{"id":28167,"date":"2022-09-04T20:30:39","date_gmt":"2022-09-04T18:30:39","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/exhibition\/lart-de-la-joie\/"},"modified":"2022-11-18T20:19:31","modified_gmt":"2022-11-18T19:19:31","slug":"lart-de-la-joie","status":"publish","type":"exhibition","link":"https:\/\/www.mor-charpentier.com\/fr\/exhibition\/lart-de-la-joie\/","title":{"rendered":"L’art de la joie"},"content":{"rendered":"
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L’art de la joie, 2022(Exhibition view, Upper floor)<\/sub><\/figcaption><\/figure><\/div>\n
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L’art de la joie, 2022(Exhibition view, Upper floor)<\/sub><\/figcaption><\/figure>\n\n\n
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L’art de la joie, 2022(Exhibition view, Upper floor)<\/sub><\/figcaption><\/figure><\/figure>\n\n
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L’art de la joie, 2022(Exhibition view, Upper floor)<\/sub><\/figcaption><\/figure><\/div><\/div>\n\n\n\n
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Untitled (Self Portrait with Square II), <\/em><\/strong>1973(Modern gelatin silver print made from the original negative. Printed in 2013)<\/figcaption><\/figure><\/div>\n\n\n

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The Square, <\/em><\/strong>1973(Series of five gelatin silver prints made from the original negatives. Printed in 2013)<\/figcaption><\/figure><\/div>\n
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The Square, <\/em><\/strong>1973 (Detail)<\/figcaption><\/figure>\n\n\n
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The Square, <\/em><\/strong>1973 (Detail)<\/figcaption><\/figure>\n\n\n
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The Square, <\/em><\/strong>1973 (Detail)<\/figcaption><\/figure>\n\n\n
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The Square, <\/em><\/strong>1973 (Detail)<\/figcaption><\/figure><\/figure>\n\n
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Development of a Wrinkl<\/em><\/strong>e, 1967(Diptych of etching, wrinkled paper, mounted on board)<\/figcaption><\/figure><\/div>\n
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Development of a Wrinkl<\/em><\/strong>e, 1967 (Detail)<\/figcaption><\/figure>\n\n\n
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Development of a Wrinkl<\/em><\/strong>e, 1967 (Detail)<\/figcaption><\/figure><\/figure>\n\n
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Wrinkle<\/em><\/strong>, 1968(Modern edition [2008-2013] of 10 photo etchings)<\/figcaption><\/figure><\/div>\n
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To Fix It (Man with Blue Overall)<\/em><\/strong>, 2020(Figurine and broken clock)<\/figcaption><\/figure><\/div><\/div>\n\n\n\n
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To Fix It (Man with Blue Overall)<\/em><\/strong>, 2020(Detail)<\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n
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The Dangerous Game<\/em><\/strong>, 1979(Acrylic, silkscreen and assemblage on canvas)<\/figcaption><\/figure><\/div>\n
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The Dangerous Game<\/em><\/strong>, 1979(Detail)<\/figcaption><\/figure>\n\n\n
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The Dangerous Game<\/em><\/strong>, 1979(Detail)<\/figcaption><\/figure>\n\n\n
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The Dangerous Game<\/em><\/strong>, 1979(Detail)<\/figcaption><\/figure>\n\n\n
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The Dangerous Game<\/em><\/strong>, 1979(Detail)<\/figcaption><\/figure>\n\n\n
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The Dangerous Game<\/em><\/strong>, 1979(Detail)<\/figcaption><\/figure><\/figure>\n\n
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To Do It<\/em><\/strong>, 2020(Acrylic and assemblage on canvas)<\/figcaption><\/figure><\/div><\/div>\n\n\n\n
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El Relojero I,<\/em><\/strong> 2020(Acrylic and assemblage on canvas)<\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n
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L’art de la joie, 2022(Exhibition view, lower ground)<\/figcaption><\/figure>\n\n\n
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L’art de la joie, 2022(Exhibition view, lower ground)<\/figcaption><\/figure><\/figure>\n\n
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Fragment of a Crowd<\/em><\/strong>, 1966(Etching and acrylic on paper in pop-up portfolio)<\/figcaption><\/figure>\n\n\n
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Fragment of a Crowd<\/em><\/strong>, 1966(Etching and acrylic on paper in pop-up portfolio)<\/figcaption><\/figure><\/figure>\n
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Fragment of a Crowd<\/em><\/strong>, 1966(Detail)<\/figcaption><\/figure><\/div>\n
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L’art de la joie, 2022(Exhibition view, lower ground)<\/sub><\/figcaption><\/figure><\/div>\n
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L’art de la joie, 2022(Exhibition view, lower ground)<\/sub><\/figcaption><\/figure><\/figure>\n<\/div>\n\n\n\n
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The Line<\/strong><\/em>, 1973 (Etching on paper)<\/figcaption><\/figure><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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L’art de la joie, 2022(Exhibition view, lower ground)<\/sub><\/figcaption><\/figure><\/div>\n
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Gandhi<\/em><\/strong>, 1967(Etching on paper)<\/figcaption><\/figure>\n\n\n
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Gandhi II<\/em><\/strong>, 1968(Etching on paper)<\/figcaption><\/figure>\n\n\n
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Gandhi III,<\/em><\/strong> 1968(Etching on paper)<\/figcaption><\/figure>\n\n\n
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Gandhi IV<\/em><\/strong>, 1968(Etching on paper)<\/figcaption><\/figure><\/figure>\n\n
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L’art de la joie, 2022(Exhibition view, lower ground)<\/figcaption><\/figure><\/div>
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Untitled at War<\/em><\/strong>, 2022(Acrylic and assemblage on canvas)<\/figcaption><\/figure><\/div>\n
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Untitled at War<\/em><\/strong>, 2022(Detail)<\/figcaption><\/figure>\n\n\n
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Untitled at War<\/em><\/strong>, 2022(Detail)<\/figcaption><\/figure>\n\n\n
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Untitled at War<\/em><\/strong>, 2022(Detail)<\/figcaption><\/figure><\/figure>\n\n
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Smoke<\/em><\/strong>, 2022(Pyrography, acrylic and assemblage on canvas)<\/figcaption><\/figure><\/div><\/div>\n\n\n\n
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Smoke<\/em><\/strong>, 2022(Detail)<\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n
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Dialogue with Plastic Soldier<\/em><\/strong>, 2002(Wooden bracket, plastic soldier, porcelain penguin)<\/figcaption><\/figure><\/div>\n
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L’art de la joie, 2022(Exhibition view, lower ground)<\/figcaption><\/figure><\/div>","protected":false},"featured_media":28161,"template":"","class_list":["post-28167","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/exhibition\/28167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media\/28161"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/fr\/wp-json\/wp\/v2\/media?parent=28167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}