{"id":44609,"date":"2026-07-04T16:23:10","date_gmt":"2026-07-04T14:23:10","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/?p=44609"},"modified":"2026-07-04T16:23:12","modified_gmt":"2026-07-04T14:23:12","slug":"discover-work-of-oscar-munoz-at-masp","status":"publish","type":"post","link":"https:\/\/www.mor-charpentier.com\/es\/discover-work-of-oscar-munoz-at-masp\/","title":{"rendered":"Discover work of \u00d3scar Mu\u00f1oz at MASP"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Video room : \u00d3scar Mu\u00f1oz on view at MASP, brings together three video works by Oscar Mu\u00f1oz. Through ephemeral materials such as water, charcoal powder, and the body, the exhibition reflects on the instability of images and the fragility of memory, while addressing the historical context of violence, disappearances, and political conflict in Colombia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Across \ud835\ude15\ud835\ude22\ud835\ude33\ud835\ude24\ud835\ude2a\ud835\ude34\ud835\ude30 (2001), \ud835\ude13\u00ed\ud835\ude2f\ud835\ude26\ud835\ude22 \ud835\ude25\ud835\ude26\ud835\ude2d \ud835\ude25\ud835\ude26\ud835\ude34\ud835\ude35\ud835\ude2a\ud835\ude2f\ud835\ude30 (2006), and \ud835\ude19\ud835\ude26\/\ud835\ude35\ud835\ude33\ud835\ude22\ud835\ude35\ud835\ude30 (2004), Mu\u00f1oz explores the tension between appearance and disappearance, constructing images that dissolve almost as soon as they emerge. Faces formed in charcoal drift away with water, reflections vanish in the palm of a hand, and portraits painted with water evaporate before they can fully materialize. Through these transient processes, the artist reveals the impossibility of fixing identity, memory, and history into permanent forms.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For decades, Mu\u00f1oz\u2019s practice has investigated the relationship between image, identity, and remembrance through photography, drawing, printmaking, painting, and video. Since the early 2000s, video has become central to his work, allowing him to document the unstable nature of his materials and foreground disappearance itself as both a visual and political condition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Curated by Matheus de Andrade, the exhibition is on view until June 21, 2026.&nbsp;<a href=\"https:\/\/www.instagram.com\/matheusaac\/\">@matheusaac<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video room : \u00d3scar Mu\u00f1oz on view at MASP, brings together three video works by Oscar Mu\u00f1oz. Through ephemeral materials such as water, charcoal powder, and the body, the exhibition reflects on the instability of images and the fragility of memory, while addressing the historical context of violence, disappearances, and political conflict in Colombia. Across [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":44610,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[454],"tags":[],"class_list":["post-44609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categorizar"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts\/44609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/comments?post=44609"}],"version-history":[{"count":1,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts\/44609\/revisions"}],"predecessor-version":[{"id":44613,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts\/44609\/revisions\/44613"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media\/44610"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media?parent=44609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/categories?post=44609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/tags?post=44609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}