{"id":18145,"date":"2020-12-04T16:26:47","date_gmt":"2020-12-04T15:26:47","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/?p=18145"},"modified":"2020-12-04T16:26:50","modified_gmt":"2020-12-04T15:26:50","slug":"lawrence-abu-hamdan-livestream-launch-of-renaissance-society-tv","status":"publish","type":"post","link":"https:\/\/www.mor-charpentier.com\/es\/lawrence-abu-hamdan-livestream-launch-of-renaissance-society-tv\/","title":{"rendered":"Lawrence Abu Hamdan @Livestream Launch of Renaissance Society TV"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Renaissance TV is an experiment, an additional exhibition space, and a tentative exploration of the potential for the internet to be a generative platform divorced from vertical hierarchies and classical institutional agendas. Conceptualized by Myriam Ben Salah with Karsten Lund and Michael Harrison, and inspired by the lo-fi aesthetic and assorted programming of television broadcasting, Renaissance TV hosts artist projects\u2014newly produced and existing\u2014such as films, animations, performances, sound pieces, mixtapes, and more. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On December 4th and 5th, the platform launches with IMAGE. SOUND. TEXT., a 24-hour program named after the three components that Carolyn Lazard combines and calls out in their video A Recipe for Disaster. These elements weave a thematic thread throughout the program, recurring as the selected artworks question the idea of image, sound, and text as transparent\u2014or accurate\u2014 mediums, and consider their material conditions and the status of what\u2019s on air. As Renaissance TV hijacks television\u2019s visual template of instant visibility, it also weighs how the internet and mobile devices are changing ways of watching and spreading the means to make and deliver \u201cprogramming\u201d in the first place. Whether it offers a passive flow of moving images or an unmapped landscape of encounters, the screen can be an active vehicle for imagination and reflexive viewership.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Renaissance TV is an experiment, an additional exhibition space, and a tentative exploration of the potential for the internet to be a generative platform divorced from vertical hierarchies and classical institutional agendas. Conceptualized by Myriam Ben Salah with Karsten Lund and Michael Harrison, and inspired by the lo-fi aesthetic and assorted programming of television broadcasting, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":12870,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[22],"tags":[],"class_list":["post-18145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lawrence-abu-hamdan"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts\/18145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/comments?post=18145"}],"version-history":[{"count":0,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/posts\/18145\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media\/12870"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media?parent=18145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/categories?post=18145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/tags?post=18145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}