{"id":41639,"date":"2025-12-19T11:15:56","date_gmt":"2025-12-19T10:15:56","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/?p=41639"},"modified":"2025-12-19T11:15:58","modified_gmt":"2025-12-19T10:15:58","slug":"marwa-arsanios-the-land-shall-not-be-owned-at-artium-museoa","status":"publish","type":"post","link":"https:\/\/www.mor-charpentier.com\/es\/marwa-arsanios-the-land-shall-not-be-owned-at-artium-museoa\/","title":{"rendered":"Marwa Arsanios, The Land Shall Not Be Owned at Artium Museoa"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Artium Museoa presents&nbsp;The Land Shall Not Be Owned, a solo exhibition covering the work of an artist of Lebanese descent, Marwa Arsanios (Washington, DC, 1978). At the heart of the exhibition is her series of documentary pieces entitled&nbsp;Who Is Afraid of Ideology?&nbsp;(2017-ongoing), a project in which Arsanios examines the reappropriation and exploitation of land in a variety of regions in the Middle East and South America. The exhibition presents its fifth and most recent chapter,&nbsp;Right of Passage&nbsp;(2025), co-produced by the museum in collaboration with the Fondazione Sandretto Re Rebaudengo in Turin and the Fundaci\u00f3 Joan Mir\u00f3 in Barcelona.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Who Is Afraid of Ideology?&nbsp;is an ongoing investigation into the politics of land distribution and extraction in which Arsanios shows us different forms of self-organisation in various communities of women, exploring how these challenge patriarchal structures.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition, curated by Agust\u00edn P\u00e9rez Rubio, is being organised in collaboration with Fondazione Sandretto Re Rebaudengo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Who Is Afraid of Ideology? Part 5: Right of Passage will also be presented at Fondaci\u00f2 Joan Miro In Barcelona from 14\/11\/2025 to 18\/01\/2026.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artium Museoa presents&nbsp;The Land Shall Not Be Owned, a solo exhibition covering the work of an artist of Lebanese descent, Marwa Arsanios (Washington, DC, 1978). At the heart of the exhibition is her series of documentary pieces entitled&nbsp;Who Is Afraid of Ideology?&nbsp;(2017-ongoing), a project in which Arsanios examines the reappropriation and exploitation of land in [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":41642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"none","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-41639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts\/41639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/comments?post=41639"}],"version-history":[{"count":1,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts\/41639\/revisions"}],"predecessor-version":[{"id":41645,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts\/41639\/revisions\/41645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media\/41642"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media?parent=41639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/categories?post=41639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/tags?post=41639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}