{"id":1883,"date":"2014-06-01T14:26:35","date_gmt":"2014-06-01T14:26:35","guid":{"rendered":"https:\/\/mor.local\/exhibition\/illimitee-promesse-davenir\/"},"modified":"2023-04-29T00:53:06","modified_gmt":"2023-04-28T22:53:06","slug":"illimitee-promesse-davenir","status":"publish","type":"exhibition","link":"https:\/\/www.mor-charpentier.com\/es\/exhibition\/illimitee-promesse-davenir\/","title":{"rendered":"Illimit\u00e9e promesse d&#8217;avenir"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-10-1-scaled-1.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-10-1-scaled-1-1024x683.jpg\" alt=\"\" class=\"wp-image-9339\"\/><\/a><figcaption class=\"wp-element-caption\"><sub>Illimit\u00e9 Promesse D&#8217;avenir<br>(Exhibition view, Upper floor: Works by Uriel Orlow)<\/sub><\/figcaption><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-7-scaled-1.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-7-scaled-1-1024x683.jpg\" alt=\"\" class=\"wp-image-9336\" width=\"700\" height=\"465\"\/><\/a><figcaption class=\"wp-element-caption\"><sub>Still Aftershock, 2013 <br>Uriel Orlow<br>(Series of 9 photographs \u2013 Archival pigment prints on fine art paper)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-12-scaled-1.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-12-scaled-1-1024x683.jpg\" alt=\"\" class=\"wp-image-9337\"\/><\/a><figcaption class=\"wp-element-caption\"><sub>Remnants of the Future, 2010-2012 <br>Uriel Orlow<br>(HD video)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/3F065A13-EC5E-42B0-9A9B-979CE3CD8A68_1_201_a.jpeg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"400\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/3F065A13-EC5E-42B0-9A9B-979CE3CD8A68_1_201_a-1024x400.jpeg\" alt=\"\" class=\"wp-image-16473\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/3F065A13-EC5E-42B0-9A9B-979CE3CD8A68_1_201_a-1024x400.jpeg 1024w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/3F065A13-EC5E-42B0-9A9B-979CE3CD8A68_1_201_a.jpeg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\"><sub>Remnants of the Future, 2010-2012<br>Uriel Orlow<br>(Video still)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-14.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-14-1024x683.jpg\" alt=\"\" class=\"wp-image-9338\" width=\"909\" height=\"606\"\/><\/a><figcaption class=\"wp-element-caption\"><sub>Illimit\u00e9 Promesse D&#8217;avenir<br>(Exhibition view, Upper floor: Works by Uriel Orlow and Natacha Nisic)<\/sub><\/figcaption><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-13-scaled-1.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-13-scaled-1-1024x683.jpg\" alt=\"\" class=\"wp-image-9334\"\/><\/a><figcaption class=\"wp-element-caption\"><sub> Top Lines, 2010 <br>Uriel Orlow<br>(Pigment pen on paper \u2013 Diptych)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Mor-Charpentier-2014juin-17-scaled-1-edited.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Mor-Charpentier-2014juin-17-scaled-1-edited.jpg\" alt=\"\" class=\"wp-image-13917\" width=\"327\" height=\"436\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Mor-Charpentier-2014juin-17-scaled-1-edited.jpg 960w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Mor-Charpentier-2014juin-17-scaled-1-edited-767x1024.jpg 767w\" sizes=\"auto, (max-width: 327px) 100vw, 327px\" \/><\/a><figcaption class=\"wp-element-caption\"><sub> Casablanca, 2014 <br>Natacha Nisic<br>(Photograph engraved on marble)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-19-scaled-1.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mor-Charpentier-2014juin-19-scaled-1-1024x683.jpg\" alt=\"\" class=\"wp-image-9332\"\/><\/a><figcaption class=\"wp-element-caption\"><sub>Nord [Ouvriers-Ouvri\u00e8re], 2007 <br>Natacha Nisic<br>(Two channel video, color, sound)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2011\/09\/pelote.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2011\/09\/pelote.jpg\" alt=\"\" class=\"wp-image-16416\" width=\"311\" height=\"219\"\/><\/a><figcaption class=\"wp-element-caption\"><sub>Nord [Ouvriers-Ouvri\u00e8re], 2007<br>Natacha Nisic<br>(Two channel video, color, sound)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n","protected":false},"featured_media":1884,"template":"","class_list":["post-1883","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/exhibition\/1883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media\/1884"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media?parent=1883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}