{"id":24782,"date":"2022-01-18T18:38:43","date_gmt":"2022-01-18T17:38:43","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/?post_type=exhibition&#038;p=24782"},"modified":"2022-01-21T23:24:29","modified_gmt":"2022-01-21T22:24:29","slug":"requiem","status":"publish","type":"exhibition","link":"https:\/\/www.mor-charpentier.com\/es\/exhibition\/requiem\/","title":{"rendered":"Requiem"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2892.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2892-1024x677.jpg\" alt=\"\" class=\"wp-image-24786\"\/><\/a><figcaption><sub>Requiem, 2022<br>(Exhibition view, Upper floor: works by Th\u00e9o Mercier and Lara Almarcegui)<\/sub><\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2885-1024x677.jpg\" alt=\"\" data-id=\"24789\" data-link=\"https:\/\/www.mor-charpentier.com\/?attachment_id=24789\" class=\"wp-image-24789\"\/><figcaption class=\"blocks-gallery-item__caption\"><meta charset=\"utf-8\">Requiem, 2022<br>(Exhibition view, Upper floor: works by Lara Almarcegui, Th\u00e9o Mercier and Teresa Margolles)<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"703\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2906-1024x703.jpg\" alt=\"\" data-id=\"24792\" data-link=\"https:\/\/www.mor-charpentier.com\/?attachment_id=24792\" class=\"wp-image-24792\"\/><figcaption class=\"blocks-gallery-item__caption\"><meta charset=\"utf-8\">Requiem, 2022<br>(Exhibition view, Upper floor: works by <meta charset=\"utf-8\">Teresa Margolles, Lara Almarcegui and Th\u00e9o Mercier)<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2887-1.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2887-1-1024x758.jpg\" alt=\"\" class=\"wp-image-24798\" width=\"913\" height=\"676\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2887-1-1024x758.jpg 1024w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2887-1.jpg 1918w\" sizes=\"auto, (max-width: 913px) 100vw, 913px\" \/><\/a><figcaption><sub>Ruines de Bourgogne, 2004-2009<br>Lara Almarcegui<br>(Triptych of digital prints)<\/sub><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2895-1024x695.jpg\" alt=\"\" class=\"wp-image-24801\" width=\"1011\" height=\"686\"\/><figcaption><meta charset=\"utf-8\"><sub>Requiem, 2022<br>(Exhibition view, Upper floor: works by Th\u00e9o Mercier)<\/sub><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2925.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"838\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2925-1024x838.jpg\" alt=\"\" class=\"wp-image-24804\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2925-1024x838.jpg 1024w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2925.jpg 1733w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption><sub>Bioarchives (Haliotis aurantium, Onyx), 2021<br>Th\u00e9o Mercier<br>(Metallic wheel, white onyx, shells, raw steel)<\/sub><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2932.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2932-1024x677.jpg\" alt=\"\" class=\"wp-image-24807\"\/><\/a><figcaption><meta charset=\"utf-8\"><sub>Bioarchives (Haliotis aurantium, Onyx), 2021<br>Th\u00e9o Mercier<br>(Detaill)<\/sub><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"677\" height=\"1024\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2943-677x1024.jpg\" alt=\"\" class=\"wp-image-24810\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2943-677x1024.jpg 677w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2943.jpg 938w\" sizes=\"auto, (max-width: 677px) 100vw, 677px\" \/><figcaption><sub>Bioarchives (Haliotis rufescens, Lobatus gigas, Lambis), 2021<br>Th\u00e9o Mercier<br>(Tailpipe, shells, raw steel)<\/sub><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"938\" height=\"1251\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2942-edited.jpg\" alt=\"\" class=\"wp-image-24822\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2942-edited.jpg 938w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2942-edited-768x1024.jpg 768w\" sizes=\"auto, (max-width: 938px) 100vw, 938px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"909\" height=\"1212\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2941-edited.jpg\" alt=\"\" class=\"wp-image-24819\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2941-edited.jpg 909w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2941-edited-768x1024.jpg 768w\" sizes=\"auto, (max-width: 909px) 100vw, 909px\" \/><figcaption><meta charset=\"utf-8\"><sub>Bioarchives (Haliotis rufescens, Lobatus gigas, Lambis), 2021<br>(Details)<\/sub><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2954-1024x730.jpg\" alt=\"\" class=\"wp-image-24825\" width=\"464\" height=\"330\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2954-1024x730.jpg 1024w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2954.jpg 1991w\" sizes=\"auto, (max-width: 464px) 100vw, 464px\" \/><figcaption><sub>Squelette, 2021<br>Th\u00e9o Mercier<br>(White onyx, marble, raw steel)<\/sub><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2950-1024x677.jpg\" alt=\"\" class=\"wp-image-24831\"\/><figcaption><meta charset=\"utf-8\"><sub>Squelette, 2021<br>Th\u00e9o Mercier<br>(Detail)<\/sub><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2914.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"694\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2914-1024x694.jpg\" alt=\"\" class=\"wp-image-24834\"\/><\/a><figcaption><sub>Escombro, 2008<br>Teresa Margolles<br>(Installation composed of three framed digital prints, and a showcase containing a wooden fragment on a golden pedestal)<\/sub><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2903.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"610\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2903-1024x610.jpg\" alt=\"\" class=\"wp-image-24840\"\/><\/a><figcaption><meta charset=\"utf-8\"><sub>Escombro, 2008<br>Teresa Margolles<br>(Installation composed of three framed digital prints, and a showcase containing a wooden fragment on a golden pedestal)<\/sub><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2908.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2908-1024x677.jpg\" alt=\"\" class=\"wp-image-24837\"\/><\/a><figcaption><meta charset=\"utf-8\"><sub>Escombro, 2008<br>Teresa Margolles<br>(Detail)<\/sub><\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"601\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2817-1024x601.jpg\" alt=\"\" data-id=\"24843\" data-full-url=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2817.jpg\" data-link=\"https:\/\/www.mor-charpentier.com\/?attachment_id=24843\" class=\"wp-image-24843\"\/><figcaption class=\"blocks-gallery-item__caption\"><meta charset=\"utf-8\">Requiem, 2022<br>(Exhibition view, Lower ground: works by Rossella Biscotti)<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2806-edited-1024x576.jpg\" alt=\"\" data-id=\"24852\" data-full-url=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2806-edited.jpg\" data-link=\"https:\/\/www.mor-charpentier.com\/blac2806-2\/\" class=\"wp-image-24852\"\/><figcaption class=\"blocks-gallery-item__caption\"><meta charset=\"utf-8\">Requiem, 2022<br>(Exhibition view, Lower ground: works by Rossella Biscotti)<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2819-1024x654.jpg\" alt=\"\" class=\"wp-image-24879\" width=\"464\" height=\"296\"\/><figcaption><sub>Stranded, 2021<br>Rossella Biscotti<br>(Series of sculptures: glass and raw steel)<\/sub><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2856-1024x677.jpg\" alt=\"\" class=\"wp-image-24882\"\/><figcaption><meta charset=\"utf-8\"><sub>Stranded, 2021<br>Rossella Biscotti<br>(Series of sculptures: glass and raw steel)<\/sub><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2789-1024x677.jpg\" alt=\"\" data-id=\"24858\" data-full-url=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2789.jpg\" data-link=\"https:\/\/www.mor-charpentier.com\/?attachment_id=24858\" class=\"wp-image-24858\"\/><figcaption class=\"blocks-gallery-item__caption\"><meta charset=\"utf-8\">Stranded, 2021<br>(Detail)<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2791-1024x677.jpg\" alt=\"\" data-id=\"24861\" data-full-url=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2791.jpg\" data-link=\"https:\/\/www.mor-charpentier.com\/?attachment_id=24861\" class=\"wp-image-24861\"\/><figcaption class=\"blocks-gallery-item__caption\"><meta charset=\"utf-8\">Stranded, 2021<br>(Detail)<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2793-1024x677.jpg\" alt=\"\" data-id=\"24864\" data-full-url=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2793.jpg\" data-link=\"https:\/\/www.mor-charpentier.com\/?attachment_id=24864\" class=\"wp-image-24864\"\/><figcaption class=\"blocks-gallery-item__caption\"><meta charset=\"utf-8\">Stranded, 2021<br>(Detail)<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2801.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2801-1024x677.jpg\" alt=\"\" class=\"wp-image-24873\" width=\"849\" height=\"561\"\/><\/a><figcaption><sub>1942 (Poznan), 1996-2002<br>Uriel Orlow<br>Single channel video, color, sound<\/sub><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"625\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2022\/01\/BLAC2858-1024x625.jpg\" alt=\"\" class=\"wp-image-24876\"\/><\/figure><\/div>\n","protected":false},"featured_media":24783,"template":"","class_list":["post-24782","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/exhibition\/24782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media\/24783"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media?parent=24782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}