{"id":9129,"date":"2020-08-22T17:06:29","date_gmt":"2020-08-22T15:06:29","guid":{"rendered":"https:\/\/mor.local\/artist\/teresa-margolles\/"},"modified":"2026-06-12T19:53:54","modified_gmt":"2026-06-12T17:53:54","slug":"teresa-margolles","status":"publish","type":"artist","link":"https:\/\/www.mor-charpentier.com\/es\/artist\/teresa-margolles\/","title":{"rendered":"Teresa Margolles"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Su obra examina las causas y consecuencias sociales de la violencia. Para ella, las morgues reflejan acertadamente a la sociedad, particularmente las de su pa\u00eds natal en donde las muertes causadas por cr\u00edmenes relacionados con las drogas, la pobreza, las crisis pol\u00edticas y la inepta respuesta del gobierno han devastado comunidades enteras. Margolles ha desarrollado un lenguaje \u00fanico y contenido para hablar en nombre de sus silenciados protagonistas, las v\u00edctimas consideradas \u00abda\u00f1os colaterales\u00bb del conflicto. Posee el t\u00edtulo de Medicina Forense y Ciencias de la comunicaci\u00f3n de la Universidad Nacional Aut\u00f3noma de M\u00e9xico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Su obra se ha expuesto en numerosas instituciones como Mattatoio, Roma (2022); MUAC, Ciudad de M\u00e9xico (2021); Es Baluard, Palma de Mallorca, Espa\u00f1a (2020); BPS22, Charleroi, B\u00e9lgica (2019); Kunsthalle Krems, Austria (2019); MSSA, Santiago de Chile (2019); MAMBO, Bogot\u00e1 (2019); Padiglione d\u2019Arte Contemporanea en Mil\u00e1n (2018); the Witte de With, Rotterdam (2018); the Mus\u00e9e d\u2019art contemporain de Montr\u00e9al (2017); the Neuberger Museum of Art, New York (2015), CA2M, Madrid (2014), the Migros Museum, Z\u00farich (2014), the Tate Modern, Londres (2012); the MALBA, Buenos Aires (2008); Museo del Barrio, New York (2008); The Brooklyn Museum of Art, Nueva York (2007); the Kunsthalle, Viena (2007); The Museum f\u00fcr Moderne Kunst de Frankfurt, Alemania (2004); P.S.1\/MoMa, New York (2002); the Kunst- Werke en Berlin (2002) y en the South London Gallery (2002) entre otros.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ha participado en la Bienal de Venecia en tres ocasiones. Su presentaci\u00f3n What Else Could We Talk About? se present\u00f3 en la 53\u00aa edici\u00f3n (2009), en la exposici\u00f3n del Pabell\u00f3n de M\u00e9xico, curada por Cuauht\u00e9moc Medina.  La obra de Teresa Margolles fue presentada nuevamente en la 58 Bienal (2019), como parte de la Exposici\u00f3n Internacional, curada por Ralph Rugoff donde recibi\u00f3 una Menci\u00f3n Especial del Jurado en reconocimiento a su trabajo. Recientemente, tambi\u00e9n ha participado en la 60\u00aa edici\u00f3n, comisariada por Adriano Pedrosa. Adem\u00e1s, ha sido parte de numerosas bienales internacionales como la XVI Bienal de Cuenca (2023); XI Bienal de Lanzarote (2022); XXII Bienal de Sidney (2020), Bienal de Los \u00c1ngeles (2016), VII Bienal de Berl\u00edn (2012), Bienal de Mosc\u00fa (2007), IV Bienal de Liverpool (2006), Bienal de Praga (2005), IV Bienal del Mercosur (2003) y VII Bienal de Cuenca (2002). Margolles tambi\u00e9n ha recibido la comisi\u00f3n del Fourth Plinth en Trafalgar Square para 2024.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La obra de Teresa Margolles forma parte de numerosas colecciones de arte de todo el mundo, como la Tate Modern, Londres; el MoMA, Nueva York; el Centre Pompidou, Par\u00eds; el Museum of Fine Arts, Houston, EE.UU.; el Perez Art Museum, Miami; el MACBA, Barcelona; CNAP, Par\u00eds; Museo del Banco de la Rep\u00fablica, Bogot\u00e1; Mus\u00e9e d&#8217;Art Moderne de la Ville de Paris, Francia; Neuberger Museum of Art, EE.UU.; Castello di Rivoli, Italia; CGAC, Santiago de Compostela, Espa\u00f1a; Colecci\u00f3n CA2M, Madrid; Hirshhorn Museum and Sculpture Garden, Washington DC; Kunsthaus Z\u00fcrich; Colecci\u00f3n Jumex, Ciudad de M\u00e9xico; Migros Museum, Z\u00farich; Modern Art Museum of Fort Worth, EE.UU.; MUAC, Ciudad de M\u00e9xico; Museo Amparo, Puebla, M\u00e9xico; Museo Tamayo Arte Contempor\u00e1neo, Ciudad de M\u00e9xico; Museum f\u00fcr Moderne Kunst, Frankfurt, Alemania; National Gallery of Canada, Ottawa; Phoenix Art Museum, Phoenix, EE.UU.; Adrastus Collection, Ar\u00e9valo, Espa\u00f1a, Maison Europ\u00e9enne de la Photographie, Par\u00eds, entre muchos otros.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.dropbox.com\/scl\/fi\/xjzeapgx37c9qzvx8uonh\/Teresa-Margolles-CV2024.pdf?rlkey=nspgykjgatgv7tcbnsc0454bm&amp;dl=0\" data-type=\"link\" data-id=\"https:\/\/www.dropbox.com\/scl\/fi\/xjzeapgx37c9qzvx8uonh\/Teresa-Margolles-CV2024.pdf?rlkey=nspgykjgatgv7tcbnsc0454bm&amp;dl=0\">Descargar CV<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div id=\"block_f96083a35194fd1c5338bac55e03c445\" class=\"related-block\">\n\n    \n    <div class=\"extra__container extra__container--exhibitions\">\n\n        <h3 class=\"extra__title\">Exposiciones en mor charpentier<\/h3>\n\n        <ul class=\"extra__list\">\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/les-testaments-trahis\/\">Les testaments trahis<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/radical-hope\/\">Radical Hope<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/unfinished-portrait\/\">Unfinished Portrait<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/spectres\/\">Spectres<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/exodus\/\">Exodus<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/cartographie-du-desastre\/\">Cartographie du D\u00e9sastre<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/resisting-bodies\/\">Resisting Bodies<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/terra-nostra\/\">Terra Nostra<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/requiem\/\">Requiem<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/contra-retrato\/\">Contra\/retrato<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/cicatrices\/\">Cicatrices<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/aguas\/\">agua(s)<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/l-ecriture-ou-la-vie\/\">L&#8217; \u00e9criture ou la vie<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/utopias-arquitectonicas\/\">Utop\u00edas arquitect\u00f3nicas<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/mas-alla-de-las-nubes\/\">M\u00e1s all\u00e1 de las nubes<\/a>\n                <\/li>\n\n            \n        <\/ul>\n\n    <\/div>\n\n    \n    \n    <div class=\"extra__container extra__container--viewingrooms\">\n\n    <h3 class=\"extra__title\">Viewing Rooms<\/h3>\n\n        <ul class=\"extra__list\">\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/?post_type=viewing-room&#038;p=38716\">Rolling Stone<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/?post_type=viewing-room&#038;p=38694\">Auto Draft<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/viewing-room\/rolling-stone-2\/\">Rolling Stone<\/a>\n                <\/li>\n\n            \n        <\/ul>\n\n    <\/div>\n\n    \n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div id='gallery-1' class='gallery galleryid-9129 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa_margolles_\u00bfcomo_salimos__Foto_Arthur_Mora_11-1-scaled.jpg' title=\"Teresa Margolles \u00bfC\u00f3mo salimos? Museo MARCO 2025\" data-rl_title=\"Teresa Margolles \u00bfC\u00f3mo salimos? Museo MARCO 2025\" class=\"rl-gallery-link\" data-rl_caption=\"Teresa Margolles \u00bfC\u00f3mo salimos? Museo MARCO 2025\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa_margolles_\u00bfcomo_salimos__Foto_Arthur_Mora_11-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-42967\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa_margolles_\u00bfcomo_salimos__Foto_Arthur_Mora_11-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa_margolles_\u00bfcomo_salimos__Foto_Arthur_Mora_11-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa_margolles_\u00bfcomo_salimos__Foto_Arthur_Mora_11-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-42967'>\n\t\t\t\tTeresa Margolles \u00bfC\u00f3mo salimos? Museo MARCO 2025\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa_margolles_\u00bfcomo_salimos__Foto_Arthur_Mora_4-1-scaled.jpg' title=\"Teresa Margolles \u00bfC\u00f3mo salimos? Museo MARCO 2025\" data-rl_title=\"Teresa Margolles \u00bfC\u00f3mo salimos? Museo MARCO 2025\" class=\"rl-gallery-link\" data-rl_caption=\"Teresa Margolles \u00bfC\u00f3mo salimos? Museo MARCO 2025\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa_margolles_\u00bfcomo_salimos__Foto_Arthur_Mora_4-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-42971\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa_margolles_\u00bfcomo_salimos__Foto_Arthur_Mora_4-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa_margolles_\u00bfcomo_salimos__Foto_Arthur_Mora_4-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa_margolles_\u00bfcomo_salimos__Foto_Arthur_Mora_4-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-42971'>\n\t\t\t\tTeresa Margolles \u00bfC\u00f3mo salimos? Museo MARCO 2025\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/4001PhotographKin-CheungAP-TheGuardian--scaled.jpg' title=\"4001PhotographKin Cheung:AP-TheGuardian\" data-rl_title=\"4001PhotographKin Cheung:AP-TheGuardian\" class=\"rl-gallery-link\" data-rl_caption=\"850 Improntas - Teresa Margolles on the Fourth Plinth of Trafalgar Square Photograph Kin Cheung\/APThe Guardian\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/4001PhotographKin-CheungAP-TheGuardian--150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-39890\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/4001PhotographKin-CheungAP-TheGuardian--150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/4001PhotographKin-CheungAP-TheGuardian--708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/4001PhotographKin-CheungAP-TheGuardian--100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-39890'>\n\t\t\t\t850 Improntas &#8211; Teresa Margolles on the Fourth Plinth of  Trafalgar Square Photograph Kin Cheung\/APThe Guardian\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/6660PhotographKin-CheungAPThe-Guardian-scaled.jpg' title=\"6660PhotographKin Cheung:APThe Guardian\" data-rl_title=\"6660PhotographKin Cheung:APThe Guardian\" class=\"rl-gallery-link\" data-rl_caption=\"850 Improntas - Teresa Margolles on the Fourth Plinth of Trafalgar Square Photograph Kin Cheung\/APThe Guardian\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/6660PhotographKin-CheungAPThe-Guardian-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-39893\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/6660PhotographKin-CheungAPThe-Guardian-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/6660PhotographKin-CheungAPThe-Guardian-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/6660PhotographKin-CheungAPThe-Guardian-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-39893'>\n\t\t\t\t850 Improntas &#8211; Teresa Margolles on the Fourth Plinth of  Trafalgar Square Photograph Kin Cheung\/APThe Guardian\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MDM_Teresa-Margolles-3.jpg' title=\"MDM_Teresa-Margolles-3\" data-rl_title=\"MDM_Teresa-Margolles-3\" class=\"rl-gallery-link\" data-rl_caption=\"Teresa Margolles, Tela Venezuelana, 2019 at the 60th International Art Exhibition \u2013 La Biennale di Venezia, Stranieri Ovunque \u2013 Foreigners Everywhere Photo by: Andrea Avezz\u00f9, Courtesy: La Biennale di Venezia\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MDM_Teresa-Margolles-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-39908\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MDM_Teresa-Margolles-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MDM_Teresa-Margolles-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MDM_Teresa-Margolles-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-39908'>\n\t\t\t\tTeresa Margolles, Tela Venezuelana, 2019 at the 60th International Art Exhibition \u2013 La Biennale di Venezia, Stranieri Ovunque \u2013 Foreigners Everywhere\n\nPhoto by: Andrea Avezz\u00f9, Courtesy: La Biennale di Venezia\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/D85_6018-1-scaled.jpg' title=\"D85_6018\" data-rl_title=\"D85_6018\" class=\"rl-gallery-link\" data-rl_caption=\"Sutura, exhibition view,\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/D85_6018-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-39896\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/D85_6018-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/D85_6018-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/D85_6018-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-39896'>\n\t\t\t\tSutura, exhibition view, \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2-1-scaled.jpg' title=\"2\" data-rl_title=\"2\" class=\"rl-gallery-link\" data-rl_caption=\"Periferia dell\u2019agonia, 2022 - Installation view, Mattatoio Roma, 2022\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-26059\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-26059'>\n\t\t\t\tPeriferia dell\u2019agonia, 2022 &#8211; \nInstallation view, Mattatoio Roma, 2022\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Aproximacio\u0301n-al-lugar-de-los-hechos-2020-Mixed-media-Installation-Installation-view-Biennale-of-Sydney-2020.jpg' title=\"Aproximacio\u0301n al lugar de los hechos, 2020 &#8211; Vista de exposici\u00f3n, Bienal de Sidney, 2020\" data-rl_title=\"Aproximacio\u0301n al lugar de los hechos, 2020 &#8211; Vista de exposici\u00f3n, Bienal de Sidney, 2020\" class=\"rl-gallery-link\" data-rl_caption=\"Aproximacio\u0301n al lugar de los hechos, 2020 - Vista de exposici\u00f3n, Bienal de Sidney, 2020\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Aproximacio\u0301n-al-lugar-de-los-hechos-2020-Mixed-media-Installation-Installation-view-Biennale-of-Sydney-2020-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Aproximacio\u0301n al lugar de los hechos, 2020 (Mixed media Installation \u2013 Installation view, Biennale of Sydney, 2020)\" aria-describedby=\"gallery-1-6811\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Aproximacio\u0301n-al-lugar-de-los-hechos-2020-Mixed-media-Installation-Installation-view-Biennale-of-Sydney-2020-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Aproximacio\u0301n-al-lugar-de-los-hechos-2020-Mixed-media-Installation-Installation-view-Biennale-of-Sydney-2020-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Aproximacio\u0301n-al-lugar-de-los-hechos-2020-Mixed-media-Installation-Installation-view-Biennale-of-Sydney-2020-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6811'>\n\t\t\t\tAproximacio\u0301n al lugar de los hechos, 2020 &#8211; Vista de exposici\u00f3n, Bienal de Sidney, 2020\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Muro-Ciudad-Juarez-2010-Wall-of-concrete-blocks-Exhibition-view-Venice-Biennale-2019-scaled-3.jpg' title=\"Muro Ciudad Juarez, 2010 &#8211; Vista de exposici\u00f3n, Bienal de Venecia, 2019\" data-rl_title=\"Muro Ciudad Juarez, 2010 &#8211; Vista de exposici\u00f3n, Bienal de Venecia, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"Muro Ciudad Juarez, 2010 - Vista de exposici\u00f3n, Bienal de Venecia, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Muro-Ciudad-Juarez-2010-Wall-of-concrete-blocks-Exhibition-view-Venice-Biennale-2019-scaled-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Muro Ciudad Juarez, 2010 (Wall of concrete blocks \u2013 Exhibition view, Venice Biennale, 2019)\" aria-describedby=\"gallery-1-8574\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Muro-Ciudad-Juarez-2010-Wall-of-concrete-blocks-Exhibition-view-Venice-Biennale-2019-scaled-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Muro-Ciudad-Juarez-2010-Wall-of-concrete-blocks-Exhibition-view-Venice-Biennale-2019-scaled-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Muro-Ciudad-Juarez-2010-Wall-of-concrete-blocks-Exhibition-view-Venice-Biennale-2019-scaled-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8574'>\n\t\t\t\tMuro Ciudad Juarez, 2010 &#8211; Vista de exposici\u00f3n, Bienal de Venecia, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Viento-Negro-2018-2019-Installation-of-3000-handmade-clay-tiles-Exhibition-view-MAMBO-Bogota-2019.jpg' title=\"Viento Negro, 2018-2019 &#8211; Vista de exposici\u00f3n, MAMBO, Bogot\u00e1, 2019\" data-rl_title=\"Viento Negro, 2018-2019 &#8211; Vista de exposici\u00f3n, MAMBO, Bogot\u00e1, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"Viento Negro, 2018-2019 - Vista de exposici\u00f3n, MAMBO, Bogot\u00e1, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Viento-Negro-2018-2019-Installation-of-3000-handmade-clay-tiles-Exhibition-view-MAMBO-Bogota-2019-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Viento Negro, 2018-2019 (Instalaci\u00f3n de 3000 baldosas hechas a mano\u2013 Vista de exposici\u00f3n, MAMBO, Bogota, 2019)\" aria-describedby=\"gallery-1-6794\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Viento-Negro-2018-2019-Installation-of-3000-handmade-clay-tiles-Exhibition-view-MAMBO-Bogota-2019-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Viento-Negro-2018-2019-Installation-of-3000-handmade-clay-tiles-Exhibition-view-MAMBO-Bogota-2019-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Viento-Negro-2018-2019-Installation-of-3000-handmade-clay-tiles-Exhibition-view-MAMBO-Bogota-2019-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6794'>\n\t\t\t\tViento Negro, 2018-2019 &#8211; Vista de exposici\u00f3n, MAMBO, Bogot\u00e1, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/DSC_8497-copy.jpg' title=\"Viento Negro, 2018-2019 &#8211; Installation of 3000 handmade clay tiles, detail\" data-rl_title=\"Viento Negro, 2018-2019 &#8211; Installation of 3000 handmade clay tiles, detail\" class=\"rl-gallery-link\" data-rl_caption=\"Viento Negro, 2018-2019 - Installation of 3000 handmade clay tiles, detail\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/DSC_8497-copy-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-12685\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/DSC_8497-copy-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/DSC_8497-copy-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-12685'>\n\t\t\t\tViento Negro, 2018-2019 &#8211; Installation of 3000 handmade clay tiles, detail\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Gran-Ame\u0301rica-2017-700-cobblestones-cooked-and-burnished-Exhibition-view-PAC-Milan-2018.jpg' title=\"La Gran Ame\u0301rica, 2017 &#8211; Exhibition view, PAC Milan, 2018\" data-rl_title=\"La Gran Ame\u0301rica, 2017 &#8211; Exhibition view, PAC Milan, 2018\" class=\"rl-gallery-link\" data-rl_caption=\"La Gran Ame\u0301rica, 2017 - Exhibition view, PAC Milan, 2018\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Gran-Ame\u0301rica-2017-700-cobblestones-cooked-and-burnished-Exhibition-view-PAC-Milan-2018-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"La Gran Ame\u0301rica, 2017 (700 cobblestones cooked and burnished \u2013 Exhibition view, PAC Milan, 2018)\" aria-describedby=\"gallery-1-6791\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Gran-Ame\u0301rica-2017-700-cobblestones-cooked-and-burnished-Exhibition-view-PAC-Milan-2018-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Gran-Ame\u0301rica-2017-700-cobblestones-cooked-and-burnished-Exhibition-view-PAC-Milan-2018-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Gran-Ame\u0301rica-2017-700-cobblestones-cooked-and-burnished-Exhibition-view-PAC-Milan-2018-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6791'>\n\t\t\t\tLa Gran Ame\u0301rica, 2017 &#8211; Exhibition view, PAC Milan, 2018\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Promesa-2012-2017-22-tons-of-rubble-remains-of-a-demolished-house-from-Ciudad-Juarez-Exhibition-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3.jpg' title=\"La Promesa, 2012-2017 (Vista de exposici\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017)\" data-rl_title=\"La Promesa, 2012-2017 (Vista de exposici\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017)\" class=\"rl-gallery-link\" data-rl_caption=\"La Promesa, 2012-2017 (Vista de exposici\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017)\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Promesa-2012-2017-22-tons-of-rubble-remains-of-a-demolished-house-from-Ciudad-Juarez-Exhibition-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"La Promesa, 2012-2017 (22 tons of rubble, remains of a demolished house from Ciudad Juarez \u2013 Exhibition view, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017)\" aria-describedby=\"gallery-1-8571\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Promesa-2012-2017-22-tons-of-rubble-remains-of-a-demolished-house-from-Ciudad-Juarez-Exhibition-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Promesa-2012-2017-22-tons-of-rubble-remains-of-a-demolished-house-from-Ciudad-Juarez-Exhibition-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Promesa-2012-2017-22-tons-of-rubble-remains-of-a-demolished-house-from-Ciudad-Juarez-Exhibition-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8571'>\n\t\t\t\tLa Promesa, 2012-2017 (Vista de exposici\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-1-Tonne.-Forges-de-la-Providence-Charleroi-2019-BPS22-\u00a9-Leslie-Artamonow-scaled.jpg' title=\"Tu t&#8217;alignes ou on t&#8217;aligne &#8211; Exhibition view, BPS22, Charleroi, Belgium, 2019\" data-rl_title=\"Tu t&#8217;alignes ou on t&#8217;aligne &#8211; Exhibition view, BPS22, Charleroi, Belgium, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"Tu t&#039;alignes ou on t&#039;aligne - Exhibition view, BPS22, Charleroi, Belgium, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-1-Tonne.-Forges-de-la-Providence-Charleroi-2019-BPS22-\u00a9-Leslie-Artamonow-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15307\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-1-Tonne.-Forges-de-la-Providence-Charleroi-2019-BPS22-\u00a9-Leslie-Artamonow-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-1-Tonne.-Forges-de-la-Providence-Charleroi-2019-BPS22-\u00a9-Leslie-Artamonow-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-1-Tonne.-Forges-de-la-Providence-Charleroi-2019-BPS22-\u00a9-Leslie-Artamonow-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15307'>\n\t\t\t\tTu t&#8217;alignes ou on t&#8217;aligne &#8211; Exhibition view, BPS22, Charleroi, Belgium, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-1-Tonne.-Forges-de-la-Providence-Charleroi-2019-BPS22-\u00a9-Leslie-Artamonow1-scaled.jpg' title=\"1 Tonne. Forges de la Providence (Charleroi), 2019 &#8211; Exhibition view, BPS22, Charleroi, Belgium, 2019\" data-rl_title=\"1 Tonne. Forges de la Providence (Charleroi), 2019 &#8211; Exhibition view, BPS22, Charleroi, Belgium, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"1 Tonne. Forges de la Providence (Charleroi), 2019 - Exhibition view, BPS22, Charleroi, Belgium, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-1-Tonne.-Forges-de-la-Providence-Charleroi-2019-BPS22-\u00a9-Leslie-Artamonow1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15310\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-1-Tonne.-Forges-de-la-Providence-Charleroi-2019-BPS22-\u00a9-Leslie-Artamonow1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-1-Tonne.-Forges-de-la-Providence-Charleroi-2019-BPS22-\u00a9-Leslie-Artamonow1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-1-Tonne.-Forges-de-la-Providence-Charleroi-2019-BPS22-\u00a9-Leslie-Artamonow1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15310'>\n\t\t\t\t1 Tonne. Forges de la Providence (Charleroi), 2019 &#8211; Exhibition view, BPS22, Charleroi, Belgium, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2024\/01\/Teresa-Margolles-4-copia-scaled.jpg' title=\"Teresa Margolles 4 copia\" data-rl_title=\"Teresa Margolles 4 copia\" class=\"rl-gallery-link\" data-rl_caption=\"El Poder, 2023 - Exhibition view, Bienal de Cuenca, 2023\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2024\/01\/Teresa-Margolles-4-copia-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-34475\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2024\/01\/Teresa-Margolles-4-copia-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2024\/01\/Teresa-Margolles-4-copia-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2024\/01\/Teresa-Margolles-4-copia-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-34475'>\n\t\t\t\tEl Poder, 2023 &#8211; Exhibition view, Bienal de Cuenca, 2023\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2024\/01\/Teresa-Margolles-1-copia-scaled.jpg' title=\"Teresa Margolles 1 copia\" data-rl_title=\"Teresa Margolles 1 copia\" class=\"rl-gallery-link\" data-rl_caption=\"El Poder, 2023 - Exhibition view, Bienal de Cuenca, 2023 - Detail\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2024\/01\/Teresa-Margolles-1-copia-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-34472\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2024\/01\/Teresa-Margolles-1-copia-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2024\/01\/Teresa-Margolles-1-copia-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2024\/01\/Teresa-Margolles-1-copia-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-34472'>\n\t\t\t\tEl Poder, 2023 &#8211; Exhibition view, Bienal de Cuenca, 2023 &#8211; Detail\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-busqueda-2014-Mixed-media-installation-with-sound-Exhibition-view-Migros-Museum-Zurich-2014.jpg' title=\"La b\u00fasqueda, 2014 &#8211; Vista de exposici\u00f3n, Migros Museum, Z\u00farich, 2014\" data-rl_title=\"La b\u00fasqueda, 2014 &#8211; Vista de exposici\u00f3n, Migros Museum, Z\u00farich, 2014\" class=\"rl-gallery-link\" data-rl_caption=\"La b\u00fasqueda, 2014 - Vista de exposici\u00f3n, Migros Museum, Z\u00farich, 2014\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-busqueda-2014-Mixed-media-installation-with-sound-Exhibition-view-Migros-Museum-Zurich-2014-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"La busqueda, 2014 (Mixed media installation with sound \u2013 Exhibition view, Migros Museum, Zurich, 2014)\" aria-describedby=\"gallery-1-6785\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-busqueda-2014-Mixed-media-installation-with-sound-Exhibition-view-Migros-Museum-Zurich-2014-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-busqueda-2014-Mixed-media-installation-with-sound-Exhibition-view-Migros-Museum-Zurich-2014-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-busqueda-2014-Mixed-media-installation-with-sound-Exhibition-view-Migros-Museum-Zurich-2014-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6785'>\n\t\t\t\tLa b\u00fasqueda, 2014 &#8211; Vista de exposici\u00f3n, Migros Museum, Z\u00farich, 2014\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Yeso-sobre-piel-2019-Series-of-plaster-casts-of-human-faces-Installation-view-BPS22-Charleroi-2019.jpg' title=\"Yeso sobre piel, 2019 (Vista de exposici\u00f3n, BPS22, Charleroi, 2019)\" data-rl_title=\"Yeso sobre piel, 2019 (Vista de exposici\u00f3n, BPS22, Charleroi, 2019)\" class=\"rl-gallery-link\" data-rl_caption=\"Yeso sobre piel, 2019 (Vista de exposici\u00f3n, BPS22, Charleroi, 2019)\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Yeso-sobre-piel-2019-Series-of-plaster-casts-of-human-faces-Installation-view-BPS22-Charleroi-2019-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Yeso sobre piel, 2019 (Serie de m\u00e1scaras de yeso de rostros humanos \u2013 Vista de exposici\u00f3n, BPS22, Charleroi, 2019)\" aria-describedby=\"gallery-1-6809\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Yeso-sobre-piel-2019-Series-of-plaster-casts-of-human-faces-Installation-view-BPS22-Charleroi-2019-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Yeso-sobre-piel-2019-Series-of-plaster-casts-of-human-faces-Installation-view-BPS22-Charleroi-2019-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Yeso-sobre-piel-2019-Series-of-plaster-casts-of-human-faces-Installation-view-BPS22-Charleroi-2019-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6809'>\n\t\t\t\tYeso sobre piel, 2019 (Vista de exposici\u00f3n, BPS22, Charleroi, 2019)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Yeso-sobre-piel-2019-Series-of-plaster-casts-of-human-faces-Detail.jpg' title=\"Yeso sobre piel, 2019 &#8211; Serie de m\u00e1scaras de yeso de rostros humanos \u2013 Detalle\" data-rl_title=\"Yeso sobre piel, 2019 &#8211; Serie de m\u00e1scaras de yeso de rostros humanos \u2013 Detalle\" class=\"rl-gallery-link\" data-rl_caption=\"Yeso sobre piel, 2019 - Serie de m\u00e1scaras de yeso de rostros humanos \u2013 Detalle\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Yeso-sobre-piel-2019-Series-of-plaster-casts-of-human-faces-Detail-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Yeso sobre piel, 2019 (Serie de m\u00e1scaras de yeso de rostros humanos \u2013 Detalle)\" aria-describedby=\"gallery-1-6806\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Yeso-sobre-piel-2019-Series-of-plaster-casts-of-human-faces-Detail-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Yeso-sobre-piel-2019-Series-of-plaster-casts-of-human-faces-Detail-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Yeso-sobre-piel-2019-Series-of-plaster-casts-of-human-faces-Detail-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6806'>\n\t\t\t\tYeso sobre piel, 2019 &#8211; Serie de m\u00e1scaras de yeso de rostros humanos \u2013 Detalle\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Margolles_02-b-scaled.jpg' title=\"Carretilleras sobre el puente internacional Simo\u0301n Bolivar, 2018 &#8211; Vista de exposici\u00f3n, Es Baluard, Palma de Mallorca, 2020\" data-rl_title=\"Carretilleras sobre el puente internacional Simo\u0301n Bolivar, 2018 &#8211; Vista de exposici\u00f3n, Es Baluard, Palma de Mallorca, 2020\" class=\"rl-gallery-link\" data-rl_caption=\"Carretilleras sobre el puente internacional Simo\u0301n Bolivar, 2018 - Vista de exposici\u00f3n, Es Baluard, Palma de Mallorca, 2020\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Margolles_02-b-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-12688\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Margolles_02-b-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Margolles_02-b-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Margolles_02-b-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-12688'>\n\t\t\t\tCarretilleras sobre el puente internacional Simo\u0301n Bolivar, 2018 &#8211; Vista de exposici\u00f3n, Es Baluard, Palma de Mallorca, 2020\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/carretilleras-puente-simon-bolivar-cucuta-scaled.jpg' title=\"Carretilleras sobre el puente internacional Simo\u0301n Bolivar, 2018 &#8211; Impresi\u00f3n digital\" data-rl_title=\"Carretilleras sobre el puente internacional Simo\u0301n Bolivar, 2018 &#8211; Impresi\u00f3n digital\" class=\"rl-gallery-link\" data-rl_caption=\"Carretilleras sobre el puente internacional Simo\u0301n Bolivar, 2018 - Impresi\u00f3n digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/carretilleras-puente-simon-bolivar-cucuta-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14747\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/carretilleras-puente-simon-bolivar-cucuta-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/carretilleras-puente-simon-bolivar-cucuta-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/carretilleras-puente-simon-bolivar-cucuta-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14747'>\n\t\t\t\tCarretilleras sobre el puente internacional Simo\u0301n Bolivar, 2018 &#8211; Impresi\u00f3n digital\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/trocheras-200-x-100.jpg' title=\"Trocheras con pretal, 2019 &#8211; Impresi\u00f3n digital\" data-rl_title=\"Trocheras con pretal, 2019 &#8211; Impresi\u00f3n digital\" class=\"rl-gallery-link\" data-rl_caption=\"Trocheras con pretal, 2019 - Impresi\u00f3n digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/trocheras-200-x-100-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Trocheras con pretal, 2019 (Impresi\u00f3n cromog\u00e9nica)\" aria-describedby=\"gallery-1-3043\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/trocheras-200-x-100-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/trocheras-200-x-100-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/trocheras-200-x-100-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3043'>\n\t\t\t\tTrocheras con pretal, 2019 &#8211; Impresi\u00f3n digital\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Trocheras-cargando-piedra-de-50kg-2019-Installation-with-4-C-prints-and-one-stone-Installation-view-BPS22-Charleroi-2019.jpg' title=\"Trocheras cargando piedra de 50kg, 2019 (Vista de exposici\u00f3n,, BPS22, Charleroi, 2019)\" data-rl_title=\"Trocheras cargando piedra de 50kg, 2019 (Vista de exposici\u00f3n,, BPS22, Charleroi, 2019)\" class=\"rl-gallery-link\" data-rl_caption=\"Trocheras cargando piedra de 50kg, 2019 (Vista de exposici\u00f3n,, BPS22, Charleroi, 2019)\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Trocheras-cargando-piedra-de-50kg-2019-Installation-with-4-C-prints-and-one-stone-Installation-view-BPS22-Charleroi-2019-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Trocheras cargando piedra de 50kg, 2019 (Instalaci\u00f3n con 4 impresiones cromog\u00e9nicas y una piedra - Vista de instalaci\u00f3n, BPS22, Charleroi, 2019)\" aria-describedby=\"gallery-1-6731\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Trocheras-cargando-piedra-de-50kg-2019-Installation-with-4-C-prints-and-one-stone-Installation-view-BPS22-Charleroi-2019-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Trocheras-cargando-piedra-de-50kg-2019-Installation-with-4-C-prints-and-one-stone-Installation-view-BPS22-Charleroi-2019-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Trocheras-cargando-piedra-de-50kg-2019-Installation-with-4-C-prints-and-one-stone-Installation-view-BPS22-Charleroi-2019-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6731'>\n\t\t\t\tTrocheras cargando piedra de 50kg, 2019 (Vista de exposici\u00f3n,, BPS22, Charleroi, 2019)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-de-Venezuela-2017-Installation-of-cloth-over-metallic-structure.png' title=\"La Sombra de Venezuela, 2017 -Instalaci\u00f3n de tela sobre estructura met\u00e1lica\" data-rl_title=\"La Sombra de Venezuela, 2017 -Instalaci\u00f3n de tela sobre estructura met\u00e1lica\" class=\"rl-gallery-link\" data-rl_caption=\"La Sombra de Venezuela, 2017 -Instalaci\u00f3n de tela sobre estructura met\u00e1lica\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-de-Venezuela-2017-Installation-of-cloth-over-metallic-structure-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"La Sombra de Venezuela, 2017 (Instalaci\u00f3n de tela sobre estructura met\u00e1lica)\" aria-describedby=\"gallery-1-6737\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-de-Venezuela-2017-Installation-of-cloth-over-metallic-structure-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-de-Venezuela-2017-Installation-of-cloth-over-metallic-structure-300x300.png 300w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-de-Venezuela-2017-Installation-of-cloth-over-metallic-structure-768x769.png 768w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-de-Venezuela-2017-Installation-of-cloth-over-metallic-structure-600x601.png 600w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-de-Venezuela-2017-Installation-of-cloth-over-metallic-structure-708x709.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-de-Venezuela-2017-Installation-of-cloth-over-metallic-structure-100x100.png 100w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-de-Venezuela-2017-Installation-of-cloth-over-metallic-structure.png 832w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6737'>\n\t\t\t\tLa Sombra de Venezuela, 2017 -Instalaci\u00f3n de tela sobre estructura met\u00e1lica\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/F72A6267-scaled.jpg' title=\"Trayecto: La entrega, 2017-2019 &#8211; Mural fotogr\u00e1fico, Vista de exposici\u00f3n, MAMBO, Bogot\u00e1, 2019\" data-rl_title=\"Trayecto: La entrega, 2017-2019 &#8211; Mural fotogr\u00e1fico, Vista de exposici\u00f3n, MAMBO, Bogot\u00e1, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"Trayecto: La entrega, 2017-2019 - Mural fotogr\u00e1fico, Vista de exposici\u00f3n, MAMBO, Bogot\u00e1, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/F72A6267-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15289\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/F72A6267-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/F72A6267-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/F72A6267-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15289'>\n\t\t\t\tTrayecto: La entrega, 2017-2019 &#8211; Mural fotogr\u00e1fico, Vista de exposici\u00f3n, MAMBO, Bogot\u00e1, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/F72A8226-scaled.jpg' title=\"Trayecto: La entrega, 2017-2019 &#8211; Intervenci\u00f3n urbana, Bogot\u00e1, 2019\" data-rl_title=\"Trayecto: La entrega, 2017-2019 &#8211; Intervenci\u00f3n urbana, Bogot\u00e1, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"Trayecto: La entrega, 2017-2019 - Intervenci\u00f3n urbana, Bogot\u00e1, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/F72A8226-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14750\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/F72A8226-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/F72A8226-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/F72A8226-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14750'>\n\t\t\t\tTrayecto: La entrega, 2017-2019 &#8211; Intervenci\u00f3n urbana, Bogot\u00e1, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles_El-agua-de-la-ciudad.png' title=\"El agua de la ciudad, 2017 &#8211; Video monocanal\" data-rl_title=\"El agua de la ciudad, 2017 &#8211; Video monocanal\" class=\"rl-gallery-link\" data-rl_caption=\"El agua de la ciudad, 2017 - Video monocanal\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles_El-agua-de-la-ciudad-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15319\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles_El-agua-de-la-ciudad-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles_El-agua-de-la-ciudad-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15319'>\n\t\t\t\tEl agua de la ciudad, 2017 &#8211; Video monocanal\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/L1B8770-scaled.jpg' title=\"Sobre la sangre, 2020 &#8211; Performance en vivo, Es Baluard, Palma de Mallorca, 2020\" data-rl_title=\"Sobre la sangre, 2020 &#8211; Performance en vivo, Es Baluard, Palma de Mallorca, 2020\" class=\"rl-gallery-link\" data-rl_caption=\"Sobre la sangre, 2020 - Performance en vivo, Es Baluard, Palma de Mallorca, 2020\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/L1B8770-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13996\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/L1B8770-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/L1B8770-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/L1B8770-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13996'>\n\t\t\t\tSobre la sangre, 2020 &#8211; Performance en vivo, Es Baluard, Palma de Mallorca, 2020\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/L1B8851-scaled.jpg' title=\"Sobre la sangre, 2020 &#8211; Performance en vivo, Es Baluard, Palma de Mallorca, 2020\" data-rl_title=\"Sobre la sangre, 2020 &#8211; Performance en vivo, Es Baluard, Palma de Mallorca, 2020\" class=\"rl-gallery-link\" data-rl_caption=\"Sobre la sangre, 2020 - Performance en vivo, Es Baluard, Palma de Mallorca, 2020\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/L1B8851-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14002\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/L1B8851-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/L1B8851-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/L1B8851-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14002'>\n\t\t\t\tSobre la sangre, 2020 &#8211; Performance en vivo, Es Baluard, Palma de Mallorca, 2020\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Sala10_Dos-sillones-tapizados.jpg' title=\"La Toma I &amp; II, 2019 &#8211; Vista de exposici\u00f3n, MSSA, Santiago de Chile, 2019\" data-rl_title=\"La Toma I &amp; II, 2019 &#8211; Vista de exposici\u00f3n, MSSA, Santiago de Chile, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"La Toma I &amp; II, 2019 - Vista de exposici\u00f3n, MSSA, Santiago de Chile, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Sala10_Dos-sillones-tapizados-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-12698\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Sala10_Dos-sillones-tapizados-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Sala10_Dos-sillones-tapizados-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Sala10_Dos-sillones-tapizados-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-12698'>\n\t\t\t\tLa Toma I &amp; II, 2019 &#8211; Vista de exposici\u00f3n, MSSA, Santiago de Chile, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Sala-10-vista2_Dos-sillones-tapizados-copy.jpg' title=\"La Toma I, 2019 &#8211; Tela del performance, sill\u00f3n y video, detalle\" data-rl_title=\"La Toma I, 2019 &#8211; Tela del performance, sill\u00f3n y video, detalle\" class=\"rl-gallery-link\" data-rl_caption=\"La Toma I, 2019 - Tela del performance, sill\u00f3n y video, detalle\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Sala-10-vista2_Dos-sillones-tapizados-copy-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-12701\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Sala-10-vista2_Dos-sillones-tapizados-copy-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Sala-10-vista2_Dos-sillones-tapizados-copy-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/10\/Sala-10-vista2_Dos-sillones-tapizados-copy-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-12701'>\n\t\t\t\tLa Toma I, 2019 &#8211; Tela del performance, sill\u00f3n y video, detalle\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-carne-muerta-nunca-se-abriga-2019-Exhibition-view-MSSA-Santiago-de-Chile.jpeg' title=\"La carne muerta nunca se abriga &#8211; Vista de exposici\u00f3n, MSSA, Santiago de Chile, 2019\" data-rl_title=\"La carne muerta nunca se abriga &#8211; Vista de exposici\u00f3n, MSSA, Santiago de Chile, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"La carne muerta nunca se abriga - Vista de exposici\u00f3n, MSSA, Santiago de Chile, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-carne-muerta-nunca-se-abriga-2019-Exhibition-view-MSSA-Santiago-de-Chile-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"La carne muerta nunca se abriga, 2019 (Exhibition view, MSSA, Santiago de Chile)\" aria-describedby=\"gallery-1-6725\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-carne-muerta-nunca-se-abriga-2019-Exhibition-view-MSSA-Santiago-de-Chile-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-carne-muerta-nunca-se-abriga-2019-Exhibition-view-MSSA-Santiago-de-Chile-708x708.jpeg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-carne-muerta-nunca-se-abriga-2019-Exhibition-view-MSSA-Santiago-de-Chile-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6725'>\n\t\t\t\tLa carne muerta nunca se abriga &#8211; Vista de exposici\u00f3n, MSSA, Santiago de Chile, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/El-Capital-te-culea-Av.-Republica-2019-C-print-scaled-3.jpg' title=\"El Capital te culea, Avenida de la Rep\u00fablica, 2019 &#8211; Impresi\u00f3n digital\" data-rl_title=\"El Capital te culea, Avenida de la Rep\u00fablica, 2019 &#8211; Impresi\u00f3n digital\" class=\"rl-gallery-link\" data-rl_caption=\"El Capital te culea, Avenida de la Rep\u00fablica, 2019 - Impresi\u00f3n digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/El-Capital-te-culea-Av.-Republica-2019-C-print-scaled-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"El Capital te culea \u2013 Av. Republica, 2019 (Impresi\u00f3n cromog\u00e9nica)\" aria-describedby=\"gallery-1-8553\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/El-Capital-te-culea-Av.-Republica-2019-C-print-scaled-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/El-Capital-te-culea-Av.-Republica-2019-C-print-scaled-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/El-Capital-te-culea-Av.-Republica-2019-C-print-scaled-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8553'>\n\t\t\t\tEl Capital te culea, Avenida de la Rep\u00fablica, 2019 &#8211; Impresi\u00f3n digital\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/el-capital-te-culea-teatro-chile150-x-225-cm-scaled-3.jpg' title=\"El capital te culea, Teatro Chile, 2019 &#8211; Impresi\u00f3n digital\" data-rl_title=\"El capital te culea, Teatro Chile, 2019 &#8211; Impresi\u00f3n digital\" class=\"rl-gallery-link\" data-rl_caption=\"El capital te culea, Teatro Chile, 2019 - Impresi\u00f3n digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/el-capital-te-culea-teatro-chile150-x-225-cm-scaled-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"El capital te culea \u2013 Teatro Chile, 2019 (Impresi\u00f3n digital)\" aria-describedby=\"gallery-1-8550\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/el-capital-te-culea-teatro-chile150-x-225-cm-scaled-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/el-capital-te-culea-teatro-chile150-x-225-cm-scaled-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/el-capital-te-culea-teatro-chile150-x-225-cm-scaled-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8550'>\n\t\t\t\tEl capital te culea, Teatro Chile, 2019 &#8211; Impresi\u00f3n digital\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Esta-Finca-no-sera-demolida-2011-2014-Series-of-digital-prints-Exhibition-view-Centro-de-Arte-Dos-de-Mayo-Madrid-2014.jpg' title=\"Esta Finca no sera demolida, 2011-2014 &#8211; Exhibition view, Centro de Arte Dos de Mayo, Madrid, 2014\" data-rl_title=\"Esta Finca no sera demolida, 2011-2014 &#8211; Exhibition view, Centro de Arte Dos de Mayo, Madrid, 2014\" class=\"rl-gallery-link\" data-rl_caption=\"Esta Finca no sera demolida, 2011-2014 - Exhibition view, Centro de Arte Dos de Mayo, Madrid, 2014\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Esta-Finca-no-sera-demolida-2011-2014-Series-of-digital-prints-Exhibition-view-Centro-de-Arte-Dos-de-Mayo-Madrid-2014-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Esta Finca no sera demolida, 2011-2014 (Series of digital prints \u2013 Exhibition view, Centro de Arte Dos de Mayo, Madrid, 2014)\" aria-describedby=\"gallery-1-6704\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Esta-Finca-no-sera-demolida-2011-2014-Series-of-digital-prints-Exhibition-view-Centro-de-Arte-Dos-de-Mayo-Madrid-2014-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Esta-Finca-no-sera-demolida-2011-2014-Series-of-digital-prints-Exhibition-view-Centro-de-Arte-Dos-de-Mayo-Madrid-2014-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Esta-Finca-no-sera-demolida-2011-2014-Series-of-digital-prints-Exhibition-view-Centro-de-Arte-Dos-de-Mayo-Madrid-2014-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6704'>\n\t\t\t\tEsta Finca no sera demolida, 2011-2014 &#8211; Exhibition view, Centro de Arte Dos de Mayo, Madrid, 2014\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/HD-scaled.jpg' title=\"La Esperanza, 2014 &#8211; Digital print\" data-rl_title=\"La Esperanza, 2014 &#8211; Digital print\" class=\"rl-gallery-link\" data-rl_caption=\"La Esperanza, 2014 - Digital print\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/HD-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15292\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/HD-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/HD-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/HD-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15292'>\n\t\t\t\tLa Esperanza, 2014 &#8211;\nDigital print\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/esperanza-en-blanco-teresa-margolles-morcharpentier-scaled.jpg' title=\"La Esperanza (blanco), 2015 &#8211; Digital print\" data-rl_title=\"La Esperanza (blanco), 2015 &#8211; Digital print\" class=\"rl-gallery-link\" data-rl_caption=\"La Esperanza (blanco), 2015 - Digital print\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/esperanza-en-blanco-teresa-margolles-morcharpentier-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15295\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/esperanza-en-blanco-teresa-margolles-morcharpentier-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/esperanza-en-blanco-teresa-margolles-morcharpentier-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/esperanza-en-blanco-teresa-margolles-morcharpentier-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15295'>\n\t\t\t\tLa Esperanza (blanco), 2015 &#8211; Digital print\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Pesquisas-2016-30-digital-prints-Exhibition-view-mor-charpentier-Paris-2018-scaled-3.jpg' title=\"Pesquisas, 2016 &#8211; Instalaci\u00f3n de 30 impresiones sobre papel\" data-rl_title=\"Pesquisas, 2016 &#8211; Instalaci\u00f3n de 30 impresiones sobre papel\" class=\"rl-gallery-link\" data-rl_caption=\"Pesquisas, 2016 - Instalaci\u00f3n de 30 impresiones sobre papel\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Pesquisas-2016-30-digital-prints-Exhibition-view-mor-charpentier-Paris-2018-scaled-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Pesquisas, 2016 (30 impresiones sobre papel \u2013 Vista de exposici\u00f3n, mor charpentier, Par\u00eds, 2018)\" aria-describedby=\"gallery-1-8544\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Pesquisas-2016-30-digital-prints-Exhibition-view-mor-charpentier-Paris-2018-scaled-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Pesquisas-2016-30-digital-prints-Exhibition-view-mor-charpentier-Paris-2018-scaled-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Pesquisas-2016-30-digital-prints-Exhibition-view-mor-charpentier-Paris-2018-scaled-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8544'>\n\t\t\t\tPesquisas, 2016 &#8211; Instalaci\u00f3n de 30 impresiones sobre papel\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/BAL-Bienes-Ocultos-20-e1668857578290.jpg' title=\"BAL- Bienes Ocultos 20\" data-rl_title=\"BAL- Bienes Ocultos 20\" class=\"rl-gallery-link\" data-rl_caption=\"Pesquisas, 2016 - Installation, Exhibition view - Bienal de Lanzarote, 2022\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/BAL-Bienes-Ocultos-20-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29661\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/BAL-Bienes-Ocultos-20-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/BAL-Bienes-Ocultos-20-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/BAL-Bienes-Ocultos-20-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29661'>\n\t\t\t\tPesquisas, 2016 &#8211; Installation, Exhibition view &#8211; Bienal de Lanzarote, 2022\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Karla-Hilario-Reyes-Gallegos-2016-Digital-C-print-Exhibition-view-Manifesta-Zu\u0308rich-2016.jpeg' title=\"Karla, Hilario Reyes Gallegos, 2016 &#8211; Vista de exposici\u00f3n, Manifesta, Z\u00farich, 2016\" data-rl_title=\"Karla, Hilario Reyes Gallegos, 2016 &#8211; Vista de exposici\u00f3n, Manifesta, Z\u00farich, 2016\" class=\"rl-gallery-link\" data-rl_caption=\"Karla, Hilario Reyes Gallegos, 2016 - Vista de exposici\u00f3n, Manifesta, Z\u00farich, 2016\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Karla-Hilario-Reyes-Gallegos-2016-Digital-C-print-Exhibition-view-Manifesta-Zu\u0308rich-2016-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Karla, Hilario Reyes Gallegos, 2016 (Impresi\u00f3n cromog\u00e9nica digital \u2013 Vista de exposici\u00f3n, Manifesta, Z\u00farich, 2016)\" aria-describedby=\"gallery-1-6716\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Karla-Hilario-Reyes-Gallegos-2016-Digital-C-print-Exhibition-view-Manifesta-Zu\u0308rich-2016-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Karla-Hilario-Reyes-Gallegos-2016-Digital-C-print-Exhibition-view-Manifesta-Zu\u0308rich-2016-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6716'>\n\t\t\t\tKarla, Hilario Reyes Gallegos, 2016 &#8211; Vista de exposici\u00f3n, Manifesta, Z\u00farich, 2016\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mundos-2016-Installation-neon-sign-from-a-former-bar-Exhibition-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3.jpg' title=\"Mundos, 2016 &#8211; Installation, neon sign, exhibition view, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\" data-rl_title=\"Mundos, 2016 &#8211; Installation, neon sign, exhibition view, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\" class=\"rl-gallery-link\" data-rl_caption=\"Mundos, 2016 - Installation, neon sign, exhibition view, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mundos-2016-Installation-neon-sign-from-a-former-bar-Exhibition-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Mundos, 2016 (Installation, neon sign from a former bar \u2013 Exhibition view, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017)\" aria-describedby=\"gallery-1-8565\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mundos-2016-Installation-neon-sign-from-a-former-bar-Exhibition-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mundos-2016-Installation-neon-sign-from-a-former-bar-Exhibition-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mundos-2016-Installation-neon-sign-from-a-former-bar-Exhibition-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8565'>\n\t\t\t\tMundos, 2016 &#8211; Installation, neon sign, exhibition view, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Ya-basta-hijos-de-puta-2018-Exhibition-view-PAC-Padiglione-dArte-Contemporanea-Milan.jpg' title=\"Ya basta hijos de puta &#8211; Vista de exposici\u00f3n, PAC Padiglione d\u2019Arte Contemporanea, Mil\u00e1n, 2018\" data-rl_title=\"Ya basta hijos de puta &#8211; Vista de exposici\u00f3n, PAC Padiglione d\u2019Arte Contemporanea, Mil\u00e1n, 2018\" class=\"rl-gallery-link\" data-rl_caption=\"Ya basta hijos de puta - Vista de exposici\u00f3n, PAC Padiglione d\u2019Arte Contemporanea, Mil\u00e1n, 2018\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Ya-basta-hijos-de-puta-2018-Exhibition-view-PAC-Padiglione-dArte-Contemporanea-Milan-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Ya basta hijos de puta, 2018 (Vista de exposici\u00f3n, PAC Padiglione d\u2019Arte Contemporanea, Mil\u00e1n, 2018)\" aria-describedby=\"gallery-1-6713\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Ya-basta-hijos-de-puta-2018-Exhibition-view-PAC-Padiglione-dArte-Contemporanea-Milan-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Ya-basta-hijos-de-puta-2018-Exhibition-view-PAC-Padiglione-dArte-Contemporanea-Milan-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Ya-basta-hijos-de-puta-2018-Exhibition-view-PAC-Padiglione-dArte-Contemporanea-Milan-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6713'>\n\t\t\t\tYa basta hijos de puta &#8211; Vista de exposici\u00f3n, PAC Padiglione d\u2019Arte Contemporanea, Mil\u00e1n, 2018\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Pista-de-Baile-2016-Series-of-16-digital-prints-Exhibition-view-PhotoEspan\u0303a-Centro-Centro-Madrid-2017-scaled-3.jpg' title=\"Pista de Baile, 2016 (Vista de exposici\u00f3n, PhotoEspan\u0303a, Centro Centro, Madrid, 2017)\" data-rl_title=\"Pista de Baile, 2016 (Vista de exposici\u00f3n, PhotoEspan\u0303a, Centro Centro, Madrid, 2017)\" class=\"rl-gallery-link\" data-rl_caption=\"Pista de Baile, 2016 (Vista de exposici\u00f3n, PhotoEspan\u0303a, Centro Centro, Madrid, 2017)\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Pista-de-Baile-2016-Series-of-16-digital-prints-Exhibition-view-PhotoEspan\u0303a-Centro-Centro-Madrid-2017-scaled-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Pista de Baile, 2016 (Serie de 16 impresiones digitales \u2013 Vista de exposici\u00f3n, PhotoEspan\u0303a, Centro Centro, Madrid, 2017)\" aria-describedby=\"gallery-1-8547\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Pista-de-Baile-2016-Series-of-16-digital-prints-Exhibition-view-PhotoEspan\u0303a-Centro-Centro-Madrid-2017-scaled-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Pista-de-Baile-2016-Series-of-16-digital-prints-Exhibition-view-PhotoEspan\u0303a-Centro-Centro-Madrid-2017-scaled-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Pista-de-Baile-2016-Series-of-16-digital-prints-Exhibition-view-PhotoEspan\u0303a-Centro-Centro-Madrid-2017-scaled-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8547'>\n\t\t\t\tPista de Baile, 2016 (Vista de exposici\u00f3n, PhotoEspan\u0303a, Centro Centro, Madrid, 2017)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Vivianne-Pista-de-Baile-del-Club-El-Extranjero-2016-180-x-120-cm.jpg' title=\"Vivianne, Pista de Baile del Club El Extranjero, 2016 &#8211; Digital print\" data-rl_title=\"Vivianne, Pista de Baile del Club El Extranjero, 2016 &#8211; Digital print\" class=\"rl-gallery-link\" data-rl_caption=\"Vivianne, Pista de Baile del Club El Extranjero, 2016 - Digital print\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Vivianne-Pista-de-Baile-del-Club-El-Extranjero-2016-180-x-120-cm-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13990\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Vivianne-Pista-de-Baile-del-Club-El-Extranjero-2016-180-x-120-cm-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Vivianne-Pista-de-Baile-del-Club-El-Extranjero-2016-180-x-120-cm-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Vivianne-Pista-de-Baile-del-Club-El-Extranjero-2016-180-x-120-cm-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13990'>\n\t\t\t\tVivianne, Pista de Baile del Club El Extranjero, 2016 &#8211; Digital print\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Berenice-Pista-de-Baile-del-Bar-Tlaquepaque-2016-180-x-120-cm.jpg' title=\"Berenice, Pista de Baile del Bar Tlaquepaque, 2016 &#8211; Impresi\u00f3n digital\" data-rl_title=\"Berenice, Pista de Baile del Bar Tlaquepaque, 2016 &#8211; Impresi\u00f3n digital\" class=\"rl-gallery-link\" data-rl_caption=\"Berenice, Pista de Baile del Bar Tlaquepaque, 2016 - Impresi\u00f3n digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Berenice-Pista-de-Baile-del-Bar-Tlaquepaque-2016-180-x-120-cm-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13987\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Berenice-Pista-de-Baile-del-Bar-Tlaquepaque-2016-180-x-120-cm-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Berenice-Pista-de-Baile-del-Bar-Tlaquepaque-2016-180-x-120-cm-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Berenice-Pista-de-Baile-del-Bar-Tlaquepaque-2016-180-x-120-cm-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13987'>\n\t\t\t\tBerenice, Pista de Baile del Bar Tlaquepaque, 2016 &#8211; Impresi\u00f3n digital\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/PM-2010-2012-313-covers-of-the-Mexican-daily-tabloi\u0308d-from-2010-framed-Exhibition-view-Berlin-Biennale-2012.jpg' title=\"PM 2010 &#8211; Vista de exposici\u00f3n, Bienal de Berl\u00edn, 2012\" data-rl_title=\"PM 2010 &#8211; Vista de exposici\u00f3n, Bienal de Berl\u00edn, 2012\" class=\"rl-gallery-link\" data-rl_caption=\"PM 2010 - Vista de exposici\u00f3n, Bienal de Berl\u00edn, 2012\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/PM-2010-2012-313-covers-of-the-Mexican-daily-tabloi\u0308d-from-2010-framed-Exhibition-view-Berlin-Biennale-2012-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"PM 2010, 2012 (313 covers of the Mexican daily tabloi\u0308d from 2010, framed \u2013 Exhibition view, Berlin Biennale, 2012)\" aria-describedby=\"gallery-1-6701\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/PM-2010-2012-313-covers-of-the-Mexican-daily-tabloi\u0308d-from-2010-framed-Exhibition-view-Berlin-Biennale-2012-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/PM-2010-2012-313-covers-of-the-Mexican-daily-tabloi\u0308d-from-2010-framed-Exhibition-view-Berlin-Biennale-2012-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6701'>\n\t\t\t\tPM 2010 &#8211; Vista de exposici\u00f3n, Bienal de Berl\u00edn, 2012\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2-CINE-MEXICO-CORREGIDO.jpg' title=\"Mensaje, 2006 &#8211; Impresi\u00f3n digital\" data-rl_title=\"Mensaje, 2006 &#8211; Impresi\u00f3n digital\" class=\"rl-gallery-link\" data-rl_caption=\"Mensaje, 2006 - Impresi\u00f3n digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2-CINE-MEXICO-CORREGIDO-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13984\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2-CINE-MEXICO-CORREGIDO-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2-CINE-MEXICO-CORREGIDO-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2-CINE-MEXICO-CORREGIDO-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13984'>\n\t\t\t\tMensaje, 2006 &#8211; Impresi\u00f3n digital\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mesa-y-dos-bancos-2013-Cement-and-material-taken-from-a-crime-scene-Exhibition-view-PAC-Milan-2018-scaled-3.jpg' title=\"Mesa y dos bancos, 2013 &#8211; Vista de exposici\u00f3n, PAC Mil\u00e1n, 2018\" data-rl_title=\"Mesa y dos bancos, 2013 &#8211; Vista de exposici\u00f3n, PAC Mil\u00e1n, 2018\" class=\"rl-gallery-link\" data-rl_caption=\"Mesa y dos bancos, 2013 - Vista de exposici\u00f3n, PAC Mil\u00e1n, 2018\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mesa-y-dos-bancos-2013-Cement-and-material-taken-from-a-crime-scene-Exhibition-view-PAC-Milan-2018-scaled-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Mesa y dos bancos, 2013 (Cemento y material tomado de una escena del crimen, Vista de exposici\u00f3n, PAC Mil\u00e1n, 2018)\" aria-describedby=\"gallery-1-8562\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mesa-y-dos-bancos-2013-Cement-and-material-taken-from-a-crime-scene-Exhibition-view-PAC-Milan-2018-scaled-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mesa-y-dos-bancos-2013-Cement-and-material-taken-from-a-crime-scene-Exhibition-view-PAC-Milan-2018-scaled-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Mesa-y-dos-bancos-2013-Cement-and-material-taken-from-a-crime-scene-Exhibition-view-PAC-Milan-2018-scaled-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8562'>\n\t\t\t\tMesa y dos bancos, 2013 &#8211; Vista de exposici\u00f3n, PAC Mil\u00e1n, 2018\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/TM-La-Sombra-Water-Bottles-2016-scaled.jpg' title=\"La sombra (Water Bottles), 2016 &#8211; Impresi\u00f3n digital\" data-rl_title=\"La sombra (Water Bottles), 2016 &#8211; Impresi\u00f3n digital\" class=\"rl-gallery-link\" data-rl_caption=\"La sombra (Water Bottles), 2016 - Impresi\u00f3n digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/TM-La-Sombra-Water-Bottles-2016-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15301\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/TM-La-Sombra-Water-Bottles-2016-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/TM-La-Sombra-Water-Bottles-2016-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/TM-La-Sombra-Water-Bottles-2016-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15301'>\n\t\t\t\tLa sombra (Water Bottles), 2016 &#8211; Impresi\u00f3n digital\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-2016-Site-specific-installation-Concrete-structure-with-water-from-crime-scenes-Installation-view-Public-Art-Biennial-Los-Angeles-2016.jpeg' title=\"La Sombra, 2016 &#8211; Vista de instalaci\u00f3n, Public Art Biennial, Los Angeles, 2016\" data-rl_title=\"La Sombra, 2016 &#8211; Vista de instalaci\u00f3n, Public Art Biennial, Los Angeles, 2016\" class=\"rl-gallery-link\" data-rl_caption=\"La Sombra, 2016 - Vista de instalaci\u00f3n, Public Art Biennial, Los Angeles, 2016\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-2016-Site-specific-installation-Concrete-structure-with-water-from-crime-scenes-Installation-view-Public-Art-Biennial-Los-Angeles-2016-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"La Sombra, 2016 (Site specific installation, Concrete structure with water from crime scenes \u2013 Installation view, Public Art Biennial, Los Angeles, 2016)\" aria-describedby=\"gallery-1-6767\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-2016-Site-specific-installation-Concrete-structure-with-water-from-crime-scenes-Installation-view-Public-Art-Biennial-Los-Angeles-2016-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/La-Sombra-2016-Site-specific-installation-Concrete-structure-with-water-from-crime-scenes-Installation-view-Public-Art-Biennial-Los-Angeles-2016-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6767'>\n\t\t\t\tLa Sombra, 2016 &#8211; Vista de instalaci\u00f3n, Public Art Biennial, Los Angeles, 2016\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles_PAC-Milano_ajustes-de-cuentas-002_photo-Rafael-Burillo-copy-scaled.jpg' title=\"Ajuste de cuentas, 2009 &#8211; Vista de exposici\u00f3n, PAC Mil\u00e1n, 2018\" data-rl_title=\"Ajuste de cuentas, 2009 &#8211; Vista de exposici\u00f3n, PAC Mil\u00e1n, 2018\" class=\"rl-gallery-link\" data-rl_caption=\"Ajuste de cuentas, 2009 - Vista de exposici\u00f3n, PAC Mil\u00e1n, 2018\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles_PAC-Milano_ajustes-de-cuentas-002_photo-Rafael-Burillo-copy-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15313\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles_PAC-Milano_ajustes-de-cuentas-002_photo-Rafael-Burillo-copy-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles_PAC-Milano_ajustes-de-cuentas-002_photo-Rafael-Burillo-copy-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles_PAC-Milano_ajustes-de-cuentas-002_photo-Rafael-Burillo-copy-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15313'>\n\t\t\t\tAjuste de cuentas, 2009 &#8211; Vista de exposici\u00f3n, PAC Mil\u00e1n, 2018\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/joya001_DSC9446-scaled.jpg' title=\"Ajuste de cuentas, 2009 &#8211; Joyer\u00eda con fragmentos de vidrio de una escena del crimen\" data-rl_title=\"Ajuste de cuentas, 2009 &#8211; Joyer\u00eda con fragmentos de vidrio de una escena del crimen\" class=\"rl-gallery-link\" data-rl_caption=\"Ajuste de cuentas, 2009 - Joyer\u00eda con fragmentos de vidrio de una escena del crimen\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/joya001_DSC9446-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15316\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/joya001_DSC9446-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/joya001_DSC9446-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/joya001_DSC9446-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15316'>\n\t\t\t\tAjuste de cuentas, 2009 &#8211; Joyer\u00eda con fragmentos de vidrio de una escena del crimen \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Dylegued-Entierro-2013-Embroidered-fabrics-with-blood-Installation-view-Neuberger-Museum-of-Art-New-York-2015-scaled-3.jpg' title=\"Dylegued (Entierro), 2013 &#8211; Vista de exposici\u00f3n, Neuberger Museum of Art, New York, 2015\" data-rl_title=\"Dylegued (Entierro), 2013 &#8211; Vista de exposici\u00f3n, Neuberger Museum of Art, New York, 2015\" class=\"rl-gallery-link\" data-rl_caption=\"Dylegued (Entierro), 2013 - Vista de exposici\u00f3n, Neuberger Museum of Art, New York, 2015\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Dylegued-Entierro-2013-Embroidered-fabrics-with-blood-Installation-view-Neuberger-Museum-of-Art-New-York-2015-scaled-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dylegued [Entierro], 2013 (Telas bordadas con sangre \u2013 Vista de instalaci\u00f3n, Neuberger Museum of Art, Nueva York, 2015)\" aria-describedby=\"gallery-1-8559\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Dylegued-Entierro-2013-Embroidered-fabrics-with-blood-Installation-view-Neuberger-Museum-of-Art-New-York-2015-scaled-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Dylegued-Entierro-2013-Embroidered-fabrics-with-blood-Installation-view-Neuberger-Museum-of-Art-New-York-2015-scaled-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Dylegued-Entierro-2013-Embroidered-fabrics-with-blood-Installation-view-Neuberger-Museum-of-Art-New-York-2015-scaled-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8559'>\n\t\t\t\tDylegued (Entierro), 2013 &#8211; Vista de exposici\u00f3n, Neuberger Museum of Art, New York, 2015\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-WILA-PATJHARU-_-SOBRE-LA-SANGRE-Sur-le-sang-2016-de\u0301tail-Bolivia-2016-Courtesy-de-l_artiste-et-mor-charpentier-\u00a9-Leslie-Artamonow.jpg' title=\"Tela Bolivia, 2019 &#8211; Vista de exposici\u00f3n, BPS22, Charleroi, 2019\" data-rl_title=\"Tela Bolivia, 2019 &#8211; Vista de exposici\u00f3n, BPS22, Charleroi, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"Tela Bolivia, 2019 - Vista de exposici\u00f3n, BPS22, Charleroi, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-WILA-PATJHARU-_-SOBRE-LA-SANGRE-Sur-le-sang-2016-de\u0301tail-Bolivia-2016-Courtesy-de-l_artiste-et-mor-charpentier-\u00a9-Leslie-Artamonow-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-12692\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-WILA-PATJHARU-_-SOBRE-LA-SANGRE-Sur-le-sang-2016-de\u0301tail-Bolivia-2016-Courtesy-de-l_artiste-et-mor-charpentier-\u00a9-Leslie-Artamonow-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-WILA-PATJHARU-_-SOBRE-LA-SANGRE-Sur-le-sang-2016-de\u0301tail-Bolivia-2016-Courtesy-de-l_artiste-et-mor-charpentier-\u00a9-Leslie-Artamonow-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Teresa-Margolles-WILA-PATJHARU-_-SOBRE-LA-SANGRE-Sur-le-sang-2016-de\u0301tail-Bolivia-2016-Courtesy-de-l_artiste-et-mor-charpentier-\u00a9-Leslie-Artamonow-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-12692'>\n\t\t\t\tTela Bolivia, 2019 &#8211; Vista de exposici\u00f3n, BPS22, Charleroi, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Tela-Bordada-2019-Embroidered-fabric-Exhibition-view-Videobrasil-Sao-Paulo-2019.png' title=\"Tela Bordada Sao Paulo, 2019 &#8211; Vista de exposici\u00f3n, Videobrasil, Sao Paulo, 2019\" data-rl_title=\"Tela Bordada Sao Paulo, 2019 &#8211; Vista de exposici\u00f3n, Videobrasil, Sao Paulo, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"Tela Bordada Sao Paulo, 2019 - Vista de exposici\u00f3n, Videobrasil, Sao Paulo, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Tela-Bordada-2019-Embroidered-fabric-Exhibition-view-Videobrasil-Sao-Paulo-2019-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Tela Bordada, 2019 (Tela bordada \u2013 Vista de exposici\u00f3n, Videobrasil, Sao Paulo, 2019)\" aria-describedby=\"gallery-1-6752\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Tela-Bordada-2019-Embroidered-fabric-Exhibition-view-Videobrasil-Sao-Paulo-2019-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Tela-Bordada-2019-Embroidered-fabric-Exhibition-view-Videobrasil-Sao-Paulo-2019-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6752'>\n\t\t\t\tTela Bordada Sao Paulo, 2019 &#8211; Vista de exposici\u00f3n, Videobrasil, Sao Paulo, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/4-scaled.jpg' title=\"4\" data-rl_title=\"4\" class=\"rl-gallery-link\" data-rl_caption=\"Azione in tre fasi: sollevare, sostenere e posare il telo che ha coperto i corpi di persone uccise in Messico. 2003 - 2020 - Performance at Mattatoio Roma, 2022\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-26062\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/4-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/4-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/4-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-26062'>\n\t\t\t\tAzione in tre fasi: sollevare, sostenere e posare il telo che ha coperto i corpi di persone uccise in Messico. 2003 &#8211; 2020 &#8211; Performance at Mattatoio Roma, 2022\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MGKSiegen_Odor_Teresa_Margolles_02-scaled.jpeg' title=\"MGKSiegen_Odor_Teresa_Margolles_02\" data-rl_title=\"MGKSiegen_Odor_Teresa_Margolles_02\" class=\"rl-gallery-link\" data-rl_caption=\"Periferia de la agon\u00eda, 2003 - Exhibition view, Museum f\u00fcr Gegenwartskunst MGKSiegen\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MGKSiegen_Odor_Teresa_Margolles_02-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-30821\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MGKSiegen_Odor_Teresa_Margolles_02-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MGKSiegen_Odor_Teresa_Margolles_02-708x708.jpeg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MGKSiegen_Odor_Teresa_Margolles_02-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-30821'>\n\t\t\t\tPeriferia de la agon\u00eda, 2003 &#8211; Exhibition view, Museum f\u00fcr Gegenwartskunst MGKSiegen\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Sutura-Fabric-from-Guadalajara-2011-2018-Intervention-on-fabric-Exhibition-view-Daadgalerie-Berlin-2018.jpg' title=\"Sutura (Tela de Guadalajara), 2011-2018 &#8211; Vista de exposici\u00f3n, Daadgalerie, Berl\u00edn, 2018\" data-rl_title=\"Sutura (Tela de Guadalajara), 2011-2018 &#8211; Vista de exposici\u00f3n, Daadgalerie, Berl\u00edn, 2018\" class=\"rl-gallery-link\" data-rl_caption=\"Sutura (Tela de Guadalajara), 2011-2018 - Vista de exposici\u00f3n, Daadgalerie, Berl\u00edn, 2018\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Sutura-Fabric-from-Guadalajara-2011-2018-Intervention-on-fabric-Exhibition-view-Daadgalerie-Berlin-2018-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Sutura [Fabric from Guadalajara], 2011-2018 (Intervention on fabric \u2013 Exhibition view, Daadgalerie, Berlin, 2018)\" aria-describedby=\"gallery-1-6743\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Sutura-Fabric-from-Guadalajara-2011-2018-Intervention-on-fabric-Exhibition-view-Daadgalerie-Berlin-2018-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Sutura-Fabric-from-Guadalajara-2011-2018-Intervention-on-fabric-Exhibition-view-Daadgalerie-Berlin-2018-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Sutura-Fabric-from-Guadalajara-2011-2018-Intervention-on-fabric-Exhibition-view-Daadgalerie-Berlin-2018-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6743'>\n\t\t\t\tSutura (Tela de Guadalajara), 2011-2018 &#8211; Vista de exposici\u00f3n, Daadgalerie, Berl\u00edn, 2018\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/accion-tela-006-copy.jpg' title=\"Sutura, 2018 &#8211; Impresi\u00f3n digital\" data-rl_title=\"Sutura, 2018 &#8211; Impresi\u00f3n digital\" class=\"rl-gallery-link\" data-rl_caption=\"Sutura, 2018 - Impresi\u00f3n digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/accion-tela-006-copy-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Sutura, 2018 (Digital print, documentation of action outside Zagreb\u2019s French Pavilion, 2018)\" aria-describedby=\"gallery-1-6746\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/accion-tela-006-copy-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/accion-tela-006-copy-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/accion-tela-006-copy-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6746'>\n\t\t\t\tSutura, 2018 &#8211; Impresi\u00f3n digital\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Frontera-2010-Installation-with-40-cloths-soaked-with-soil-and-body-fluids-Installation-view-Kunsthalle-Fridericianum-Kassel-2010.jpeg' title=\"Frontera, 2010 &#8211; Vista de instalaci\u00f3n, Kunsthalle Fridericianum, Kasel, 2010\" data-rl_title=\"Frontera, 2010 &#8211; Vista de instalaci\u00f3n, Kunsthalle Fridericianum, Kasel, 2010\" class=\"rl-gallery-link\" data-rl_caption=\"Frontera, 2010 - Vista de instalaci\u00f3n, Kunsthalle Fridericianum, Kasel, 2010\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Frontera-2010-Installation-with-40-cloths-soaked-with-soil-and-body-fluids-Installation-view-Kunsthalle-Fridericianum-Kassel-2010-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Frontera, 2010 (Installation with 40 cloths soaked with soil and body fluids \u2013 Installation view, Kunsthalle Fridericianum, Kassel, 2010)\" aria-describedby=\"gallery-1-6761\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Frontera-2010-Installation-with-40-cloths-soaked-with-soil-and-body-fluids-Installation-view-Kunsthalle-Fridericianum-Kassel-2010-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Frontera-2010-Installation-with-40-cloths-soaked-with-soil-and-body-fluids-Installation-view-Kunsthalle-Fridericianum-Kassel-2010-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6761'>\n\t\t\t\tFrontera, 2010 &#8211; Vista de instalaci\u00f3n, Kunsthalle Fridericianum, Kasel, 2010\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Embassy-2009-Site-specific-intervention-fabrics-with-blood-Installation-view-United-States-Pavilion-Venice-Biennale-2009.jpeg' title=\"Embassy, 2009 &#8211; Vista de instalaci\u00f3n, Pabell\u00f3n de los Estados Unidos, Bienal de Venecia, 2009\" data-rl_title=\"Embassy, 2009 &#8211; Vista de instalaci\u00f3n, Pabell\u00f3n de los Estados Unidos, Bienal de Venecia, 2009\" class=\"rl-gallery-link\" data-rl_caption=\"Embassy, 2009 - Vista de instalaci\u00f3n, Pabell\u00f3n de los Estados Unidos, Bienal de Venecia, 2009\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Embassy-2009-Site-specific-intervention-fabrics-with-blood-Installation-view-United-States-Pavilion-Venice-Biennale-2009-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Embassy, 2009 (Site specific intervention, fabrics with blood \u2013 Installation view, United States Pavilion, Venice Biennale, 2009)\" aria-describedby=\"gallery-1-6758\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Embassy-2009-Site-specific-intervention-fabrics-with-blood-Installation-view-United-States-Pavilion-Venice-Biennale-2009-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Embassy-2009-Site-specific-intervention-fabrics-with-blood-Installation-view-United-States-Pavilion-Venice-Biennale-2009-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6758'>\n\t\t\t\tEmbassy, 2009 &#8211; Vista de instalaci\u00f3n, Pabell\u00f3n de los Estados Unidos, Bienal de Venecia, 2009\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/A-Traves-2011-Glass-panels-coated-in-sweat-from-t-shirts-Installation-view-Visual-Contemporary-Art-Carlow-Ireland-2012.jpeg' title=\"A trav\u00e9s, 2011 &#8211; Vista de instalaci\u00f3n, Visual Contemporary Art, Carlow, Irlanda, 2012\" data-rl_title=\"A trav\u00e9s, 2011 &#8211; Vista de instalaci\u00f3n, Visual Contemporary Art, Carlow, Irlanda, 2012\" class=\"rl-gallery-link\" data-rl_caption=\"A trav\u00e9s, 2011 - Vista de instalaci\u00f3n, Visual Contemporary Art, Carlow, Irlanda, 2012\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/A-Traves-2011-Glass-panels-coated-in-sweat-from-t-shirts-Installation-view-Visual-Contemporary-Art-Carlow-Ireland-2012-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"A Traves, 2011 (Glass panels coated in sweat from t-shirts \u2013 Installation view, Visual Contemporary Art, Carlow, Ireland, 2012)\" aria-describedby=\"gallery-1-6776\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/A-Traves-2011-Glass-panels-coated-in-sweat-from-t-shirts-Installation-view-Visual-Contemporary-Art-Carlow-Ireland-2012-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/A-Traves-2011-Glass-panels-coated-in-sweat-from-t-shirts-Installation-view-Visual-Contemporary-Art-Carlow-Ireland-2012-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6776'>\n\t\t\t\tA trav\u00e9s, 2011 &#8211; Vista de instalaci\u00f3n, Visual Contemporary Art, Carlow, Irlanda, 2012\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/En-el-aire-2013-Installation-with-water-from-the-morgue-bubble-machines-Installation-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017.jpg' title=\"En el aire, 2013 &#8211; Vista de instalaci\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\" data-rl_title=\"En el aire, 2013 &#8211; Vista de instalaci\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\" class=\"rl-gallery-link\" data-rl_caption=\"En el aire, 2013 - Vista de instalaci\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/En-el-aire-2013-Installation-with-water-from-the-morgue-bubble-machines-Installation-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"En el aire, 2013 (Installation with water from the morgue, bubble machines \u2013 Installation view, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017)\" aria-describedby=\"gallery-1-6779\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/En-el-aire-2013-Installation-with-water-from-the-morgue-bubble-machines-Installation-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/En-el-aire-2013-Installation-with-water-from-the-morgue-bubble-machines-Installation-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/En-el-aire-2013-Installation-with-water-from-the-morgue-bubble-machines-Installation-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6779'>\n\t\t\t\tEn el aire, 2013 &#8211; Vista de instalaci\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2019-06-04-at-14.30.25.png' title=\"Irrigacio\u0301n, 2010 &#8211; Video monocanal\" data-rl_title=\"Irrigacio\u0301n, 2010 &#8211; Video monocanal\" class=\"rl-gallery-link\" data-rl_caption=\"Irrigacio\u0301n, 2010 - Video monocanal\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2019-06-04-at-14.30.25-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15298\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2019-06-04-at-14.30.25-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2019-06-04-at-14.30.25-708x708.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2019-06-04-at-14.30.25-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15298'>\n\t\t\t\tIrrigacio\u0301n, 2010 &#8211; Video monocanal\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Vaporizacio\u0301n-2001-2018-Installation-with-Vaporized-water-from-the-morgue-fog-machines-Exhibition-view-PAC-Milan-2018.jpg' title=\"Vaporizacio\u0301n, 2001-2018 &#8211; Vista de instalaci\u00f3n, PAC Mil\u00e1n, 2018\" data-rl_title=\"Vaporizacio\u0301n, 2001-2018 &#8211; Vista de instalaci\u00f3n, PAC Mil\u00e1n, 2018\" class=\"rl-gallery-link\" data-rl_caption=\"Vaporizacio\u0301n, 2001-2018 - Vista de instalaci\u00f3n, PAC Mil\u00e1n, 2018\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Vaporizacio\u0301n-2001-2018-Installation-with-Vaporized-water-from-the-morgue-fog-machines-Exhibition-view-PAC-Milan-2018-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Vaporizacio\u0301n, 2001-2018 (Installation with Vaporized water from the morgue, fog machines \u2013 Exhibition view, PAC Milan, 2018)\" aria-describedby=\"gallery-1-6782\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Vaporizacio\u0301n-2001-2018-Installation-with-Vaporized-water-from-the-morgue-fog-machines-Exhibition-view-PAC-Milan-2018-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Vaporizacio\u0301n-2001-2018-Installation-with-Vaporized-water-from-the-morgue-fog-machines-Exhibition-view-PAC-Milan-2018-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Vaporizacio\u0301n-2001-2018-Installation-with-Vaporized-water-from-the-morgue-fog-machines-Exhibition-view-PAC-Milan-2018-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6782'>\n\t\t\t\tVaporizacio\u0301n, 2001-2018 &#8211; Vista de instalaci\u00f3n, PAC Mil\u00e1n, 2018\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/36-cuerpos-2010-Remnants-of-threads-used-after-autopsies-Installation-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3.jpg' title=\"36 cuerpos, 2010 &#8211; Vista de exposici\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\" data-rl_title=\"36 cuerpos, 2010 &#8211; Vista de exposici\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\" class=\"rl-gallery-link\" data-rl_caption=\"36 cuerpos, 2010 - Vista de exposici\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/36-cuerpos-2010-Remnants-of-threads-used-after-autopsies-Installation-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"36 cuerpos, 2010 (Remnants of threads used after autopsies \u2013 Installation view, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017)\" aria-describedby=\"gallery-1-8568\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/36-cuerpos-2010-Remnants-of-threads-used-after-autopsies-Installation-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/36-cuerpos-2010-Remnants-of-threads-used-after-autopsies-Installation-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/36-cuerpos-2010-Remnants-of-threads-used-after-autopsies-Installation-view-Muse\u0301e-dArt-Contemporain-de-Montre\u0301al-2017-scaled-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8568'>\n\t\t\t\t36 cuerpos, 2010 &#8211; Vista de exposici\u00f3n, Muse\u0301e d\u2019Art Contemporain de Montre\u0301al, 2017\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/SEMEFO-Cali--scaled.jpg' title=\"Semefo, 1999 &#8211; Poster e impresi\u00f3n digital\" data-rl_title=\"Semefo, 1999 &#8211; Poster e impresi\u00f3n digital\" class=\"rl-gallery-link\" data-rl_caption=\"Semefo, 1999 - Poster e impresi\u00f3n digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/SEMEFO-Cali--150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15304\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/SEMEFO-Cali--150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/SEMEFO-Cali--708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/SEMEFO-Cali--100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15304'>\n\t\t\t\tSemefo, 1999 &#8211; Poster e impresi\u00f3n digital\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Fourth-Plinth-BBC-scaled.jpg' title=\"Fourth Plinth-BBC\" data-rl_title=\"Fourth Plinth-BBC\" class=\"rl-gallery-link\" data-rl_caption=\"850 improntas, Fourth Plint, London, 2024\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Fourth-Plinth-BBC-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-39899\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Fourth-Plinth-BBC-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Fourth-Plinth-BBC-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Fourth-Plinth-BBC-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-39899'>\n\t\t\t\t850 improntas, Fourth Plint, London, 2024 \n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"featured_media":3043,"template":"","class_list":["post-9129","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/artist\/9129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/artist"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/types\/artist"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media\/3043"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media?parent=9129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}