{"id":1877,"date":"2013-09-01T14:03:42","date_gmt":"2013-09-01T14:03:42","guid":{"rendered":"https:\/\/mor.local\/exhibition\/palimpsestes\/"},"modified":"2023-04-29T00:52:50","modified_gmt":"2023-04-28T22:52:50","slug":"palimpsestes","status":"publish","type":"exhibition","link":"https:\/\/www.mor-charpentier.com\/es\/exhibition\/palimpsestes\/","title":{"rendered":"Palimpsestes"},"content":{"rendered":"
\n
\"\"<\/a>
Palimpsestes
(Exhibition view, upper floor: works by Carolina Caycedo, Charwei Tsai and Voluspa Jarpa)<\/sub><\/figcaption><\/figure>\n<\/div>\n\n\n
\n
\"\"<\/a>
Palimpsestes
(Exhibition view, upper floor: works by Oscar Mu\u00f1oz and Carolina Caycedo)<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Palimpsestes
(Exhibition view, upper floor: works by Carolina Caycedo and Charwei Tsai)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
\n
\n
\"\"<\/a>
Libro Abierto, 2011
Oscar Mu\u00f1oz
(Impression with coal dust on methacrylate)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"\"<\/a>
Libro Abierto, 2011
Oscar Mu\u00f1oz
(Detail)<\/sub><\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n

\n
\"\"<\/a>
Foyers d\u2019Outre-Mer, 2012
Carolina Caycedo
(Installation, 2 color printed mirrors)<\/sub><\/figcaption><\/figure>\n<\/div>\n\n\n
\n
\n
\"\"<\/a>
Meat Map, 2008
Charwei Tsai
(Pigment prints)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"\"<\/a>
Meat Map, 2008
Charwei Tsai
(Pigment prints)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
The New York Times, Sunday, September 13th 1970, 1970
Liliana Porter
(Photo-Silkscreen)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"\"<\/a>
Unclassified, Secret and confidential: Outgoing Message #2, 2012
Voluspa Jarpa
(Laser-cut acrylic plates on light box)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n
\n
\"\"<\/a>
Palimpsestes
(Exhibition view, lower ground: works by Alexander Ap\u00f3stol and Maria Elvira Escall\u00f3n)<\/sub><\/figcaption><\/figure>\n<\/div>\n\n\n
\n
\n
\"\"<\/a>
Polvo Eres, 2012
Maria Elvira Escall\u00f3n
(Single channel video)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"\"<\/a>
Polvo Eres, 2012
Maria Elvira Escall\u00f3n
(Video stills)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Yamailaleter, 2009
Alexander Ap\u00f3stol
(Single channel video)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"\"<\/a>
Yamailaleter, 2009
Alexander Ap\u00f3stol
(Single channel video)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
\n
\n
\"Sinister<\/a>
Capital\/SinisterManuscript, 2008
Milena Bonilla
(Artist book)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"\"<\/a>
Capital\/SinisterManuscript, 2008
Milena Bonilla
(Detail)<\/sub><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n
\n
\"\"<\/a>
Quelque Chose, 2012
Julieta Hanono
(Neon sign)<\/sub><\/figcaption><\/figure>\n<\/div>","protected":false},"featured_media":1878,"template":"","class_list":["post-1877","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/exhibition\/1877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media\/1878"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media?parent=1877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}