{"id":9110,"date":"2020-08-22T17:06:29","date_gmt":"2020-08-22T15:06:29","guid":{"rendered":"https:\/\/mor.local\/artist\/marwa-arsanios\/"},"modified":"2024-02-15T20:43:13","modified_gmt":"2024-02-15T19:43:13","slug":"marwa-arsanios","status":"publish","type":"artist","link":"https:\/\/www.mor-charpentier.com\/es\/artist\/marwa-arsanios\/","title":{"rendered":"Marwa Arsanios"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div id=\"block_68241aa5086424dc24069775aa2f702b\" class=\"bio biography-block\">\n\n    \n        <div class=\"bio__shown\">\n\n            <p class=\"p1\">Marwa Arsanios es una artista, cineasta e investigadora cuyo trabajo puede adoptar la forma de instalaci\u00f3n, performance e imagen en movimiento. Reconsidera el desarrollo pol\u00edtico de la segunda mitad del siglo XX desde una perspectiva contempor\u00e1nea, centr\u00e1ndose en las relaciones de g\u00e9nero, el colectivismo, el urbanismo y la industrializaci\u00f3n. Su labor de investigaci\u00f3n abarca muchas disciplinas y se despliega en numerosos proyectos de colaboraci\u00f3n.<\/p>\n\n        <\/div>\n\n    \n    \n        <div class=\"bio__hidden\">\n            \n            <p class=\"p1\">M\u00faltiples exposiciones individuales han sido dedicadas a su trabajo: Heidelberger Kunstverein, Alemania (2023); Mosa\u00efc Rooms, Londres (2022); Contemporary Arts Center, Cincinnati (2021); Skuc Gallery, Ljubljana (2018); Beirut Art Center (2017); Hammer Museum, Los \u00c1ngeles (2016); Witte de With, Rotterdam (2016); Kunsthalle Lissabon, Lisboa (2015); y Art in General, Nueva York (2015).<\/p>\n<p class=\"p1\">Su obra tambi\u00e9n se ha presentado en numerosas exposiciones colectivas, entre ellas: Documenta 15, Kassel (2022); 5ta Bienal Mardin (2022); 3\u00aa Bienal de Autostrada, Pristina (2021); 11\u00aa Bienal de Berl\u00edn (2020); The Renaissance, Chicago (2020); 2\u00aa Bienal de Lahore (2020); Kunsthalle Wien, Viena (2019); 1\u00aa Trienal de Arquitectura de Sharjah (2019); SF Moma, San Francisco (2019); 1\u00aa Bienal de Varsovia (2019); 14\u00aa Bienal de Sharjah (2019); Nottingham Contemporary (2017); Museo Maxxi, Roma (2017); Museo Sursock, Beirut (2016); Museo Ludwig, Colonia (2016); Bienal de Sal\u00f3nica (2015); Home Works Forum, Ashkal Alwan, Beirut (2010, 2013, 2015); New Museum, Nueva York (2014); 55\u00aa Bienal de Venecia (2013); M HKA, Amberes (2013), In Other Words, nGbK, Berl\u00edn (2012); o la 12\u00aa Bienal de Estambul (2011).<\/p>\n<p class=\"p1\">Sus pel\u00edculas se han proyectado en Cin\u00e9ma du R\u00e9el, Par\u00eds (2021); Festival de Cine de Rotterdam (2021); EMAF, Osnabr\u00fcck (2021); Film Fest, Hamburgo (2020); State of Concept, Atenas (2020); FID Marsella (2019); tiff, Toronto (2019); RIDM, Montreal (2019); Berwick Film &#038; Media Arts Festival (2019); Walker Art Center, Minneapolis (2017); Centre Georges Pompidou, Par\u00eds (2011, 2017); Berlin International Film Festival (2010, 2015); y e-flux storefront, Nueva York (2009).<\/p>\n<p class=\"p1\">Ha recibido el Premio Internacional Georges de Beauregard en el FID de Marsella (2019), el Premio Especial del Pinchuk Future Generation Art Prize (2012), y ha sido nominada al Premio de Arte Paulo Cunha e Silva (2017) y al Premio de la Fundaci\u00f3n Han Nefkens (2014). Recibi\u00f3 la beca Akademie Schloss Solitude de Stuttgart en 2014 y la Tokyo Wonder Site, Tokyo Arts and Space en 2010. Es cofundadora del 98weeks Research Project.<\/p>\n\n            \n                <p><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/mor-charpentier-Marwa-Arsanios-CV-2.pdf\">Descargar CV<\/a><\/p>\n\n                        \n        <\/div>\n        \n        <button class=\"btn bio__btn\">Seguir leyendo<\/button>\n\n    \n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div id=\"block_ed0505d64ec9872047278d3bcf74e67a\" class=\"related-block\">\n\n    \n    <div class=\"extra__container extra__container--exhibitions\">\n\n        <h3 class=\"extra__title\">Exposiciones en mor charpentier<\/h3>\n\n        <ul class=\"extra__list\">\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/radical-hope\/\">Radical Hope<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/falling-is-not-collapsing-falling-is-extending\/\">Falling is not collapsing, falling is extending<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/exodus\/\">Exodus<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/concrete-cities\/\">Concrete Cities<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/resisting-the-present\/\">Resisting the Present<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/l-ecriture-ou-la-vie\/\">L&#8217; \u00e9criture ou la vie<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/utopias-arquitectonicas\/\">Utop\u00edas arquitect\u00f3nicas<\/a>\n                <\/li>\n\n            \n        <\/ul>\n\n    <\/div>\n\n    \n    \n    <div class=\"extra__container extra__container--viewingrooms\">\n\n    <h3 class=\"extra__title\">Viewing Rooms<\/h3>\n\n        <ul class=\"extra__list\">\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/?post_type=viewing-room&#038;p=38716\">Rolling Stone<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/?post_type=viewing-room&#038;p=38694\">Auto Draft<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/viewing-room\/rolling-stone-2\/\">Rolling Stone<\/a>\n                <\/li>\n\n            \n        <\/ul>\n\n    <\/div>\n\n    \n<\/div>\n<\/div>\n<\/div>\n\n<div id='gallery-1' class='gallery galleryid-9110 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2022-11-17-at-6.09.51-PM.png' title=\"Screen Shot 2022-11-17 at 6.09.51 PM\" data-rl_title=\"Screen Shot 2022-11-17 at 6.09.51 PM\" class=\"rl-gallery-link\" data-rl_caption=\"Who is Afraid of Ideology ? Part IV, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2022-11-17-at-6.09.51-PM-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29615\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2022-11-17-at-6.09.51-PM-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2022-11-17-at-6.09.51-PM-708x708.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2022-11-17-at-6.09.51-PM-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29615'>\n\t\t\t\tWho is Afraid of Ideology ? Part IV, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2022-06-21-a\u0300-15.51.04.png' title=\"Capture d\u2019e\u0301cran 2022-06-21 a\u0300 15.51.04\" data-rl_title=\"Capture d\u2019e\u0301cran 2022-06-21 a\u0300 15.51.04\" class=\"rl-gallery-link\" data-rl_caption=\"Who is Afraid of Ideology ? Part II, 2019 - HD Video - Video Still\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2022-06-21-a\u0300-15.51.04-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29618\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2022-06-21-a\u0300-15.51.04-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2022-06-21-a\u0300-15.51.04-708x702.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2022-06-21-a\u0300-15.51.04-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29618'>\n\t\t\t\tWho is Afraid of Ideology ? Part II, 2019 &#8211; HD Video &#8211; Video Still\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/S80C3220-scaled.jpg' title=\"S80C3220\" data-rl_title=\"S80C3220\" class=\"rl-gallery-link\" data-rl_caption=\"Who Is Afraid of Ideology? Part 4, 2021 - Exhibition view, Talbolt Rice Gallery, Edinbourgh, 2023\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/S80C3220-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-31938\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/S80C3220-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/S80C3220-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/S80C3220-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-31938'>\n\t\t\t\tWho Is Afraid of Ideology? Part 4, 2021 &#8211; Exhibition view, Talbolt Rice Gallery, Edinbourgh, 2023\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MR-10-0039.jpg' title=\"MR-10-0039\" data-rl_title=\"MR-10-0039\" class=\"rl-gallery-link\" data-rl_caption=\"Who is Afraid of Ideology? Part IV, 2022\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MR-10-0039-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29612\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MR-10-0039-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MR-10-0039-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MR-10-0039-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29612'>\n\t\t\t\tWho is Afraid of Ideology? Part IV, 2022\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_4030-scaled.jpg' title=\"_MG_4030\" data-rl_title=\"_MG_4030\" class=\"rl-gallery-link\" data-rl_caption=\"Micro Resistances\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_4030-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-34813\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_4030-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_4030-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_4030-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-34813'>\n\t\t\t\tMicro Resistances \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MR-10-0034-scaled.jpg' title=\"MR-10-0034\" data-rl_title=\"MR-10-0034\" class=\"rl-gallery-link\" data-rl_caption=\"Who is Afraid of Ideology? Part IV, 2022\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MR-10-0034-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29609\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MR-10-0034-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MR-10-0034-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MR-10-0034-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29609'>\n\t\t\t\tWho is Afraid of Ideology? Part IV, 2022\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-1.jpg' title=\"Sin ti\u0301tulo-1\" data-rl_title=\"Sin ti\u0301tulo-1\" class=\"rl-gallery-link\" data-rl_caption=\"Who Is Afraid of Ideology? Part 1, 2017 - Exhibition view, Kunsthalle Munster, 2022 \u00a9LWL:Hanna Neander\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-26204\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-26204'>\n\t\t\t\tWho Is Afraid of Ideology? Part 1, 2017 &#8211; Exhibition view, Kunsthalle Munster, 2022 \u00a9LWL:Hanna Neander\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/16.-Exhibition-view-Reclaiming-Places-01.05-03.07.21-La-Loge-Brussels.-Copyright-and-courtesy-of-the-artists-and-La-Loge-Image-Lola-Pertsowsky-1-scaled.jpg' title=\"16. Exhibition view Reclaiming Places 01.05-03.07.21 La Loge Brussels. Copyright and courtesy of the artists and La Loge, Image Lola Pertsowsky\" data-rl_title=\"16. Exhibition view Reclaiming Places 01.05-03.07.21 La Loge Brussels. Copyright and courtesy of the artists and La Loge, Image Lola Pertsowsky\" class=\"rl-gallery-link\" data-rl_caption=\"Who is afraid of ideology? Part III - Micro Resistencias, 2020 - Exhibition view, La Loge Brussels, 2021\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/16.-Exhibition-view-Reclaiming-Places-01.05-03.07.21-La-Loge-Brussels.-Copyright-and-courtesy-of-the-artists-and-La-Loge-Image-Lola-Pertsowsky-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-26201\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-26201'>\n\t\t\t\tWho is afraid of ideology? Part III &#8211; Micro Resistencias, 2020 &#8211; Exhibition view, La Loge Brussels, 2021\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/BB11-Marwa-Arsanios_installation-view_01-scaled.jpg' title=\"Who is Afraid of Ideology ? Part III &#8211; Micro Resistencias, 2020 &#8211; Vista de instalaci\u00f3n, 11va Bienal de Berl\u00edn, KW Institute for Contemporary Art \u00a9fotograf\u00eda : Silke Briel\" data-rl_title=\"Who is Afraid of Ideology ? Part III &#8211; Micro Resistencias, 2020 &#8211; Vista de instalaci\u00f3n, 11va Bienal de Berl\u00edn, KW Institute for Contemporary Art \u00a9fotograf\u00eda : Silke Briel\" class=\"rl-gallery-link\" data-rl_caption=\"Who is Afraid of Ideology ? Part III - Micro Resistencias, 2020 - Vista de instalaci\u00f3n, 11va Bienal de Berl\u00edn, KW Institute for Contemporary Art \u00a9fotograf\u00eda : Silke Briel\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/BB11-Marwa-Arsanios_installation-view_01-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-12556\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/BB11-Marwa-Arsanios_installation-view_01-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/BB11-Marwa-Arsanios_installation-view_01-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/BB11-Marwa-Arsanios_installation-view_01-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-12556'>\n\t\t\t\tWho is Afraid of Ideology ? Part III &#8211; Micro Resistencias, 2020 &#8211; Vista de instalaci\u00f3n, 11va Bienal de Berl\u00edn, KW Institute for Contemporary Art \u00a9fotograf\u00eda : Silke Briel\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-SP_Arsanios4_phJA.jpg' title=\"Who is Afraid of Ideology ? 2017-2019 &#8211; Vista de exposici\u00f3n, SF MOMA, 2019 \u00a9Joanna Arnold\" data-rl_title=\"Who is Afraid of Ideology ? 2017-2019 &#8211; Vista de exposici\u00f3n, SF MOMA, 2019 \u00a9Joanna Arnold\" class=\"rl-gallery-link\" data-rl_caption=\"Who is Afraid of Ideology ? 2017-2019 - Vista de exposici\u00f3n, SF MOMA, 2019 \u00a9Joanna Arnold\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-SP_Arsanios4_phJA-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Who is Afraid of Ideology ? 2017-2019 (Vista de exposici\u00f3n, SF MOMA, 2019 \u00a9Joanna Arnold)\" aria-describedby=\"gallery-1-6092\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-SP_Arsanios4_phJA-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-SP_Arsanios4_phJA-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-SP_Arsanios4_phJA-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6092'>\n\t\t\t\tWho is Afraid of Ideology ? 2017-2019 &#8211; Vista de exposici\u00f3n, SF MOMA, 2019 \u00a9Joanna Arnold\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2017-06-10-a\u0300-15.40.34.png' title=\"Who is Afraid of Ideology ? Part I, 2019 &#8211; HD Video &#8211; Fotogr\u00e1ma\" data-rl_title=\"Who is Afraid of Ideology ? Part I, 2019 &#8211; HD Video &#8211; Fotogr\u00e1ma\" class=\"rl-gallery-link\" data-rl_caption=\"Who is Afraid of Ideology ? Part I, 2019 - HD Video - Fotogr\u00e1ma\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2017-06-10-a\u0300-15.40.34-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13468\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2017-06-10-a\u0300-15.40.34-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2017-06-10-a\u0300-15.40.34-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13468'>\n\t\t\t\tWho is Afraid of Ideology ? Part I, 2019 &#8211; HD Video &#8211; Fotogr\u00e1ma\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-2.jpg' title=\"Who is Afraid of Ideology ? Part II, 2019 &#8211; Exhibition view, 14th Sharjah Biennial, 2019\" data-rl_title=\"Who is Afraid of Ideology ? Part II, 2019 &#8211; Exhibition view, 14th Sharjah Biennial, 2019\" class=\"rl-gallery-link\" data-rl_caption=\"Who is Afraid of Ideology ? Part II, 2019 - Exhibition view, 14th Sharjah Biennial, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Who is afraid of ideology ? Part II, 2019 (Vista de exposici\u00f3n, 14va Bienal de Sharjahl)\" aria-describedby=\"gallery-1-6086\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-2-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-2-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-2-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6086'>\n\t\t\t\tWho is Afraid of Ideology ? Part II, 2019 &#8211; Exhibition view, 14th Sharjah Biennial, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/still-WAI-scaled.jpg' title=\"Who is Afraid of Ideology ? Part II, 2019 &#8211; HD Video &#8211; Fotogr\u00e1ma\" data-rl_title=\"Who is Afraid of Ideology ? Part II, 2019 &#8211; HD Video &#8211; Fotogr\u00e1ma\" class=\"rl-gallery-link\" data-rl_caption=\"Who is Afraid of Ideology ? Part II, 2019 - HD Video - Fotogr\u00e1ma\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/still-WAI-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14918\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/still-WAI-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/still-WAI-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/still-WAI-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14918'>\n\t\t\t\tWho is Afraid of Ideology ? Part II, 2019 &#8211; HD Video &#8211; Fotogr\u00e1ma\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/2-SP_Arsanios9_Untitled-tapestry_phJA-2.jpg' title=\"Untitled [Tapestry], 2019 &#8211; Vista de exposici\u00f3n, SF MoMA, 2019 \u00a9Joanna Arnold\" data-rl_title=\"Untitled [Tapestry], 2019 &#8211; Vista de exposici\u00f3n, SF MoMA, 2019 \u00a9Joanna Arnold\" class=\"rl-gallery-link\" data-rl_caption=\"Untitled [Tapestry], 2019 - Vista de exposici\u00f3n, SF MoMA, 2019 \u00a9Joanna Arnold\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/2-SP_Arsanios9_Untitled-tapestry_phJA-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Untitled [Tapestry] (Exhibition View, SF MoMA, 2019 \u00a9Joanna Arnold)\" aria-describedby=\"gallery-1-6089\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/2-SP_Arsanios9_Untitled-tapestry_phJA-2-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/2-SP_Arsanios9_Untitled-tapestry_phJA-2-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/2-SP_Arsanios9_Untitled-tapestry_phJA-2-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6089'>\n\t\t\t\tUntitled [Tapestry], 2019 &#8211; Vista de exposici\u00f3n, SF MoMA, 2019 \u00a9Joanna Arnold\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/DSC6864.jpg' title=\"Who is Afraid of Ideology ?, 2017-2019 &amp; Untitled [Tapestry], 2020 &#8211; Vista de exposici\u00f3n, mor charpentier, Par\u00eds, 2020\" data-rl_title=\"Who is Afraid of Ideology ?, 2017-2019 &amp; Untitled [Tapestry], 2020 &#8211; Vista de exposici\u00f3n, mor charpentier, Par\u00eds, 2020\" class=\"rl-gallery-link\" data-rl_caption=\"Who is Afraid of Ideology ?, 2017-2019 &amp; Untitled [Tapestry], 2020 - Vista de exposici\u00f3n, mor charpentier, Par\u00eds, 2020\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/DSC6864-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Who is afraid of ideology ?, 2019 &amp; Untitled [Tapestry], 2020 (Exhibition View, mor charpentier, Paris, 2020)\" aria-describedby=\"gallery-1-6083\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/DSC6864-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/DSC6864-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/DSC6864-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6083'>\n\t\t\t\tWho is Afraid of Ideology ?, 2017-2019 &amp; Untitled [Tapestry], 2020 &#8211; Vista de exposici\u00f3n, mor charpentier, Par\u00eds, 2020\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-2.jpg' title=\"Sin ti\u0301tulo-2\" data-rl_title=\"Sin ti\u0301tulo-2\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view, Marwa Arsanios: A Letter Inside A Letter, Contemporary Arts Center, Cincinnati, 2021\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-26208\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-2-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-2-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-2-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-26208'>\n\t\t\t\tExhibition view, Marwa Arsanios: A Letter Inside A Letter, Contemporary Arts Center, Cincinnati, 2021\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/HDKV_Marwa_Aesanios_Fotografin_Meisner_02_2023-017-scaled.jpg' title=\"HDKV_Marwa_Aesanios_Fotografin_Mei\u00dfner_02_2023-017\" data-rl_title=\"HDKV_Marwa_Aesanios_Fotografin_Mei\u00dfner_02_2023-017\" class=\"rl-gallery-link\" data-rl_caption=\"Matter of Alliances - Exhibition view, Heidelberger Kunstverein, Heidelberg, 2023\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/HDKV_Marwa_Aesanios_Fotografin_Meisner_02_2023-017-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-30919\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/HDKV_Marwa_Aesanios_Fotografin_Meisner_02_2023-017-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/HDKV_Marwa_Aesanios_Fotografin_Meisner_02_2023-017-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/HDKV_Marwa_Aesanios_Fotografin_Meisner_02_2023-017-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-30919'>\n\t\t\t\tMatter of Alliances &#8211; Exhibition view, Heidelberger Kunstverein, Heidelberg, 2023\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/HDKV_Marwa_Aesanios_Fotografin_Meisner_02_2023-003-scaled.jpg' title=\"HDKV_Marwa_Aesanios_Fotografin_Mei\u00dfner_02_2023-003\" data-rl_title=\"HDKV_Marwa_Aesanios_Fotografin_Mei\u00dfner_02_2023-003\" class=\"rl-gallery-link\" data-rl_caption=\"Matter of Alliances - Exhibition view, Heidelberger Kunstverein, Heidelberg, 2023\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/HDKV_Marwa_Aesanios_Fotografin_Meisner_02_2023-003-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-30916\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/HDKV_Marwa_Aesanios_Fotografin_Meisner_02_2023-003-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/HDKV_Marwa_Aesanios_Fotografin_Meisner_02_2023-003-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/11\/HDKV_Marwa_Aesanios_Fotografin_Meisner_02_2023-003-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-30916'>\n\t\t\t\tMatter of Alliances &#8211; Exhibition view, Heidelberger Kunstverein, Heidelberg, 2023\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/7-Art-Beirut-Center-installation-views-1-2.jpg' title=\"Falling is not collapsing, Falling is extending, 2016-2018 &#8211; Vista de exposici\u00f3n, Beirut Art Center, 2017\" data-rl_title=\"Falling is not collapsing, Falling is extending, 2016-2018 &#8211; Vista de exposici\u00f3n, Beirut Art Center, 2017\" class=\"rl-gallery-link\" data-rl_caption=\"Falling is not collapsing, Falling is extending, 2016-2018 - Vista de exposici\u00f3n, Beirut Art Center, 2017\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/7-Art-Beirut-Center-installation-views-1-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Falling is not collapsing, Falling is extending, 2016-2018 (Vista de exposici\u00f3n, Beirut Art Center, 2017)\" aria-describedby=\"gallery-1-6077\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/7-Art-Beirut-Center-installation-views-1-2-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/7-Art-Beirut-Center-installation-views-1-2-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/7-Art-Beirut-Center-installation-views-1-2-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6077'>\n\t\t\t\tFalling is not collapsing, Falling is extending, 2016-2018 &#8211; Vista de exposici\u00f3n, Beirut Art Center, 2017\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Arsanios-Hammer-projects-view-2-Los-Angeles-2016.jpg' title=\"Falling is not collapsing, Falling is extending, 2016 &#8211; Vista de exposici\u00f3n, Hammer Museum, Los Angeles, 2016\" data-rl_title=\"Falling is not collapsing, Falling is extending, 2016 &#8211; Vista de exposici\u00f3n, Hammer Museum, Los Angeles, 2016\" class=\"rl-gallery-link\" data-rl_caption=\"Falling is not collapsing, Falling is extending, 2016 - Vista de exposici\u00f3n, Hammer Museum, Los Angeles, 2016\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Arsanios-Hammer-projects-view-2-Los-Angeles-2016-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Falling is not collapsing, Falling is extending, 2016 (Vista de exposici\u00f3n, Hammer Museum, Los Angeles)\" aria-describedby=\"gallery-1-6080\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Arsanios-Hammer-projects-view-2-Los-Angeles-2016-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Arsanios-Hammer-projects-view-2-Los-Angeles-2016-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Arsanios-Hammer-projects-view-2-Los-Angeles-2016-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6080'>\n\t\t\t\tFalling is not collapsing, Falling is extending, 2016 &#8211; Vista de exposici\u00f3n, Hammer Museum, Los Angeles, 2016\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2017-12-16-a\u0300-13.35.42.png' title=\"Falling is not collapsing, Falling is extending, 2016 &#8211; Video digital\" data-rl_title=\"Falling is not collapsing, Falling is extending, 2016 &#8211; Video digital\" class=\"rl-gallery-link\" data-rl_caption=\"Falling is not collapsing, Falling is extending, 2016 - Video digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2017-12-16-a\u0300-13.35.42-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13480\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2017-12-16-a\u0300-13.35.42-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2017-12-16-a\u0300-13.35.42-708x708.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2017-12-16-a\u0300-13.35.42-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13480'>\n\t\t\t\tFalling is not collapsing, Falling is extending, 2016 &#8211; Video digital \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/8-HomeBeirutSoundingTheNeighbors_3535_com-2.jpg' title=\"Resilient Weeds, 2016 &#8211; Vista de exposici\u00f3n, MAXXI, Roma, 2017 \u00a9 Luis do Rosario\" data-rl_title=\"Resilient Weeds, 2016 &#8211; Vista de exposici\u00f3n, MAXXI, Roma, 2017 \u00a9 Luis do Rosario\" class=\"rl-gallery-link\" data-rl_caption=\"Resilient Weeds, 2016 - Vista de exposici\u00f3n, MAXXI, Roma, 2017 \u00a9 Luis do Rosario\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/8-HomeBeirutSoundingTheNeighbors_3535_com-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Resilient Weeds, 2016 (Vista de exposici\u00f3n, MAXXI, Roma, 2017, \u00a9 Luis do Rosario)\" aria-describedby=\"gallery-1-6074\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/8-HomeBeirutSoundingTheNeighbors_3535_com-2-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/8-HomeBeirutSoundingTheNeighbors_3535_com-2-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/8-HomeBeirutSoundingTheNeighbors_3535_com-2-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6074'>\n\t\t\t\tResilient Weeds, 2016 &#8211; Vista de exposici\u00f3n, MAXXI, Roma, 2017 \u00a9 Luis do Rosario\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-3-1.jpg' title=\"Marwa Arsanios &#8211; Resilient Weeds &#8211; Garage Rotterdam\" data-rl_title=\"Marwa Arsanios &#8211; Resilient Weeds &#8211; Garage Rotterdam\" class=\"rl-gallery-link\" data-rl_caption=\"Resilient Weeds, 2016 - Exhibition view, Garage Rotterdam 2021\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-3-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-26211\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-3-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-3-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Sin-ti\u0301tulo-3-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-26211'>\n\t\t\t\tResilient Weeds, 2016 &#8211; Exhibition view, Garage Rotterdam 2021\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Art-Beirut-Center-installation-views-3.jpg' title=\"Models of landfills, land extensions and garbage mountains, 2016 &#8211; Yeso, micro cemento, pl\u00e1stico\" data-rl_title=\"Models of landfills, land extensions and garbage mountains, 2016 &#8211; Yeso, micro cemento, pl\u00e1stico\" class=\"rl-gallery-link\" data-rl_caption=\"Models of landfills, land extensions and garbage mountains, 2016 - Yeso, micro cemento, pl\u00e1stico\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Art-Beirut-Center-installation-views-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13518\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Art-Beirut-Center-installation-views-3-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Art-Beirut-Center-installation-views-3-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Art-Beirut-Center-installation-views-3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13518'>\n\t\t\t\tModels of landfills, land extensions and garbage mountains, 2016 &#8211; Yeso, micro cemento, pl\u00e1stico\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-B-Installation-view-BAC-2-scaled-4.jpg' title=\"After Doxiadis, a proposal for a new social housing project, 2013 &#8211; Vista de exposici\u00f3n, Beirut Art Center, 2014\" data-rl_title=\"After Doxiadis, a proposal for a new social housing project, 2013 &#8211; Vista de exposici\u00f3n, Beirut Art Center, 2014\" class=\"rl-gallery-link\" data-rl_caption=\"After Doxiadis, a proposal for a new social housing project, 2013 - Vista de exposici\u00f3n, Beirut Art Center, 2014\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-B-Installation-view-BAC-2-scaled-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"After Doxiadis, a proposal for a new social housing project, 2013 \u2013 en curso (Vista de exposici\u00f3n, Beirut Art Center, 2014)\" aria-describedby=\"gallery-1-8955\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-B-Installation-view-BAC-2-scaled-4-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-B-Installation-view-BAC-2-scaled-4-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-B-Installation-view-BAC-2-scaled-4-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8955'>\n\t\t\t\tAfter Doxiadis, a proposal for a new social housing project, 2013 &#8211; Vista de exposici\u00f3n, Beirut Art Center, 2014\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-After-Doxiadis-detail-AD_8083-2-scaled-4.jpg' title=\"After Doxiadis, A proposal for a new social housing project, 2013 &#8211; Instalaci\u00f3n con modelos de vivienda de concreto, documentos impresos\" data-rl_title=\"After Doxiadis, A proposal for a new social housing project, 2013 &#8211; Instalaci\u00f3n con modelos de vivienda de concreto, documentos impresos\" class=\"rl-gallery-link\" data-rl_caption=\"After Doxiadis, A proposal for a new social housing project, 2013 - Instalaci\u00f3n con modelos de vivienda de concreto, documentos impresos\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-After-Doxiadis-detail-AD_8083-2-scaled-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"After Doxiadis, A proposal for a new social housing project, 2013 \u2013 en curso (Instalaci\u00f3n con modelos de concreto, pieza de sonido, mapa y video)\" aria-describedby=\"gallery-1-8952\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-After-Doxiadis-detail-AD_8083-2-scaled-4-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-After-Doxiadis-detail-AD_8083-2-scaled-4-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-After-Doxiadis-detail-AD_8083-2-scaled-4-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8952'>\n\t\t\t\tAfter Doxiadis, A proposal for a new social housing project, 2013 &#8211; Instalaci\u00f3n con modelos de vivienda de concreto, documentos impresos\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Meeting-Points-7-Exhibit-_093-scaled.jpg' title=\"After Doxiadis, A proposal for a new social housing project, 2013 &#8211; Detalles de los documentos impresos del plano Doxiadis&#8217; 1958\" data-rl_title=\"After Doxiadis, A proposal for a new social housing project, 2013 &#8211; Detalles de los documentos impresos del plano Doxiadis&#8217; 1958\" class=\"rl-gallery-link\" data-rl_caption=\"After Doxiadis, A proposal for a new social housing project, 2013 - Detalles de los documentos impresos del plano Doxiadis&#039; 1958\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Meeting-Points-7-Exhibit-_093-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13514\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Meeting-Points-7-Exhibit-_093-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Meeting-Points-7-Exhibit-_093-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Meeting-Points-7-Exhibit-_093-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13514'>\n\t\t\t\tAfter Doxiadis, A proposal for a new social housing project, 2013 &#8211; Detalles de los documentos impresos del plano Doxiadis&#8217; 1958\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-arsanios_6.jpg' title=\"All About Acapulco, 2010-2011 &#8211; Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\" data-rl_title=\"All About Acapulco, 2010-2011 &#8211; Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\" class=\"rl-gallery-link\" data-rl_caption=\"All About Acapulco, 2010-2011 - Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-arsanios_6-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"All About Acapulco, 2010-2011 (Exhibition View, Istanbul Biennial, 2011, \u00a9 Mahmut Ceylan)\" aria-describedby=\"gallery-1-6059\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-arsanios_6-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-arsanios_6-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-arsanios_6-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6059'>\n\t\t\t\tAll About Acapulco, 2010-2011 &#8211; Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/1-000070new-A3-copie-scaled.jpg' title=\"All About Acapulco, 2010-2011 &#8211; Detalle &#8211; Fotograf\u00eda\" data-rl_title=\"All About Acapulco, 2010-2011 &#8211; Detalle &#8211; Fotograf\u00eda\" class=\"rl-gallery-link\" data-rl_caption=\"All About Acapulco, 2010-2011 - Detalle - Fotograf\u00eda\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/1-000070new-A3-copie-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13542\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/1-000070new-A3-copie-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/1-000070new-A3-copie-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/1-000070new-A3-copie-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13542'>\n\t\t\t\tAll About Acapulco, 2010-2011 &#8211; Detalle &#8211; Fotograf\u00eda\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/La-HALLE-14-Leipzig-scaled.jpg' title=\"All About Acapulco, 2010-2011 &#8211; Detalle de la instalaci\u00f3n &#8211; Vista de exposici\u00f3n, Halle 14, Liepzig, 2016\" data-rl_title=\"All About Acapulco, 2010-2011 &#8211; Detalle de la instalaci\u00f3n &#8211; Vista de exposici\u00f3n, Halle 14, Liepzig, 2016\" class=\"rl-gallery-link\" data-rl_caption=\"All About Acapulco, 2010-2011 - Detalle de la instalaci\u00f3n - Vista de exposici\u00f3n, Halle 14, Liepzig, 2016\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/La-HALLE-14-Leipzig-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13521\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/La-HALLE-14-Leipzig-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/La-HALLE-14-Leipzig-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/La-HALLE-14-Leipzig-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13521'>\n\t\t\t\tAll About Acapulco, 2010-2011 &#8211; Detalle de la instalaci\u00f3n &#8211; Vista de exposici\u00f3n, Halle 14, Liepzig, 2016\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2013-10-10-a\u0300-10.40.19.png' title=\"All About Acapulco, 2010-2011 &#8211; Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\" data-rl_title=\"All About Acapulco, 2010-2011 &#8211; Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\" class=\"rl-gallery-link\" data-rl_caption=\"All About Acapulco, 2010-2011 - Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2013-10-10-a\u0300-10.40.19-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13536\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2013-10-10-a\u0300-10.40.19-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Capture-de\u0301cran-2013-10-10-a\u0300-10.40.19-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13536'>\n\t\t\t\tAll About Acapulco, 2010-2011 &#8211; Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/3-000000222-1283x21cm-copie.jpg' title=\"All About Acapulco, 2010-2011 &#8211; Detalle &#8211; Fotograf\u00eda\" data-rl_title=\"All About Acapulco, 2010-2011 &#8211; Detalle &#8211; Fotograf\u00eda\" class=\"rl-gallery-link\" data-rl_caption=\"All About Acapulco, 2010-2011 - Detalle - Fotograf\u00eda\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/3-000000222-1283x21cm-copie-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-16133\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/3-000000222-1283x21cm-copie-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/3-000000222-1283x21cm-copie-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/3-000000222-1283x21cm-copie-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16133'>\n\t\t\t\tAll About Acapulco, 2010-2011 &#8211; Detalle &#8211; Fotograf\u00eda\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/e\u0301tage\u0300re-avec-archives_Ph_MahmutCeylan-HD-scaled.jpg' title=\"All About Acapulco, 2010-2011 &#8211; Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\" data-rl_title=\"All About Acapulco, 2010-2011 &#8211; Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\" class=\"rl-gallery-link\" data-rl_caption=\"All About Acapulco, 2010-2011 - Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/e\u0301tage\u0300re-avec-archives_Ph_MahmutCeylan-HD-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13189\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/e\u0301tage\u0300re-avec-archives_Ph_MahmutCeylan-HD-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/e\u0301tage\u0300re-avec-archives_Ph_MahmutCeylan-HD-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/e\u0301tage\u0300re-avec-archives_Ph_MahmutCeylan-HD-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13189'>\n\t\t\t\tAll About Acapulco, 2010-2011 &#8211; Vista de exposici\u00f3n, Bienal de Instanbul, 2011 \u00a9 Mahmut Ceylan\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/carlton_web-scaled.jpg' title=\"Carlton Hotel Project, 2008 &#8211; Instalaci\u00f3n con un modelo arquitect\u00f3nico y tres prendas hechas de tela de cortina &#8211; Vista de exposici\u00f3n 12va Bienal Gwangju, 2018\" data-rl_title=\"Carlton Hotel Project, 2008 &#8211; Instalaci\u00f3n con un modelo arquitect\u00f3nico y tres prendas hechas de tela de cortina &#8211; Vista de exposici\u00f3n 12va Bienal Gwangju, 2018\" class=\"rl-gallery-link\" data-rl_caption=\"Carlton Hotel Project, 2008 - Instalaci\u00f3n con un modelo arquitect\u00f3nico y tres prendas hechas de tela de cortina - Vista de exposici\u00f3n 12va Bienal Gwangju, 2018\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/carlton_web-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13186\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/carlton_web-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/carlton_web-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/carlton_web-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13186'>\n\t\t\t\tCarlton Hotel Project, 2008 &#8211; Instalaci\u00f3n con un modelo arquitect\u00f3nico y tres prendas hechas de tela de cortina &#8211; Vista de exposici\u00f3n 12va Bienal Gwangju, 2018\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_1246-scaled.jpg' title=\"Carlton Hotel Project, 2008 &#8211; Detalle del modelo arquitect\u00f3nico\" data-rl_title=\"Carlton Hotel Project, 2008 &#8211; Detalle del modelo arquitect\u00f3nico\" class=\"rl-gallery-link\" data-rl_caption=\"Carlton Hotel Project, 2008 - Detalle del modelo arquitect\u00f3nico\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_1246-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13557\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_1246-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_1246-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_1246-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13557'>\n\t\t\t\tCarlton Hotel Project, 2008 &#8211; Detalle del modelo arquitect\u00f3nico\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Mosaique-4-ve\u0302tements.jpg' title=\"Carlton Hotel Project, 2008 &#8211; Detalle del modelo arquitect\u00f3nico\" data-rl_title=\"Carlton Hotel Project, 2008 &#8211; Detalle del modelo arquitect\u00f3nico\" class=\"rl-gallery-link\" data-rl_caption=\"Carlton Hotel Project, 2008 - Detalle del modelo arquitect\u00f3nico\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Mosaique-4-ve\u0302tements-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14921\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Mosaique-4-ve\u0302tements-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Mosaique-4-ve\u0302tements-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Mosaique-4-ve\u0302tements-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14921'>\n\t\t\t\tCarlton Hotel Project, 2008 &#8211; Detalle del modelo arquitect\u00f3nico\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Vue-LD-scaled.jpg' title=\"I&#8217;ve Heard Storie, 2008 &#8211; Animaci\u00f3n digital en video\" data-rl_title=\"I&#8217;ve Heard Storie, 2008 &#8211; Animaci\u00f3n digital en video\" class=\"rl-gallery-link\" data-rl_caption=\"I&#039;ve Heard Storie, 2008 - Animaci\u00f3n digital en video\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Vue-LD-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13560\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Vue-LD-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Vue-LD-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Vue-LD-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13560'>\n\t\t\t\tI&#8217;ve Heard Storie, 2008 &#8211; Animaci\u00f3n digital en video\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/artgeneral2_a.jpg' title=\"Al Hilal Project : Olga\u2019s Notes, All those Restless Bodies 2014 &#8211; Vista de exposici\u00f3n Art in General, Nueva York, 2015\" data-rl_title=\"Al Hilal Project : Olga\u2019s Notes, All those Restless Bodies 2014 &#8211; Vista de exposici\u00f3n Art in General, Nueva York, 2015\" class=\"rl-gallery-link\" data-rl_caption=\"Al Hilal Project : Olga\u2019s Notes, All those Restless Bodies 2014 - Vista de exposici\u00f3n Art in General, Nueva York, 2015\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/artgeneral2_a-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Olga\u2019s Notes, All those Restless Bodies 2014, Al Hilal Project ( Video HD \u2013 Vista de exposici\u00f3n, Art in General, Nueva York, Estados Unidos, 2015)\" aria-describedby=\"gallery-1-6047\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/artgeneral2_a-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/artgeneral2_a-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/artgeneral2_a-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6047'>\n\t\t\t\tAl Hilal Project : Olga\u2019s Notes, All those Restless Bodies 2014 &#8211; Vista de exposici\u00f3n Art in General, Nueva York, 2015\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/still-olgas.jpg' title=\"Al Hilal Project : Olga\u2019s Notes, All those Restless Bodies 2014 &#8211; Video digital\" data-rl_title=\"Al Hilal Project : Olga\u2019s Notes, All those Restless Bodies 2014 &#8211; Video digital\" class=\"rl-gallery-link\" data-rl_caption=\"Al Hilal Project : Olga\u2019s Notes, All those Restless Bodies 2014 - Video digital\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/still-olgas-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13588\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/still-olgas-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/still-olgas-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13588'>\n\t\t\t\tAl Hilal Project : Olga\u2019s Notes, All those Restless Bodies 2014 &#8211; Video digital\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Meeting-Point-705082014-photo_Ulrich-Dertschei-c-Belvedere-Vienna-10-scaled.jpg' title=\"Al Hilal Project : Olga\u2019s Notes, The Library, 2013 \u2013 Vista de exposici\u00f3n, Belvedere Viena, 2014\" data-rl_title=\"Al Hilal Project : Olga\u2019s Notes, The Library, 2013 \u2013 Vista de exposici\u00f3n, Belvedere Viena, 2014\" class=\"rl-gallery-link\" data-rl_caption=\"Al Hilal Project : Olga\u2019s Notes, The Library, 2013 \u2013 Vista de exposici\u00f3n, Belvedere Viena, 2014\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Meeting-Point-705082014-photo_Ulrich-Dertschei-c-Belvedere-Vienna-10-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13566\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Meeting-Point-705082014-photo_Ulrich-Dertschei-c-Belvedere-Vienna-10-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Meeting-Point-705082014-photo_Ulrich-Dertschei-c-Belvedere-Vienna-10-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Meeting-Point-705082014-photo_Ulrich-Dertschei-c-Belvedere-Vienna-10-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13566'>\n\t\t\t\tAl Hilal Project : Olga\u2019s Notes, The Library, 2013 \u2013 Vista de exposici\u00f3n, Belvedere Viena, 2014\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Nine-Lives-UAS-172-Corrected-1-scaled.jpg' title=\"Al Hilal Project : Have You Ever Killed a Bear or Becoming Jamila, 2014 &#8211; Video digital &#8211; Vista de exposici\u00f3n, The Reconnaissance Society, Chicago, 2020\" data-rl_title=\"Al Hilal Project : Have You Ever Killed a Bear or Becoming Jamila, 2014 &#8211; Video digital &#8211; Vista de exposici\u00f3n, The Reconnaissance Society, Chicago, 2020\" class=\"rl-gallery-link\" data-rl_caption=\"Al Hilal Project : Have You Ever Killed a Bear or Becoming Jamila, 2014 - Video digital - Vista de exposici\u00f3n, The Reconnaissance Society, Chicago, 2020\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Nine-Lives-UAS-172-Corrected-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13195\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Nine-Lives-UAS-172-Corrected-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Nine-Lives-UAS-172-Corrected-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Nine-Lives-UAS-172-Corrected-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13195'>\n\t\t\t\tAl Hilal Project : Have You Ever Killed a Bear or Becoming Jamila, 2014 &#8211; Video digital &#8211; Vista de exposici\u00f3n, The Reconnaissance Society, Chicago, 2020\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/18-Words-as-silence-language-as-rhymes-Venice-54th-2013-Al-Hilal-Project-1-scaled-4.jpg' title=\"Al Hilal Project : Words as silence, language as rhymes, 2012-2013 \u2013 Vista del performance, 54va Bienal de Venecia 2013\" data-rl_title=\"Al Hilal Project : Words as silence, language as rhymes, 2012-2013 \u2013 Vista del performance, 54va Bienal de Venecia 2013\" class=\"rl-gallery-link\" data-rl_caption=\"Al Hilal Project : Words as silence, language as rhymes, 2012-2013 \u2013 Vista del performance, 54va Bienal de Venecia 2013\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/18-Words-as-silence-language-as-rhymes-Venice-54th-2013-Al-Hilal-Project-1-scaled-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Words as silence, language as rhymes, 2012-2013 \u2013 Al Hilal Project (Vista del performance, 54va Bienal de Venecia 2013)\" aria-describedby=\"gallery-1-8949\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/18-Words-as-silence-language-as-rhymes-Venice-54th-2013-Al-Hilal-Project-1-scaled-4-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/18-Words-as-silence-language-as-rhymes-Venice-54th-2013-Al-Hilal-Project-1-scaled-4-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/18-Words-as-silence-language-as-rhymes-Venice-54th-2013-Al-Hilal-Project-1-scaled-4-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8949'>\n\t\t\t\tAl Hilal Project : Words as silence, language as rhymes, 2012-2013 \u2013 Vista del performance, 54va Bienal de Venecia 2013\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/20-Learning-to-dance-Performance-FIAC-2019-1-scaled-4.jpg' title=\"Al Hilal Project : Learning to dance, 2015 &#8211; Vista del perfomance, Palais de la D\u00e9couverte, 2019 \u00a9Marc Domage\" data-rl_title=\"Al Hilal Project : Learning to dance, 2015 &#8211; Vista del perfomance, Palais de la D\u00e9couverte, 2019 \u00a9Marc Domage\" class=\"rl-gallery-link\" data-rl_caption=\"Al Hilal Project : Learning to dance, 2015 - Vista del perfomance, Palais de la D\u00e9couverte, 2019 \u00a9Marc Domage\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/20-Learning-to-dance-Performance-FIAC-2019-1-scaled-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Learning to dance, 2015 (Vista del performance, Palais de la D\u00e9couverte, 2019, \u00a9Marc Domage)\" aria-describedby=\"gallery-1-8946\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/20-Learning-to-dance-Performance-FIAC-2019-1-scaled-4-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/20-Learning-to-dance-Performance-FIAC-2019-1-scaled-4-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/20-Learning-to-dance-Performance-FIAC-2019-1-scaled-4-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8946'>\n\t\t\t\tAl Hilal Project : Learning to dance, 2015 &#8211; Vista del perfomance, Palais de la D\u00e9couverte, 2019 \u00a9Marc Domage\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2015-02-01-14.04.35-scaled.jpg' title=\"A Platform for Reading Feminist Texts, 2015 &#8211; Vista del performance, Kunsthaus Hamburgo, Alemania, 2015\" data-rl_title=\"A Platform for Reading Feminist Texts, 2015 &#8211; Vista del performance, Kunsthaus Hamburgo, Alemania, 2015\" class=\"rl-gallery-link\" data-rl_caption=\"A Platform for Reading Feminist Texts, 2015 - Vista del performance, Kunsthaus Hamburgo, Alemania, 2015\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2015-02-01-14.04.35-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-13502\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2015-02-01-14.04.35-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2015-02-01-14.04.35-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/2015-02-01-14.04.35-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-13502'>\n\t\t\t\tA Platform for Reading Feminist Texts, 2015 &#8211; Vista del performance, Kunsthaus Hamburgo, Alemania, 2015\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Performance-HD.jpg' title=\"Karl and Olga, A Brief Encounter, 2012 &#8211; View of the Performance, with the participation of Lawrence Abu Hamdan\" data-rl_title=\"Karl and Olga, A Brief Encounter, 2012 &#8211; View of the Performance, with the participation of Lawrence Abu Hamdan\" class=\"rl-gallery-link\" data-rl_caption=\"Karl and Olga, A Brief Encounter, 2012 - View of the Performance, with the participation of Lawrence Abu Hamdan\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Performance-HD-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-16136\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Performance-HD-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Performance-HD-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Performance-HD-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16136'>\n\t\t\t\tKarl and Olga, A Brief Encounter, 2012 &#8211; View of the Performance, with the participation of Lawrence Abu Hamdan \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/22-98-Thesis-for-translation-Learning-from-Kanda-1.jpg' title=\"98 Thesis for translation, Part II- Learning from Kanda, 2019 &#8211; Libro de artista interactivo\" data-rl_title=\"98 Thesis for translation, Part II- Learning from Kanda, 2019 &#8211; Libro de artista interactivo\" class=\"rl-gallery-link\" data-rl_caption=\"98 Thesis for translation, Part II- Learning from Kanda, 2019 - Libro de artista interactivo\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/22-98-Thesis-for-translation-Learning-from-Kanda-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"98 Thesis for translation, Part II- Learning from Kanda, 2019 (Libro de artista interactivo)\" aria-describedby=\"gallery-1-6035\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/22-98-Thesis-for-translation-Learning-from-Kanda-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/22-98-Thesis-for-translation-Learning-from-Kanda-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/22-98-Thesis-for-translation-Learning-from-Kanda-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-6035'>\n\t\t\t\t98 Thesis for translation, Part II- Learning from Kanda, 2019 &#8211; Libro de artista interactivo\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/DSC6888.jpg' title=\"98 Thesis for translation, Part II- Learning from Kanda, 2019 &#8211; Libro de artista interactivo\" data-rl_title=\"98 Thesis for translation, Part II- Learning from Kanda, 2019 &#8211; Libro de artista interactivo\" class=\"rl-gallery-link\" data-rl_caption=\"98 Thesis for translation, Part II- Learning from Kanda, 2019 - Libro de artista interactivo\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/DSC6888-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14927\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/DSC6888-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/DSC6888-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/DSC6888-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14927'>\n\t\t\t\t98 Thesis for translation, Part II- Learning from Kanda, 2019 &#8211; 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