{"id":27177,"date":"2022-06-01T22:26:48","date_gmt":"2022-06-01T20:26:48","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/liliana-porter-the-metropolitan-museum-of-art-nyc\/"},"modified":"2022-06-17T00:19:51","modified_gmt":"2022-06-16T22:19:51","slug":"liliana-porter-the-metropolitan-museum-of-art-nyc","status":"publish","type":"post","link":"https:\/\/www.mor-charpentier.com\/es\/liliana-porter-the-metropolitan-museum-of-art-nyc\/","title":{"rendered":"Liliana Porter @The Metropolitan Museum of Art NYC"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">El gesto art\u00edstico de trazar l\u00edneas en el espacio -ya sea el espacio expositivo real o el \u00e1mbito virtual de la representaci\u00f3n, y las relaciones entre ambos- estuvo en el centro de la pr\u00e1ctica de <strong>Liliana Porter<\/strong> durante la d\u00e9cada de 1970. Experiment\u00f3 con formas geom\u00e9tricas y present\u00f3 im\u00e1genes de formas geom\u00e9tricas o partes del cuerpo de la artista y trat\u00f3 de complicar la distinci\u00f3n entre objeto e imagen, obra y contexto y capas de representaci\u00f3n. Tambi\u00e9n explor\u00f3 estas ideas de continuaci\u00f3n e interacci\u00f3n en una serie de instalaciones murales que inclu\u00edan dibujos a l\u00e1piz y fotograf\u00edas de las manos de la artista.<\/p>\n\n<p class=\"wp-block-paragraph\">En su instalaci\u00f3n <strong><em>Untitled (Triangle)<\/em><\/strong>, tres fotograf\u00edas de las manos de la artista est\u00e1n conectadas por una l\u00ednea de grafito dibujada directamente en la pared, formando un tri\u00e1ngulo. La obra forma parte de una serie de instalaciones que inici\u00f3 a principios de la d\u00e9cada de 1970 y que vinculaban el dibujo y la fotograf\u00eda.<\/p>\n\n<p class=\"wp-block-paragraph\">La obra se puede ver actualmente en la exposici\u00f3n del The Metropolitan Museum of Art<em>Drawing without Paper<\/em>, que explora una noci\u00f3n expandida del dibujo.<\/p>\n\n<p class=\"wp-block-paragraph\"><em>Drawing without Paper<\/em> est\u00e1 abierta hasta el 18 de septiembre de 2022. \u00a1No te la pierdas!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El gesto art\u00edstico de trazar l\u00edneas en el espacio -ya sea el espacio expositivo real o el \u00e1mbito virtual de la representaci\u00f3n, y las relaciones entre ambos- estuvo en el centro de la pr\u00e1ctica de Liliana Porter durante la d\u00e9cada de 1970. Experiment\u00f3 con formas geom\u00e9tricas y present\u00f3 im\u00e1genes de formas geom\u00e9tricas o partes del [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":26938,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[477,454],"tags":[],"class_list":["post-27177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-liliana-porter-es","category-sin-categorizar"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts\/27177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/comments?post=27177"}],"version-history":[{"count":0,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts\/27177\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media\/26938"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media?parent=27177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/categories?post=27177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/tags?post=27177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}