Co-edited by Cobogó, the book “Espírito de tudo” was presented on April 25, 2017 and it is based on the eponymous solo exhibition of the artist in Oi Futuro Flamengo.  

As part of the CalArts’ Cinematic Voices lecture, the Mexican artist Yoshua Okon gave a talk at the Bijou Theatre on April 25, 2017.

Lawrence Abu Hamdan participated in documenta 14 at the Athens Conservatoire. The Athens Conservatoire, commonly referred to as Odeion, is part of an unrealized urban plan that won the architect Ioannis Despotopoulos first prize in a competition held for the Athens Cultural Center in 1959.

Yoshua Okon’s work is participating in Reverberaciones, an exhibition of art and sound in the collections of the MUAC, Mexico City.

Carlos Motta is participating in the group show We’re Happy Here in the Happy House that opened on April 21st, 2017 at Proyecto Amil in Lima, Peru.

Thirty years after the exhibition Hommage à Ferrari, the Fondation Cartier will once again focus its attention on the world of cars with the exhibition Autophoto dedicated to photography’s relationship to the automobile. The work of Rosângela Rennó is participating in the exhibition curated by Xavier Barral and Philippe Séclier, on view through September 24, 2017.

« Toda mi obra es un ensayo, aproximaciones para llegar a cosas a las que uno nunca llega. Y por eso sigo trabajando”

For her installation at the Springhornhof, Lara Almarcegui poured 120 cubic meters of sand on the ground floor of the Kunstverein, creating a link between the historical exhibition building and the natural occurrence of the raw material necessary for its construction. On view through August 20, 2017

Milena Bonilla and Voluspa Jarpa are participating in The Arcades: Contemporary Art and Walter Benjamin, an exhibition curated by Jens Hoffman at the Jewish Museum in New York.

Fredi Casco’s work will be on view at the exhibition “Destiempo: dynamogram of Puerto Casado, Paraguay” opening on April 14, 2017. The show was curated by Lia Colombino and Valentina Bonifacio.