{"id":15594,"date":"2020-10-24T10:04:27","date_gmt":"2020-10-24T08:04:27","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/edgardo-aragon-teresa-margolles-fredi-casco-museo-amparo-mexico\/"},"modified":"2020-10-24T10:04:27","modified_gmt":"2020-10-24T08:04:27","slug":"edgardo-aragon-teresa-margolles-fredi-casco-museo-amparo-mexico","status":"publish","type":"post","link":"https:\/\/www.mor-charpentier.com\/fr\/edgardo-aragon-teresa-margolles-fredi-casco-museo-amparo-mexico\/","title":{"rendered":"Edgardo Arag\u00f3n, Teresa Margolles &#038; Fredi Casco @Museo Amparo, Mexico"},"content":{"rendered":"<p><em>The Missing Circle<\/em> is a three-year series curated by Magal\u00ed Arriola, KADIST collection Regional Curator for Latin America, departing from the shared experience of death and extinction in Latin America from colonial times to the present. Consisting of a series of seminars, artist commissions, and exhibitions, <em>The Missing Circle<\/em> explores the various manifestations of death in the region from the figure of the \u2018undead,\u2019 as incarnated by early capitalist slave economies and forced labor to the haunting bodies of those fallen, to drug wars that certain countries have waged on their own citizens. Like a fable providing an allegorical approach to the Latin American social and political scenery,\u00a0<em>The Missing Circle<\/em>\u00a0revisits particular episodes and events in the region\u2019s history to explore the role that counted corpses and unaccounted souls play in the world of the living\u2014not only as casualties of institutionalized violence and bare life but also as emancipating agents at the heart of new political formations.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Missing Circle is a three-year series curated by Magal\u00ed Arriola, KADIST collection Regional Curator for Latin America, departing from the shared experience of death and extinction in Latin America from colonial times to the present. Consisting of a series of seminars, artist commissions, and exhibitions, The Missing Circle explores the various manifestations of death [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":13386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[24,21,5],"tags":[],"class_list":["post-15594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edgardo-aragon","category-fredi-casco","category-teresa-margolles"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/15594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/comments?post=15594"}],"version-history":[{"count":0,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/posts\/15594\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media\/13386"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media?parent=15594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/categories?post=15594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/tags?post=15594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}