paragraph\">La s\u00e9rie <strong><em>Ni\u00f1as<\/em><\/strong> de Paz Err\u00e1zuriz propose une r\u00e9flexion sur la photographie elle-m\u00eame en tant que moyen de visibilit\u00e9, de documentation, d&#8217;identification et de contr\u00f4le dans les images de diff\u00e9rentes maisons de bordel de Santiago du Chili et de Montevideo.<\/p>\n\n<p class=\"wp-block-paragraph\"><em>As\u00ed van las cosas est ouverte jusqu&#8217;au 3 juillet 2022 MAVI, Chili.<\/em> Ne le manquez pas!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u00e9couvrez les \u0153uvres de Teresa Margolles, Kader Attia et Paz Err\u00e1zurizlors de la derni\u00e8re exposition du MAVI As\u00ed van las cosas (La fa\u00e7on dont les choses se d\u00e9roulent). L&#8217;exposition interroge la notion d&#8217;instabilit\u00e9 et de pr\u00e9carit\u00e9, ainsi que l&#8217;id\u00e9e de progr\u00e8s, \u00e0 partir de diff\u00e9rents points de vue sur les contextes sociaux, \u00e9conomiques et politiques [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":26929,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[543,517,453],"tags":[],"class_list":["post-27164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kader-attia-fr","category-paz-errazuriz-fr","category-non-classifiee"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/27164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/comments?post=27164"}],"version-history":[{"count":0,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/27164\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media\/26929"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media?parent=27164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/categories?post=27164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/tags?post=27164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}