{"id":36618,"date":"2024-04-13T19:25:51","date_gmt":"2024-04-13T17:25:51","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/exhibition\/aguas\/"},"modified":"2024-06-25T18:41:46","modified_gmt":"2024-06-25T16:41:46","slug":"aguas","status":"publish","type":"exhibition","link":"https:\/\/www.mor-charpentier.com\/fr\/exhibition\/aguas\/","title":{"rendered":"agua(s)"},"content":{"rendered":"
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agua(s),<\/strong><\/em> 2024Exhibition view<\/sub><\/figcaption><\/figure>\n<\/div>\n
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Mensajes del agua, <\/em>2024Daniel Correa Mej\u00eda(Oil on yute)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
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Alegor\u00eda del R\u00edo: la promesa de la ceiba, <\/em>2024Milena Bonilla(Inkjet print, river stone and ceiba seed)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n
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Oc\u00e9ano Interno, <\/em>2024Nicol\u00e1s Paris(Serigraphy intervention on wall, temporary tattoos, water)<\/sub><\/figcaption><\/figure>\n<\/div>\n
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L\u00e1grima o sal\u00f3n de clase para regresara a la tierra, <\/em>2024Nicol\u00e1s Paris(Ceiba tree branches, metal, glass)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
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L\u00e1grima o sal\u00f3n de clase para regresara a la tierra, <\/em>2024Nicol\u00e1s Paris(Detail)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n
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agua(s),<\/strong><\/em> 2024Exhibition view<\/sub><\/figcaption><\/figure>\n<\/div>\n
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agua(s),<\/strong><\/em> 2024Exhibition view<\/sub><\/figcaption><\/figure>\n<\/div>\n
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Ancient Desires – Ah!, 2<\/em>024Charwei Tsai(Set of 44 pieces of ceramic offering vessels that are hand-inscribed with the sanskrit letter “Ah”)<\/sub><\/figcaption><\/figure>\n<\/div>\n
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Ancient Desires – Ah!, 2<\/em>024
Charwei Tsai
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The Knot is not the Rope, <\/em>2024Julieta Aranda(Installation of 54 recollected ropes and plastic materials)<\/sub><\/figcaption><\/figure>\n<\/div>\n
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The Knot is not the Rope, <\/em>2024Julieta Aranda(Details)<\/sub><\/figcaption><\/figure>\n<\/div>\n
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agua(s),<\/strong><\/em> 2024Exhibition view<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
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agua(s),<\/strong><\/em> 2024Exhibition view<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n
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Reveal, <\/em>2024Chen Ching-Yuan(Oil on canvas)<\/figcaption><\/figure>\n\n\n\n
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Vessel, <\/em>2024Chen Ching-Yuan(Oil on canvas)<\/figcaption><\/figure>\n<\/figure>\n\n
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agua(s),<\/strong><\/em> 2024Exhibition view<\/sub><\/figcaption><\/figure>\n<\/div>\n
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Espectros: Memorias de la inundaci\u00f3n, <\/em><\/strong>2016
Fredi Casco
(Pastel and different inks, legal documents dating from the 19th century)<\/sub><\/figcaption><\/figure>\n\n
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agua(s),<\/strong><\/em> 2024Exhibition view<\/sub><\/figcaption><\/figure>\n<\/div>\n
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Flowers 2, <\/em>2024J\u0119drzej Bie\u0144ko(Acrylic on linen canvas)<\/figcaption><\/figure>\n\n\n\n
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Flowers I, <\/em>2024J\u0119drzej Bie\u0144ko(Acrylic on linen canvas)<\/figcaption><\/figure>\n\n\n\n
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Eyes 5, <\/em>2024J\u0119drzej Bie\u0144ko(Acrylic on linen canvas)<\/figcaption><\/figure>\n<\/figure>\n\n
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agua(s),<\/strong><\/em> 2024Exhibition view<\/sub><\/figcaption><\/figure>\n<\/div>\n
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agua(s),<\/strong><\/em> 2024Exhibition view<\/sub><\/figcaption><\/figure>\n<\/div>","protected":false},"featured_media":35941,"template":"","class_list":["post-36618","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/exhibition\/36618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media\/35941"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media?parent=36618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}