{"id":9108,"date":"2020-08-22T17:06:29","date_gmt":"2020-08-22T15:06:29","guid":{"rendered":"https:\/\/mor.local\/artist\/julieta-aranda\/"},"modified":"2024-02-22T20:44:30","modified_gmt":"2024-02-22T19:44:30","slug":"julieta-aranda","status":"publish","type":"artist","link":"https:\/\/www.mor-charpentier.com\/es\/artist\/julieta-aranda\/","title":{"rendered":"Julieta Aranda"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div id=\"block_bcacd216f5b5100a92f58063448af980\" class=\"bio biography-block\">\n\n    \n        <div class=\"bio__shown\">\n\n            <p>En su pr\u00e1ctica art\u00edstica, Julieta Aranda provoca encuentros sensoriales entre la naturaleza del tiempo y la ficci\u00f3n especulativa. Su obra observa la relaci\u00f3n humano-tierra alterada a trav\u00e9s del lente de la tecnolog\u00eda, la inteligencia artificial, los viajes espaciales y las hip\u00f3tesis cient\u00edficas. Al trabajar con escultura, instalaci\u00f3n, video y medios impresos, Aranda se interesa en la exploraci\u00f3n del potencial de la ciencia ficci\u00f3n, las econom\u00edas alternativas y las \u2018po\u00e9ticas de la circulaci\u00f3n\u2019. Sus proyectos desaf\u00edan los l\u00edmites entre el sujeto y el objeto a la vez que incorporan los encuentros fortuitos, la autodestrucci\u00f3n y los procesos sociales. En 2006 obtuvo un m\u00e1ster en la Universidad de Columbia en Nueva York. Anteriormente hab\u00eda realizado su formaci\u00f3n en el School of Visual Arts en Manhattan (2001). Como codirectora de la plataforma en l\u00ednea e-flux junto con Anton Vidokle, Julieta Aranda ha desarrollado los proyectos Time \/ Bank, Pawnshop y e-flux Video Rental, todos ellos iniciados en el espacio de e-flux en Nueva York, y que han sido presentados en diferentes escenarios del mundo.<\/p>\n\n        <\/div>\n\n    \n    \n        <div class=\"bio__hidden\">\n            \n            <p>El trabajo de Julieta Aranda ha sido exhibido internacionalmente, en instituciones como la Martin Gropius Bau, Berl\u00edn (2019); la Bienal Momentum, Noruega (2019); FACT Liverpool, UK (2018); PAM &#8211; Public Art Munich, Alemania (2018); CAPC Bordeaux, Francia (2018); el Museo de Arte Contempor\u00e1neo de Detroit, US (2017); la 56a y 54a Bienal de Venecia (2015 y 2011), el Guggenheim Museum, Nueva York (2015 y 2009), Kunsthalle Fridericianum, Kassel, Alemania (2015), 8a Bienal de Berl\u00edn (2014), Museo Berardo, Lisboa (2014), Witte de With, Rotterdam, Pa\u00edses Bajos (2013 y 2010), Museo de Arte Contempor\u00e1neo Villa Croce, G\u00e9nova, Italia (2013), la 12a Bienal de Cuenca, Ecuador (2012), MACRO Roma (2012) Documenta 13 (2012), NBK, Berl\u00edn (2012), 9a Bienal de Gwangju (2012), 12a Bienal de Estambul (2011), Portikus, Frankfurt, Alemania (2011), New Museum, Nueva York (2010), Kunstverein Arnsberg, Alemania (2010), MOCA Miami (2009); Museo de Arte Contempor\u00e1neo, Chicago (2007), 2a Bienal de Mosc\u00fa (2007) MUSAC, Le\u00f3n, Espa\u00f1a (2010 y 2006) y VII Bienal de La Habana, entre muchos otros.<\/p>\n\n            \n                <p><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/mor-charpentier_Julieta-Aranda_CV_2023.pdf\">Descargar CV<\/a><\/p>\n\n                        \n        <\/div>\n        \n        <button class=\"btn bio__btn\">Seguir leyendo<\/button>\n\n    \n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div id=\"block_2423428b73181fff33a5abc28a05b816\" class=\"related-block\">\n\n    \n    <div class=\"extra__container extra__container--exhibitions\">\n\n        <h3 class=\"extra__title\">Exposiciones en mor charpentier<\/h3>\n\n        <ul class=\"extra__list\">\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/swimming-in-rivers-of-glue\/\">Swimming in Rivers of Glue<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/aguas\/\">agua(s)<\/a>\n                <\/li>\n\n            \n        <\/ul>\n\n    <\/div>\n\n    \n    \n<\/div>\n<\/div>\n<\/div>\n\n<div id='gallery-1' class='gallery galleryid-9108 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/TANK-Aranda-CK_3-scaled-5.jpg' title=\"The Organ, 2016 (Vista de exposici\u00f3n, Der Tank, Art Institute, Basel, 2016)\" data-rl_title=\"The Organ, 2016 (Vista de exposici\u00f3n, Der Tank, Art Institute, Basel, 2016)\" class=\"rl-gallery-link\" data-rl_caption=\"The Organ, 2016 - Vista de exposici\u00f3n, Der Tank, Art Institute, Basel, 2016\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/TANK-Aranda-CK_3-scaled-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"The Organ, 2016 (Vista de exposici\u00f3n, Der Tank, Art Institute, Basel, 2016)\" aria-describedby=\"gallery-1-8397\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/TANK-Aranda-CK_3-scaled-5-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/TANK-Aranda-CK_3-scaled-5-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/TANK-Aranda-CK_3-scaled-5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8397'>\n\t\t\t\tThe Organ, 2016 &#8211; Vista de exposici\u00f3n, Der Tank, Art Institute, Basel, 2016\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/TANK-Aranda-BB_11.jpg' title=\"The Organ, 2016 (Vista de exposici\u00f3n, Der Tank, Art Institute, Basel, 2016)\" data-rl_title=\"The Organ, 2016 (Vista de exposici\u00f3n, Der Tank, Art Institute, Basel, 2016)\" class=\"rl-gallery-link\" data-rl_caption=\"The Organ, 2016 - Vista de exposici\u00f3n, Der Tank, Art Institute, Basel, 2016\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/TANK-Aranda-BB_11-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"The Organ, 2016 (Vista de exposici\u00f3n, Der Tank, Art Institute, Basel, 2016)\" aria-describedby=\"gallery-1-5724\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/TANK-Aranda-BB_11-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/TANK-Aranda-BB_11-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/TANK-Aranda-BB_11-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5724'>\n\t\t\t\tThe Organ, 2016 &#8211; Vista de exposici\u00f3n, Der Tank, Art Institute, Basel, 2016 \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/gb19_and_berlin_julieta_aranda_ghost_nets_1151w.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"Ghosts Nets, 2018 - Exhibition View, Gropius Bau, Berlin, 2018 \u00a9 fotograf\u00eda: Mathias V\u00f6lzke\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/gb19_and_berlin_julieta_aranda_ghost_nets_1151w-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14409\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/gb19_and_berlin_julieta_aranda_ghost_nets_1151w-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/gb19_and_berlin_julieta_aranda_ghost_nets_1151w-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/gb19_and_berlin_julieta_aranda_ghost_nets_1151w-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14409'>\n\t\t\t\tGhosts Nets, 2018 &#8211; Exhibition View, Gropius Bau, Berlin, 2018 \u00a9 fotograf\u00eda: Mathias V\u00f6lzke\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/0000126191.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"Ghosts Nets, 2018 - Exhibition View, Gropius Bau, Berlin, 2018 \u00a9 fotograf\u00eda: Mathias V\u00f6lzke\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/0000126191-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14390\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/0000126191-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/0000126191-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/0000126191-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14390'>\n\t\t\t\tGhosts Nets, 2018 &#8211; Exhibition View, Gropius Bau, Berlin, 2018 \u00a9 fotograf\u00eda: Mathias V\u00f6lzke\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/025.-Julieta-Aranda01211-\u62f7\u8d1d.jpg' title=\"025. Julieta Aranda01211 \u62f7\u8d1d\" data-rl_title=\"025. Julieta Aranda01211 \u62f7\u8d1d\" class=\"rl-gallery-link\" data-rl_caption=\"Stealing one&#039;s own corpse, 2023, at the 14th Shanghai Biennale: Cosmos Cinema\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/025.-Julieta-Aranda01211-\u62f7\u8d1d-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-35450\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/025.-Julieta-Aranda01211-\u62f7\u8d1d-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/025.-Julieta-Aranda01211-\u62f7\u8d1d-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/025.-Julieta-Aranda01211-\u62f7\u8d1d-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-35450'>\n\t\t\t\tStealing one&#8217;s own corpse, 2023, at the 14th Shanghai Biennale: Cosmos Cinema\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Julieta-Aranda_All-the-Memory-of-the-World-Bodies-3-scaled-5.jpg' title=\"All the Memory of the World [Bodies], 2019 (Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019)\" data-rl_title=\"All the Memory of the World [Bodies], 2019 (Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019)\" class=\"rl-gallery-link\" data-rl_caption=\"All the Memory of the World [Bodies], 2019 - Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Julieta-Aranda_All-the-Memory-of-the-World-Bodies-3-scaled-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"All the Memory of the World [Bodies], 2019 (Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019)\" aria-describedby=\"gallery-1-8379\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Julieta-Aranda_All-the-Memory-of-the-World-Bodies-3-scaled-5-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Julieta-Aranda_All-the-Memory-of-the-World-Bodies-3-scaled-5-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Julieta-Aranda_All-the-Memory-of-the-World-Bodies-3-scaled-5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8379'>\n\t\t\t\tAll the Memory of the World [Bodies], 2019 &#8211; Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Julieta-Aranda_All-the-Memory-of-the-World-Bodies-5-2019-Momentum-scaled-5.jpg' title=\"All the Memory of the World [Bodies], 2019 (Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019)\" data-rl_title=\"All the Memory of the World [Bodies], 2019 (Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019)\" class=\"rl-gallery-link\" data-rl_caption=\"All the Memory of the World [Bodies], 2019 - Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Julieta-Aranda_All-the-Memory-of-the-World-Bodies-5-2019-Momentum-scaled-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"All the Memory of the World [Bodies], 2019 (Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019)\" aria-describedby=\"gallery-1-8376\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Julieta-Aranda_All-the-Memory-of-the-World-Bodies-5-2019-Momentum-scaled-5-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Julieta-Aranda_All-the-Memory-of-the-World-Bodies-5-2019-Momentum-scaled-5-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Julieta-Aranda_All-the-Memory-of-the-World-Bodies-5-2019-Momentum-scaled-5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8376'>\n\t\t\t\tAll the Memory of the World [Bodies], 2019 &#8211; Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Julieta-Aranda-scaled.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"All the Memory of the World [Bodies], 2019 - Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Julieta-Aranda-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14416\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Julieta-Aranda-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Julieta-Aranda-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Julieta-Aranda-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14416'>\n\t\t\t\tAll the Memory of the World [Bodies], 2019 &#8211; Vista de exposici\u00f3n, Momentum Biennial, Noruega, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_5926-scaled.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"A Fanciful Strategy ? I might have known better..., 2015 - manipulaci\u00f3n de scanner 3D, impresi\u00f3n 3D impression en yeso de alta densidad, ligeros toques de acabado de superficie, superficie con acabado de cromo\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_5926-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14419\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_5926-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_5926-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MG_5926-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14419'>\n\t\t\t\tA Fanciful Strategy ? I might have known better&#8230;, 2015 &#8211; manipulaci\u00f3n de scanner 3D, impresi\u00f3n 3D impression en yeso de alta densidad, ligeros toques de acabado de superficie, superficie con acabado de cromo\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/16.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"It will, it will, I&#039;ve guaranteed it #6, 2015 - Impresi\u00f3n gicl\u00e9e sobre inova fibaprint\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/16-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14422\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/16-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/16-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/16-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14422'>\n\t\t\t\tIt will, it will, I&#8217;ve guaranteed it #6, 2015 &#8211; Impresi\u00f3n gicl\u00e9e sobre inova fibaprint\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-aranda_2.jpg' title=\"Stealing one\u2019s own corpse [An alternative set of footholds for an ascent into dark], 2014 (Medios mixtos, video \u2013 Vista de exposici\u00f3n, 8a Bienal de Berl\u00edn, 2014)\" data-rl_title=\"Stealing one\u2019s own corpse [An alternative set of footholds for an ascent into dark], 2014 (Medios mixtos, video \u2013 Vista de exposici\u00f3n, 8a Bienal de Berl\u00edn, 2014)\" class=\"rl-gallery-link\" data-rl_caption=\"Stealing one\u2019s own corpse [An alternative set of footholds for an ascent into dark], 2014 - Medios mixtos, video \u2013 Vista de exposici\u00f3n, 8a Bienal de Berl\u00edn, 2014\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-aranda_2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Stealing one\u2019s own corpse [An alternative set of footholds for an ascent into dark], 2014 (Medios mixtos, video \u2013 Vista de exposici\u00f3n, 8a Bienal de Berl\u00edn, 2014)\" aria-describedby=\"gallery-1-5688\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-aranda_2-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-aranda_2-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-aranda_2-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5688'>\n\t\t\t\tStealing one\u2019s own corpse [An alternative set of footholds for an ascent into dark], 2014 &#8211; Medios mixtos, video \u2013 Vista de exposici\u00f3n, 8a Bienal de Berl\u00edn, 2014\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-06-27-at-15.21.13.png' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"Stealing One&#039;s Own Corpse : Part 2 : Swimming in Rivers of Glue, 2016 - Video digital, color, sonido\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-06-27-at-15.21.13-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14405\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-06-27-at-15.21.13-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-06-27-at-15.21.13-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14405'>\n\t\t\t\tStealing One&#8217;s Own Corpse : Part 2 : Swimming in Rivers of Glue, 2016 &#8211; Video digital, color, sonido\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-06-16-at-12.30.51.png' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"Stealing One&#039;s Own Corpse : Part 3 (Politics Without Oxygen), 2019 - Video digital, color, sonido\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-06-16-at-12.30.51-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-14399\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-06-16-at-12.30.51-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-06-16-at-12.30.51-708x708.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-06-16-at-12.30.51-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-14399'>\n\t\t\t\tStealing One&#8217;s Own Corpse : Part 3 (Politics Without Oxygen), 2019 &#8211; Video digital, color, sonido\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-aranda_1.jpg' title=\"Stealing one\u2019s own corpse [An alternative set of footholds for an ascent into dark], 2014 (Medios mixtos, video \u2013 Vista de exposici\u00f3n, 8a Bienal de Berl\u00edn, 2014)\" data-rl_title=\"Stealing one\u2019s own corpse [An alternative set of footholds for an ascent into dark], 2014 (Medios mixtos, video \u2013 Vista de exposici\u00f3n, 8a Bienal de Berl\u00edn, 2014)\" class=\"rl-gallery-link\" data-rl_caption=\"Stealing one\u2019s own corpse [An alternative set of footholds for an ascent into dark], 2014 - Medios mixtos, video \u2013 Vista de exposici\u00f3n, 8a Bienal de Berl\u00edn, 2014\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-aranda_1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Stealing one\u2019s own corpse [An alternative set of footholds for an ascent into dark], 2014 (Medios mixtos, video \u2013 Vista de exposici\u00f3n, 8a Bienal de Berl\u00edn, 2014)\" aria-describedby=\"gallery-1-5691\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-aranda_1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-aranda_1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/1-aranda_1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5691'>\n\t\t\t\tStealing one\u2019s own corpse [An alternative set of footholds for an ascent into dark], 2014 &#8211; Medios mixtos, video \u2013 Vista de exposici\u00f3n, 8a Bienal de Berl\u00edn, 2014\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-25-1440x.jpg' title=\"Stealing one\u2019s own corpse, 2019 (Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby)\" data-rl_title=\"Stealing one\u2019s own corpse, 2019 (Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby)\" class=\"rl-gallery-link\" data-rl_caption=\"Stealing one\u2019s own corpse, 2019 - Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-25-1440x-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Stealing one\u2019s own corpse, 2019 (Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby)\" aria-describedby=\"gallery-1-5685\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-25-1440x-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-25-1440x-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-25-1440x-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5685'>\n\t\t\t\tStealing one\u2019s own corpse, 2019 &#8211; Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-22-1440x.jpg' title=\"Stealing one\u2019s own corpse, 2019 (Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby)\" data-rl_title=\"Stealing one\u2019s own corpse, 2019 (Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby)\" class=\"rl-gallery-link\" data-rl_caption=\"Stealing one\u2019s own corpse, 2019 - Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-22-1440x-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Stealing one\u2019s own corpse, 2019 (Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby)\" aria-describedby=\"gallery-1-5682\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-22-1440x-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-22-1440x-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-22-1440x-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5682'>\n\t\t\t\tStealing one\u2019s own corpse, 2019 &#8211; Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-24-1440x.jpg' title=\"Stealing one\u2019s own corpse, 2019 (Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby)\" data-rl_title=\"Stealing one\u2019s own corpse, 2019 (Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby)\" class=\"rl-gallery-link\" data-rl_caption=\"Stealing one\u2019s own corpse, 2019 - Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-24-1440x-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Stealing one\u2019s own corpse, 2019 (Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby)\" aria-describedby=\"gallery-1-5679\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-24-1440x-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-24-1440x-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/web-1080px-72dpi-julieta-aranda-stealing-one-s-own-corpse-rob-battersby-24-1440x-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5679'>\n\t\t\t\tStealing one\u2019s own corpse, 2019 &#8211; Vista de exposici\u00f3n, iMAL Bruselas, 2020 \u00a9 Rob Battersby\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/033_19-10-23_001_19-10-18_Toxicity_SAVVY_install\u00a9HannesWiedemann\u00a9HannesWiedemann-scaled-5.jpg' title=\"Lip, Dip, Paint, Talk [Your Mouth is bleeding], 2019 (Vista de exposici\u00f3n, Savvy, Berl\u00edn, 2019)\" data-rl_title=\"Lip, Dip, Paint, Talk [Your Mouth is bleeding], 2019 (Vista de exposici\u00f3n, Savvy, Berl\u00edn, 2019)\" class=\"rl-gallery-link\" data-rl_caption=\"Lip, Dip, Paint, Talk [Your Mouth is bleeding], 2019 - Vista de exposici\u00f3n, Savvy, Berl\u00edn, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/033_19-10-23_001_19-10-18_Toxicity_SAVVY_install\u00a9HannesWiedemann\u00a9HannesWiedemann-scaled-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Lip, Dip, Paint, Talk [Your Mouth is bleeding], 2019 (Vista de exposici\u00f3n, Savvy, Berl\u00edn, 2019)\" aria-describedby=\"gallery-1-8382\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/033_19-10-23_001_19-10-18_Toxicity_SAVVY_install\u00a9HannesWiedemann\u00a9HannesWiedemann-scaled-5-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/033_19-10-23_001_19-10-18_Toxicity_SAVVY_install\u00a9HannesWiedemann\u00a9HannesWiedemann-scaled-5-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/033_19-10-23_001_19-10-18_Toxicity_SAVVY_install\u00a9HannesWiedemann\u00a9HannesWiedemann-scaled-5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8382'>\n\t\t\t\tLip, Dip, Paint, Talk [Your Mouth is bleeding], 2019 &#8211; Vista de exposici\u00f3n, Savvy, Berl\u00edn, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/MorCharpentier2017oct_MG_5344-51-scaled-5.jpg' title=\"Swimming in Rivers of Glue, 2017 (Vista de exposici\u00f3n, mor charpentier, Par\u00eds)\" data-rl_title=\"Swimming in Rivers of Glue, 2017 (Vista de exposici\u00f3n, mor charpentier, Par\u00eds)\" class=\"rl-gallery-link\" data-rl_caption=\"Swimming in Rivers of Glue, 2017 - Vista de exposici\u00f3n, mor charpentier, Par\u00eds\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/MorCharpentier2017oct_MG_5344-51-scaled-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Swimming in Rivers of Glue, 2017 (Vista de exposici\u00f3n, mor charpentier, Par\u00eds)\" aria-describedby=\"gallery-1-8388\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/MorCharpentier2017oct_MG_5344-51-scaled-5-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/MorCharpentier2017oct_MG_5344-51-scaled-5-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/MorCharpentier2017oct_MG_5344-51-scaled-5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8388'>\n\t\t\t\tSwimming in Rivers of Glue, 2017 &#8211; Vista de exposici\u00f3n, mor charpentier, Par\u00eds\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/MorCharpentier2017oct_MG_5207-4-scaled-5.jpg' title=\"Swimming in Rivers of Glue, 2017 (Vista de exposici\u00f3n, mor charpentier, Par\u00eds)\" data-rl_title=\"Swimming in Rivers of Glue, 2017 (Vista de exposici\u00f3n, mor charpentier, Par\u00eds)\" class=\"rl-gallery-link\" data-rl_caption=\"Swimming in Rivers of Glue, 2017 - Vista de exposici\u00f3n, mor charpentier, Par\u00eds\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/MorCharpentier2017oct_MG_5207-4-scaled-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Swimming in Rivers of Glue, 2017 (Vista de exposici\u00f3n, mor charpentier, Par\u00eds)\" aria-describedby=\"gallery-1-8385\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/MorCharpentier2017oct_MG_5207-4-scaled-5-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/MorCharpentier2017oct_MG_5207-4-scaled-5-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/MorCharpentier2017oct_MG_5207-4-scaled-5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8385'>\n\t\t\t\tSwimming in Rivers of Glue, 2017 &#8211; Vista de exposici\u00f3n, mor charpentier, Par\u00eds\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MorCharpentier2017oct_MG_5254-20.jpg' title=\"6V \u2013 RECOGNITION , 2017 (Vidrio, yeso y ibros encontrados envueltos en latex &#8211; detalle)\" data-rl_title=\"6V \u2013 RECOGNITION , 2017 (Vidrio, yeso y ibros encontrados envueltos en latex &#8211; detalle)\" class=\"rl-gallery-link\" data-rl_caption=\"6V \u2013 RECOGNITION , 2017 - Vidrio, yeso y ibros encontrados envueltos en latex - detalle\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MorCharpentier2017oct_MG_5254-20-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"6V \u2013 RECOGNITION , 2017 (Vidrio, yeso y ibros encontrados envueltos en latex - detalle)\" aria-describedby=\"gallery-1-3027\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MorCharpentier2017oct_MG_5254-20-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MorCharpentier2017oct_MG_5254-20-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/08\/MorCharpentier2017oct_MG_5254-20-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3027'>\n\t\t\t\t6V \u2013 RECOGNITION , 2017 &#8211; Vidrio, yeso y ibros encontrados envueltos en latex &#8211; detalle\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/ZOK_0493-scaled-5.jpg' title=\"All that we have in Common, 2019 (Vista de exposici\u00f3n, Museo de Arte Contempor\u00e1neo, Skopje, Macedonia)\" data-rl_title=\"All that we have in Common, 2019 (Vista de exposici\u00f3n, Museo de Arte Contempor\u00e1neo, Skopje, Macedonia)\" class=\"rl-gallery-link\" data-rl_caption=\"All that we have in Common, 2019 - Vista de exposici\u00f3n, Museo de Arte Contempor\u00e1neo, Skopje, Macedonia\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/ZOK_0493-scaled-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"All that we have in Common, 2019 (Vista de exposici\u00f3n, Museo de Arte Contempor\u00e1neo, Skopje, Macedonia)\" aria-describedby=\"gallery-1-8394\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/ZOK_0493-scaled-5-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/ZOK_0493-scaled-5-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/ZOK_0493-scaled-5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8394'>\n\t\t\t\tAll that we have in Common, 2019 &#8211; Vista de exposici\u00f3n, Museo de Arte Contempor\u00e1neo, Skopje, Macedonia \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/ZOK_1463-skopje-2019-scaled-5.jpg' title=\"All that we have in Common, 2019 (Vista de exposici\u00f3n, Museo de Arte Contempor\u00e1neo, Skopje, Macedonia)\" data-rl_title=\"All that we have in Common, 2019 (Vista de exposici\u00f3n, Museo de Arte Contempor\u00e1neo, Skopje, Macedonia)\" class=\"rl-gallery-link\" data-rl_caption=\"All that we have in Common, 2019 - Vista de exposici\u00f3n, Museo de Arte Contempor\u00e1neo, Skopje, Macedonia\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/ZOK_1463-skopje-2019-scaled-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"All that we have in Common, 2019 (Vista de exposici\u00f3n, Museo de Arte Contempor\u00e1neo, Skopje, Macedonia)\" aria-describedby=\"gallery-1-8391\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/ZOK_1463-skopje-2019-scaled-5-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/ZOK_1463-skopje-2019-scaled-5-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/ZOK_1463-skopje-2019-scaled-5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-8391'>\n\t\t\t\tAll that we have in Common, 2019 &#8211; Vista de exposici\u00f3n, Museo de Arte Contempor\u00e1neo, Skopje, Macedonia\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-12.56.39-PM.png' title=\"Ac\u00e9phale, 2013 (Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013)\" data-rl_title=\"Ac\u00e9phale, 2013 (Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013)\" class=\"rl-gallery-link\" data-rl_caption=\"Ac\u00e9phale, 2013 - Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-12.56.39-PM-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Ac\u00e9phale, 2013 (Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013)\" aria-describedby=\"gallery-1-5652\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-12.56.39-PM-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-12.56.39-PM-708x708.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-12.56.39-PM-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5652'>\n\t\t\t\tAc\u00e9phale, 2013 &#8211; Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-11.33.55-AM.png' title=\"Tools for infinite monkeys, 2008-14 (Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013)\" data-rl_title=\"Tools for infinite monkeys, 2008-14 (Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013)\" class=\"rl-gallery-link\" data-rl_caption=\"Tools for infinite monkeys, 2008-14 - Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-11.33.55-AM-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Tools for infinite monkeys, 2008-14 (Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013)\" aria-describedby=\"gallery-1-5655\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-11.33.55-AM-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-11.33.55-AM-708x708.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-11.33.55-AM-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5655'>\n\t\t\t\tTools for infinite monkeys, 2008-14 &#8211; Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-11.33.34-AM.png' title=\"Tools for infinite monkeys, 2008-14 (Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013)\" data-rl_title=\"Tools for infinite monkeys, 2008-14 (Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013)\" class=\"rl-gallery-link\" data-rl_caption=\"Tools for infinite monkeys, 2008-14 - Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-11.33.34-AM-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Tools for infinite monkeys, 2008-14 (Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013)\" aria-describedby=\"gallery-1-5649\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-11.33.34-AM-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-11.33.34-AM-708x708.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/Screen-Shot-2017-07-10-at-11.33.34-AM-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5649'>\n\t\t\t\tTools for infinite monkeys, 2008-14 &#8211; Vista de exposici\u00f3n, Museo Villa Croce, G\u00e9nova, 2013\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-aranda_6.jpg' title=\"The End[s] of the Library, 2012-2013 (Proyecto de investigaci\u00f3n colaborativo, Goethe Institut, Berl\u00edn, 2013)\" data-rl_title=\"The End[s] of the Library, 2012-2013 (Proyecto de investigaci\u00f3n colaborativo, Goethe Institut, Berl\u00edn, 2013)\" class=\"rl-gallery-link\" data-rl_caption=\"The End[s] of the Library, 2012-2013 - Proyecto de investigaci\u00f3n colaborativo, Goethe Institut, Berl\u00edn, 2013\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-aranda_6-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"The End[s] of the Library, 2012-2013 (Proyecto de investigaci\u00f3n colaborativo, Goethe Institut, Berl\u00edn, 2013)\" aria-describedby=\"gallery-1-5646\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-aranda_6-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-aranda_6-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/3-aranda_6-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5646'>\n\t\t\t\tThe End[s] of the Library, 2012-2013 &#8211; Proyecto de investigaci\u00f3n colaborativo, Goethe Institut, Berl\u00edn, 2013\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/11-aranda_21.jpg' title=\"Time\/Bank, 2009-ongoing (En colboraci\u00f3n con Anton Vidokle, Vista de exposici\u00f3n, dOCUMENTA 13, Kassel, 2012)\" data-rl_title=\"Time\/Bank, 2009-ongoing (En colboraci\u00f3n con Anton Vidokle, Vista de exposici\u00f3n, dOCUMENTA 13, Kassel, 2012)\" class=\"rl-gallery-link\" data-rl_caption=\"Time\/Bank, 2009-ongoing - En colboraci\u00f3n con Anton Vidokle, Vista de exposici\u00f3n, dOCUMENTA 13, Kassel, 2012\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/11-aranda_21-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Time\/Bank, 2009-ongoing (En colboraci\u00f3n con Anton Vidokle, Vista de exposici\u00f3n, dOCUMENTA 13, Kassel, 2012)\" aria-describedby=\"gallery-1-5643\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/11-aranda_21-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/11-aranda_21-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/11-aranda_21-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5643'>\n\t\t\t\tTime\/Bank, 2009-ongoing &#8211; En colboraci\u00f3n con Anton Vidokle, Vista de exposici\u00f3n, dOCUMENTA 13, Kassel, 2012\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/4-aranda_7.jpg' title=\"I wanted to give it to Someone Else\u2026. 2012 (Instalaci\u00f3n, Dimensiones variables, Vista de instalaci\u00f3n, MACRO, Roma, 2012)\" data-rl_title=\"I wanted to give it to Someone Else\u2026. 2012 (Instalaci\u00f3n, Dimensiones variables, Vista de instalaci\u00f3n, MACRO, Roma, 2012)\" class=\"rl-gallery-link\" data-rl_caption=\"I wanted to give it to Someone Else\u2026. 2012 - Instalaci\u00f3n, Dimensiones variables, Vista de instalaci\u00f3n, MACRO, Roma, 2012)\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/4-aranda_7-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"I wanted to give it to Someone Else\u2026. 2012 (Instalaci\u00f3n, Dimensiones variables, Vista de instalaci\u00f3n, MACRO, Roma, 2012)\" aria-describedby=\"gallery-1-5640\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/4-aranda_7-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/4-aranda_7-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/4-aranda_7-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5640'>\n\t\t\t\tI wanted to give it to Someone Else\u2026. 2012 &#8211; Instalaci\u00f3n, Dimensiones variables, Vista de instalaci\u00f3n, MACRO, Roma, 2012)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-aranda_25.jpg' title=\"There Will be a Time\u2026, 2009 (Vista de exposici\u00f3n, Solomon R. Guggenheim Museum, Nueva York, 2009, \u00a9 Kristopher McKay)\" data-rl_title=\"There Will be a Time\u2026, 2009 (Vista de exposici\u00f3n, Solomon R. Guggenheim Museum, Nueva York, 2009, \u00a9 Kristopher McKay)\" class=\"rl-gallery-link\" data-rl_caption=\"There Will be a Time\u2026, 2009 - Vista de exposici\u00f3n, Solomon R. Guggenheim Museum, Nueva York, 2009, \u00a9 Kristopher McKay)\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-aranda_25-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"There Will be a Time\u2026, 2009 (Vista de exposici\u00f3n, Solomon R. Guggenheim Museum, Nueva York, 2009, \u00a9 Kristopher McKay)\" aria-describedby=\"gallery-1-5637\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-aranda_25-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-aranda_25-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2020\/09\/13-aranda_25-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5637'>\n\t\t\t\tThere Will be a Time\u2026, 2009 &#8211; Vista de exposici\u00f3n, Solomon R. 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