{"id":36091,"date":"2023-08-11T22:21:24","date_gmt":"2023-08-11T20:21:24","guid":{"rendered":"https:\/\/www.mor-charpentier.com\/?post_type=artist&#038;p=36091"},"modified":"2026-03-24T21:09:16","modified_gmt":"2026-03-24T20:09:16","slug":"nicolas-paris","status":"publish","type":"artist","link":"https:\/\/www.mor-charpentier.com\/es\/artist\/nicolas-paris\/","title":{"rendered":"Nicol\u00e1s Paris"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div id=\"block_008a1c83b5ce15358a7e9bb5f47e6aef\" class=\"bio biography-block\">\n\n    \n        <div class=\"bio__shown\">\n\n            <p>Ha cultivado una pr\u00e1ctica art\u00edstica interdisciplinar caracterizada por su sutileza y meticulosidad. Su obra se distingue por generar una conciencia elevada de lo cotidiano, promoviendo una interacci\u00f3n m\u00e1s profunda con el entorno que nos rodea y destacando la idea de que el arte encuentra su ra\u00edz en la experiencia de la comprensi\u00f3n y la comprensi\u00f3n de la experiencia.<\/p>\n<p>Un elemento central en la pr\u00e1ctica art\u00edstica de Paris es la exploraci\u00f3n de las estructuras del aula y las estrategias pedag\u00f3gicas. Antes de dedicarse por completo al arte, trabaj\u00f3 como maestro en zonas rurales de Colombia, lo que le brind\u00f3 una perspectiva \u00fanica sobre la importancia de los sistemas de resignificaci\u00f3n en el proceso educativo. Esta experiencia se ha convertido en uno de los pilares fundamentales de sus proyectos art\u00edsticos, donde emplea t\u00e1cticas pedag\u00f3gicas dentro del contexto expositivo para fomentar la colaboraci\u00f3n y la investigaci\u00f3n abierta con los participantes-espectadores en espacios que asemejan laboratorios. En este proceso, Paris transforma el espacio expositivo en un lugar de intercambio y di\u00e1logo igualitario, comunitario e investigador, centrado en el desarrollo colectivo de proyectos art\u00edsticos concretos.<\/p>\n<p>Las creaciones de Nicol\u00e1s Paris incluyen instalaciones, dibujos, objetos, talleres y eventos, as\u00ed como v\u00eddeos, y se caracterizan por su delicadeza y serenidad. Se caracterizan por su sencillez y tranquilidad. Estas obras funcionan como apoyos visuales, utilizando elementos fundamentales del arte, la arquitectura y la educaci\u00f3n como una especie de sintaxis y gram\u00e1tica a partir de la cual desarrolla otros medios de comunicaci\u00f3n. Para Paris, el medio art\u00edstico no es un fin ni un resultado, sino un punto de partida y un catalizador de una experiencia fugaz, vers\u00e1til y ef\u00edmera<\/p>\n\n        <\/div>\n\n    \n    \n        <div class=\"bio__hidden\">\n            \n            <p>Su obra se ha exhibido en exposiciones colectivas e individuales en instituciones como Kunsthalle M\u00fcnster, M\u00fcnster, Alemania (2024); El Museo del Barrio, Nueva York (2019); Caixa Forum, Barcelona, Espa\u00f1a (2018); Berardo Collection Museum, Lisboa, Portugal (2018); Kadist Art Foundation, Par\u00eds, Francia (2013); MUAC, Ciudad de M\u00e9xico, M\u00e9xico (2012); MAMM Museo de Arte de Medell\u00edn, Colombia (2009); MUSAC Museo de Arte Cotempor\u00e1neo de Castilla y Le\u00f3n, Espa\u00f1a (2008).<\/p>\n<p>La obra de Paris forma parte de colecciones internacionales, como la Tate Modern, Londres; The Museum of Modern Art, Nueva York; la Kadist Art Foundation, San Francisco; la Thyssen-Bornemisza Art Contemporary Collection, Viena, Austria; el MUSAC Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Espa\u00f1a; La Caixa Colecci\u00f3n de Arte Contempor\u00e1neo, Barcelona, Espa\u00f1a; la Colecci\u00f3n JUMEX, Ciudad de M\u00e9xico, M\u00e9xico; el Muso de Arte del Banco de la Rep\u00fablica, Bogot\u00e1, Colombia y el MAMM Museo de Arte Moderno de Medell\u00edn, Colombia.<\/p>\n\n            \n                <p><a href=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/mor-charpentier-Nicolas-Paris-CV.pdf\">Descargar CV<\/a><\/p>\n\n                        \n        <\/div>\n        \n        <button class=\"btn bio__btn\">Seguir leyendo<\/button>\n\n    \n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div id=\"block_c5cfb5394b3778d57f40da953b46caa2\" class=\"related-block\">\n\n    \n    <div class=\"extra__container extra__container--exhibitions\">\n\n        <h3 class=\"extra__title\">Exposiciones en mor charpentier<\/h3>\n\n        <ul class=\"extra__list\">\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/naturaleza-domestica-o-un-lugar-para-el-autoaprendizaje\/\">Naturaleza Dom\u00e9stica o un lugar para el autoaprendizaje<\/a>\n                <\/li>\n\n            \n                <li class=\"extra__item\">\n                    <a class=\"extra__link\" href=\"https:\/\/www.mor-charpentier.com\/es\/exhibition\/l-ecriture-ou-la-vie\/\">L&#8217; \u00e9criture ou la vie<\/a>\n                <\/li>\n\n            \n        <\/ul>\n\n    <\/div>\n\n    \n    \n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div id='gallery-1' class='gallery galleryid-36091 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/banco-campo-de-trigo-tercer-maestro-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1.jpg' title=\"banco &#8211; campo de trigo &#8211; tercer maestro &#8211; Nicola\u0301s Paris &#8211; CC &#8211; Juan Baraja para FCAYC\" data-rl_title=\"banco &#8211; campo de trigo &#8211; tercer maestro &#8211; Nicola\u0301s Paris &#8211; CC &#8211; Juan Baraja para FCAYC\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/banco-campo-de-trigo-tercer-maestro-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-43312\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/banco-campo-de-trigo-tercer-maestro-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/banco-campo-de-trigo-tercer-maestro-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/banco-campo-de-trigo-tercer-maestro-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-43312'>\n\t\t\t\tExhibition view &#8211; tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/banco-conector-campo-de-trigo-Nicolas-Paris-CC-Juan-Baraja-1-1.jpg' title=\"banco &#8211; conector &#8211; campo de trigo &#8211; Nicola\u0301s Paris &#8211; CC &#8211; Juan Baraja\" data-rl_title=\"banco &#8211; conector &#8211; campo de trigo &#8211; Nicola\u0301s Paris &#8211; CC &#8211; Juan Baraja\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/banco-conector-campo-de-trigo-Nicolas-Paris-CC-Juan-Baraja-1-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-43315\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/banco-conector-campo-de-trigo-Nicolas-Paris-CC-Juan-Baraja-1-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/banco-conector-campo-de-trigo-Nicolas-Paris-CC-Juan-Baraja-1-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/banco-conector-campo-de-trigo-Nicolas-Paris-CC-Juan-Baraja-1-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-43315'>\n\t\t\t\tExhibition view &#8211; tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/tercer-maestro-pajar-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1.jpg' title=\"tercer maestro &#8211; pajar &#8211; Nicola\u0301s Paris &#8211; CC &#8211; Juan Baraja para FCAYC\" data-rl_title=\"tercer maestro &#8211; pajar &#8211; Nicola\u0301s Paris &#8211; CC &#8211; Juan Baraja para FCAYC\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/tercer-maestro-pajar-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-43318\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/tercer-maestro-pajar-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/tercer-maestro-pajar-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/tercer-maestro-pajar-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-43318'>\n\t\t\t\tExhibition view &#8211; tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/nebulosa-tercer-maestro-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1.jpg' title=\"nebulosa &#8211; tercer maestro &#8211; Nicola\u0301s Paris &#8211; CC &#8211; Juan Baraja para FCAYC\" data-rl_title=\"nebulosa &#8211; tercer maestro &#8211; Nicola\u0301s Paris &#8211; CC &#8211; Juan Baraja para FCAYC\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/nebulosa-tercer-maestro-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-43229\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/nebulosa-tercer-maestro-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/nebulosa-tercer-maestro-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/nebulosa-tercer-maestro-Nicolas-Paris-CC-Juan-Baraja-para-FCAYC-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-43229'>\n\t\t\t\tExhibition view &#8211; tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/detalle-agua-piedra-tercer-maestro-Nicolas-Paris-IMG-por-Juan-Baraja-para-FCAYC-1.jpg' title=\"detalle &#8211; agua &#8211; piedra &#8211; tercer maestro &#8211; Nicola\u0301s Paris &#8211; IMG por Juan Baraja para FCAYC\" data-rl_title=\"detalle &#8211; agua &#8211; piedra &#8211; tercer maestro &#8211; Nicola\u0301s Paris &#8211; IMG por Juan Baraja para FCAYC\" class=\"rl-gallery-link\" data-rl_caption=\"Detail - tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/detalle-agua-piedra-tercer-maestro-Nicolas-Paris-IMG-por-Juan-Baraja-para-FCAYC-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-43327\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/detalle-agua-piedra-tercer-maestro-Nicolas-Paris-IMG-por-Juan-Baraja-para-FCAYC-1-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/detalle-agua-piedra-tercer-maestro-Nicolas-Paris-IMG-por-Juan-Baraja-para-FCAYC-1-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/detalle-agua-piedra-tercer-maestro-Nicolas-Paris-IMG-por-Juan-Baraja-para-FCAYC-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-43327'>\n\t\t\t\tDetail &#8211; tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/conector-entrando-a-la-sala-tercer-maestro-Nicolas-Paris-IMG-por-Juan-Baraja.jpg.jpg' title=\"conector entrando a la sala &#8211; tercer maestro &#8211; Nicola\u0301s Paris &#8211; IMG por Juan Baraja.jpg\" data-rl_title=\"conector entrando a la sala &#8211; tercer maestro &#8211; Nicola\u0301s Paris &#8211; IMG por Juan Baraja.jpg\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/conector-entrando-a-la-sala-tercer-maestro-Nicolas-Paris-IMG-por-Juan-Baraja.jpg-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-43223\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/conector-entrando-a-la-sala-tercer-maestro-Nicolas-Paris-IMG-por-Juan-Baraja.jpg-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/conector-entrando-a-la-sala-tercer-maestro-Nicolas-Paris-IMG-por-Juan-Baraja.jpg-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/conector-entrando-a-la-sala-tercer-maestro-Nicolas-Paris-IMG-por-Juan-Baraja.jpg-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-43223'>\n\t\t\t\tExhibition view &#8211; tercer maestro. Un proyecto de Nicol\u00e1s Paris con los equipos de FCAYC y Centro de Arte FMJJ Photo: Juan Baraja 2025\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0245-volker-renner-scaled.jpeg' title=\"_MG_0245 volker renner\" data-rl_title=\"_MG_0245 volker renner\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0245-volker-renner-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-43336\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0245-volker-renner-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0245-volker-renner-708x708.jpeg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0245-volker-renner-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-43336'>\n\t\t\t\tExhibition view &#8211; Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0840-volker-renner-scaled.jpeg' title=\"_MG_0840 volker renner\" data-rl_title=\"_MG_0840 volker renner\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0840-volker-renner-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-38919\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0840-volker-renner-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0840-volker-renner-708x708.jpeg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0840-volker-renner-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-38919'>\n\t\t\t\tExhibition view &#8211; Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0368-volker-renner-scaled.jpeg' title=\"_MG_0368 volker renner\" data-rl_title=\"_MG_0368 volker renner\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0368-volker-renner-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-38922\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0368-volker-renner-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0368-volker-renner-708x708.jpeg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0368-volker-renner-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-38922'>\n\t\t\t\tExhibition view &#8211; Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0439-volker-renner-scaled.jpeg' title=\"_MG_0439 volker renner\" data-rl_title=\"_MG_0439 volker renner\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0439-volker-renner-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-43339\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0439-volker-renner-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0439-volker-renner-708x708.jpeg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0439-volker-renner-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-43339'>\n\t\t\t\tExhibition view &#8211; Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0530-volker-renner-scaled.jpeg' title=\"_MG_0530 volker renner\" data-rl_title=\"_MG_0530 volker renner\" class=\"rl-gallery-link\" data-rl_caption=\"Detail- Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0530-volker-renner-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-43342\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0530-volker-renner-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0530-volker-renner-708x708.jpeg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0530-volker-renner-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-43342'>\n\t\t\t\tDetail- Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0852-volker-renner-scaled.jpeg' title=\"_MG_0852 volker renner\" data-rl_title=\"_MG_0852 volker renner\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0852-volker-renner-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-43345\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0852-volker-renner-150x150.jpeg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0852-volker-renner-708x708.jpeg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/MG_0852-volker-renner-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-43345'>\n\t\t\t\tExhibition view &#8211; Manigua, Kunsthalle M\u00fcnster, M\u00fcnster, Germany, 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-001-scaled.jpg' title=\"OAK_EB_161220-001\" data-rl_title=\"OAK_EB_161220-001\" class=\"rl-gallery-link\" data-rl_caption=\"The natural course of things - Exhibition view,La Casa Encendida, Madrid, Spain, 2016\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-001-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-33284\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-001-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-001-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-001-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-33284'>\n\t\t\t\tThe natural course of things &#8211; Exhibition view,La Casa Encendida, Madrid, Spain, 2016\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-017-scaled.jpg' title=\"OAK_EB_161220-017\" data-rl_title=\"OAK_EB_161220-017\" class=\"rl-gallery-link\" data-rl_caption=\"The natural course of things La Casa Encendida, Madrid, Spain\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-017-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-33281\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-017-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-017-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-017-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-33281'>\n\t\t\t\tThe natural course of things\nLa Casa Encendida, Madrid, Spain\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-026-scaled.jpg' title=\"OAK_EB_161220-026\" data-rl_title=\"OAK_EB_161220-026\" class=\"rl-gallery-link\" data-rl_caption=\"Calendario\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-026-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-33296\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-026-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-026-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-026-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-33296'>\n\t\t\t\tCalendario\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-055-scaled.jpg' title=\"OAK_EB_161220-055\" data-rl_title=\"OAK_EB_161220-055\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Four variations on nothing or talking about that wich has no name, MAC \/ CCB Museum of Contemporary Art, Lisbon, Portugal\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-055-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-33293\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-055-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-055-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/OAK_EB_161220-055-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-33293'>\n\t\t\t\tExhibition view &#8211; Four variations on nothing or talking about that wich has no name, MAC \/ CCB Museum of Contemporary Art, Lisbon, Portugal\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Nicolas_Paris-2@EdouardFraipont17042018-scaled.jpg' title=\"Nicolas_Paris-2@EdouardFraipont17042018\" data-rl_title=\"Nicolas_Paris-2@EdouardFraipont17042018\" class=\"rl-gallery-link\" data-rl_caption=\"Pulm\u00f3n, 2016 -\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Nicolas_Paris-2@EdouardFraipont17042018-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-33308\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Nicolas_Paris-2@EdouardFraipont17042018-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Nicolas_Paris-2@EdouardFraipont17042018-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Nicolas_Paris-2@EdouardFraipont17042018-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-33308'>\n\t\t\t\tPulm\u00f3n, 2016 &#8211; \n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/KAF-Nicolas-Paris-S2-52-scaled.jpg' title=\"KAF-Nicolas Paris-S2-52\" data-rl_title=\"KAF-Nicolas Paris-S2-52\" class=\"rl-gallery-link\" data-rl_caption=\"\u201cFour variations on nothing or talking about that wich has no name\u201d, MAC \/ CCB Museum of Contemporary Art, Lisbon, Portugal\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/KAF-Nicolas-Paris-S2-52-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-33302\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/KAF-Nicolas-Paris-S2-52-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/KAF-Nicolas-Paris-S2-52-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/KAF-Nicolas-Paris-S2-52-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-33302'>\n\t\t\t\t\u201cFour variations on nothing or talking about that wich has no name\u201d, MAC \/ CCB Museum of Contemporary Art, Lisbon, Portugal\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-18_Room-for-us.jpg' title=\"Imagen 18_Room for us\" data-rl_title=\"Imagen 18_Room for us\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Four variations on nothing or talking about that wich has no name, MAC \/ CCB Museum of Contemporary Art, Lisbon, Portugal, 2013\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-18_Room-for-us-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36055\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-18_Room-for-us-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-18_Room-for-us-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-18_Room-for-us-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36055'>\n\t\t\t\tExhibition view &#8211; Four variations on nothing or talking about that wich has no name, MAC \/ CCB Museum of Contemporary Art, Lisbon, Portugal, 2013\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/75A0942lrg-scaled.jpg' title=\"_75A0942lrg\" data-rl_title=\"_75A0942lrg\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - ko ng herenga kei waenga i a t tou, lo que nos une, what connects us, Govett-Brewster Art Gallery, New Plymouth, Aotearoa New Zealand, 20\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/75A0942lrg-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-33314\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/75A0942lrg-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/75A0942lrg-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/75A0942lrg-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-33314'>\n\t\t\t\tExhibition view &#8211; ko ng herenga kei waenga i a t tou, lo que nos une, what connects us, Govett-Brewster Art Gallery, New Plymouth, Aotearoa New Zealand, 20\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/75A0896lrg-scaled.jpg' title=\"_75A0896lrg\" data-rl_title=\"_75A0896lrg\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - ko ng herenga kei waenga i a t tou, lo que nos une, what connects us, Govett-Brewster Art Gallery, New Plymouth, Aotearoa New Zealand, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/75A0896lrg-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-33320\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/75A0896lrg-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/75A0896lrg-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/75A0896lrg-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-33320'>\n\t\t\t\tExhibition view &#8211; ko ng herenga kei waenga i a t tou, lo que nos une, what connects us, Govett-Brewster Art Gallery, New Plymouth, Aotearoa New Zealand, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-4_Lo-que-nos-une-scaled.jpg' title=\"Imagen 4_Lo que nos une\" data-rl_title=\"Imagen 4_Lo que nos une\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - ko ng herenga kei waenga i a t tou, lo que nos une, what connects us, Govett-Brewster Art Gallery, New Plymouth, Aotearoa New Zealand, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-4_Lo-que-nos-une-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36019\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-4_Lo-que-nos-une-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-4_Lo-que-nos-une-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-4_Lo-que-nos-une-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36019'>\n\t\t\t\tExhibition view &#8211; ko ng herenga kei waenga i a t tou, lo que nos une, what connects us, Govett-Brewster Art Gallery, New Plymouth, Aotearoa New Zealand, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-5_Lo-que-nos-une-scaled.jpg' title=\"Imagen 5_Lo que nos une\" data-rl_title=\"Imagen 5_Lo que nos une\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - ko ng herenga kei waenga i a t tou, lo que nos une, what connects us, Govett-Brewster Art Gallery, New Plymouth, Aotearoa New Zealand, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-5_Lo-que-nos-une-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36022\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-5_Lo-que-nos-une-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-5_Lo-que-nos-une-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-5_Lo-que-nos-une-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36022'>\n\t\t\t\tExhibition view &#8211; ko ng herenga kei waenga i a t tou, lo que nos une, what connects us, Govett-Brewster Art Gallery, New Plymouth, Aotearoa New Zealand, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-7_Lo-que-nos-une-scaled.jpg' title=\"Imagen 7_Lo que nos une\" data-rl_title=\"Imagen 7_Lo que nos une\" class=\"rl-gallery-link\" data-rl_caption=\"Estropajo (lo que nos une) 2019 -\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-7_Lo-que-nos-une-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36028\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-7_Lo-que-nos-une-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-7_Lo-que-nos-une-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-7_Lo-que-nos-une-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36028'>\n\t\t\t\t Estropajo (lo que nos une) 2019 &#8211; \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-1_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre.jpg' title=\"Imagen 1_Cuatro variaciones de la nada o hablar de lo que no tiene nombre\" data-rl_title=\"Imagen 1_Cuatro variaciones de la nada o hablar de lo que no tiene nombre\" class=\"rl-gallery-link\" data-rl_caption=\"\u201cCuatro variaciones a cambio de nada o hablar de lo que no tiene nombre\u201d, MAC \/ CCB - Museo de arte contempor\u00e1neo, Lisboa, Portugal\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-1_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36010\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-1_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-1_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-1_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36010'>\n\t\t\t\t\u201cCuatro variaciones a cambio de nada o hablar de lo que no tiene nombre\u201d, MAC \/ CCB &#8211; Museo de arte contempor\u00e1neo, Lisboa, Portugal\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-3_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre.jpg' title=\"Imagen 3_Cuatro variaciones de la nada o hablar de lo que no tiene nombre\" data-rl_title=\"Imagen 3_Cuatro variaciones de la nada o hablar de lo que no tiene nombre\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Four variations on nothing or talking about that wich has no name, MAC \/ CCB Museum of Contemporary Art, Lisbon, Portugal, 2015\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-3_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36016\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-3_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-3_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-3_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36016'>\n\t\t\t\tExhibition view &#8211; Four variations on nothing or talking about that wich has no name, MAC \/ CCB Museum of Contemporary Art, Lisbon, Portugal, 2015\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-2_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre.jpg' title=\"Imagen 2_Cuatro variaciones de la nada o hablar de lo que no tiene nombre\" data-rl_title=\"Imagen 2_Cuatro variaciones de la nada o hablar de lo que no tiene nombre\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Four variations on nothing or talking about that wich has no name, MAC \/ CCB Museum of Contemporary Art, Lisbon, Portugal, 2015\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-2_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36013\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-2_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-2_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-2_Cuatro-variaciones-de-la-nada-o-hablar-de-lo-que-no-tiene-nombre-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36013'>\n\t\t\t\tExhibition view &#8211; Four variations on nothing or talking about that wich has no name, MAC \/ CCB Museum of Contemporary Art, Lisbon, Portugal, 2015\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Screen-Shot-2024-05-02-at-5.35.52-PM.png' title=\"Screen Shot 2024-05-02 at 5.35.52 PM\" data-rl_title=\"Screen Shot 2024-05-02 at 5.35.52 PM\" class=\"rl-gallery-link\" data-rl_caption=\"\u201cDevice for erratic dialogues or tool for sympathetic learning\u201d 2015 - 2016\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Screen-Shot-2024-05-02-at-5.35.52-PM-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36085\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Screen-Shot-2024-05-02-at-5.35.52-PM-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Screen-Shot-2024-05-02-at-5.35.52-PM-708x708.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Screen-Shot-2024-05-02-at-5.35.52-PM-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36085'>\n\t\t\t\t\u201cDevice for erratic dialogues or tool for sympathetic learning\u201d 2015 &#8211; 2016\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-14_Dispositivos-para-dialogos-erraticos.jpg' title=\"Imagen 14_Dispositivos para dia\u0301logos erra\u0301ticos\" data-rl_title=\"Imagen 14_Dispositivos para dia\u0301logos erra\u0301ticos\" class=\"rl-gallery-link\" data-rl_caption=\"\u201cDevice for erratic dialogues or tool for sympathetic learning\u201d 2015 - 2016\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-14_Dispositivos-para-dialogos-erraticos-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36046\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-14_Dispositivos-para-dialogos-erraticos-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-14_Dispositivos-para-dialogos-erraticos-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36046'>\n\t\t\t\t\u201cDevice for erratic dialogues or tool for sympathetic learning\u201d 2015 &#8211; 2016\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-16_Ejercicios-para-sembrar-relampagos.jpg' title=\"Imagen 16_Ejercicios para sembrar rela\u0301mpagos\" data-rl_title=\"Imagen 16_Ejercicios para sembrar rela\u0301mpagos\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Lightning sowing exercises, Caixa Forum, Barcelona, Spain, 2017\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-16_Ejercicios-para-sembrar-relampagos-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36049\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-16_Ejercicios-para-sembrar-relampagos-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-16_Ejercicios-para-sembrar-relampagos-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-16_Ejercicios-para-sembrar-relampagos-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36049'>\n\t\t\t\tExhibition view &#8211; Lightning sowing exercises, Caixa Forum, Barcelona, Spain, 2017\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-17_Ejercicios-para-sembrar-relampagos-scaled.jpg' title=\"Imagen 17_Ejercicios para sembrar rela\u0301mpagos\" data-rl_title=\"Imagen 17_Ejercicios para sembrar rela\u0301mpagos\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Lightning sowing exercises, Caixa Forum, Barcelona, Spain, 2017\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-17_Ejercicios-para-sembrar-relampagos-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36052\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-17_Ejercicios-para-sembrar-relampagos-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-17_Ejercicios-para-sembrar-relampagos-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-17_Ejercicios-para-sembrar-relampagos-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36052'>\n\t\t\t\tExhibition view &#8211; Lightning sowing exercises, Caixa Forum, Barcelona, Spain, 2017\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-19_Un-pequeno-mundo-o-un-lugar-entre-un-insecto-y-un-adulto-scaled.jpg' title=\"Imagen 19_Un pequen\u0303o mundo o un lugar entre un insecto y un adulto\" data-rl_title=\"Imagen 19_Un pequen\u0303o mundo o un lugar entre un insecto y un adulto\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - An Unstoppable Force, Cobra Museum, Amstelveen, Netherlands, 2018\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-19_Un-pequeno-mundo-o-un-lugar-entre-un-insecto-y-un-adulto-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36058\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-19_Un-pequeno-mundo-o-un-lugar-entre-un-insecto-y-un-adulto-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-19_Un-pequeno-mundo-o-un-lugar-entre-un-insecto-y-un-adulto-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-19_Un-pequeno-mundo-o-un-lugar-entre-un-insecto-y-un-adulto-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36058'>\n\t\t\t\tExhibition view &#8211; An Unstoppable Force, Cobra Museum, Amstelveen, Netherlands, 2018\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-20_Un-pequeno-mundo-o-un-lugar-entre-un-insecto-y-un-adulto-scaled.jpg' title=\"Imagen 20_Un pequen\u0303o mundo o un lugar entre un insecto y un adulto\" data-rl_title=\"Imagen 20_Un pequen\u0303o mundo o un lugar entre un insecto y un adulto\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - An Unstoppable Force, Cobra Museum, Amstelveen, Netherlands, 2018\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-20_Un-pequeno-mundo-o-un-lugar-entre-un-insecto-y-un-adulto-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36061\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-20_Un-pequeno-mundo-o-un-lugar-entre-un-insecto-y-un-adulto-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-20_Un-pequeno-mundo-o-un-lugar-entre-un-insecto-y-un-adulto-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-20_Un-pequeno-mundo-o-un-lugar-entre-un-insecto-y-un-adulto-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36061'>\n\t\t\t\tExhibition view &#8211; An Unstoppable Force, Cobra Museum, Amstelveen, Netherlands, 2018\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-24_Ruinas-colectivas-scaled.jpg' title=\"Imagen 24_Ruinas colectivas\" data-rl_title=\"Imagen 24_Ruinas colectivas\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Modes of Encounter: An Inquiry, Times Museum, Guangdong, China, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-24_Ruinas-colectivas-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36073\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-24_Ruinas-colectivas-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-24_Ruinas-colectivas-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-24_Ruinas-colectivas-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36073'>\n\t\t\t\tExhibition view &#8211; Modes of Encounter: An Inquiry, Times Museum, Guangdong, China, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-26_Ruinas-colectivas-scaled.jpg' title=\"Imagen 26_Ruinas colectivas\" data-rl_title=\"Imagen 26_Ruinas colectivas\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Modes of Encounter: An Inquiry, Times Museum, Guangdong, China, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-26_Ruinas-colectivas-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36079\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-26_Ruinas-colectivas-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-26_Ruinas-colectivas-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-26_Ruinas-colectivas-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36079'>\n\t\t\t\tExhibition view &#8211; Modes of Encounter: An Inquiry, Times Museum, Guangdong, China, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-23_Ruinas-colectivas-scaled.jpg' title=\"Imagen 23_Ruinas colectivas\" data-rl_title=\"Imagen 23_Ruinas colectivas\" class=\"rl-gallery-link\" data-rl_caption=\"Exhibition view - Modes of Encounter: An Inquiry, Times Museum, Guangdong, China, 2019\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-23_Ruinas-colectivas-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36070\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-23_Ruinas-colectivas-150x150.jpg 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-23_Ruinas-colectivas-708x708.jpg 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Imagen-23_Ruinas-colectivas-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36070'>\n\t\t\t\tExhibition view &#8211; Modes of Encounter: An Inquiry, Times Museum, Guangdong, China, 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Screen-Shot-2024-05-02-at-6.23.52-PM.png' title=\"Screen Shot 2024-05-02 at 6.23.52 PM\" data-rl_title=\"Screen Shot 2024-05-02 at 6.23.52 PM\" class=\"rl-gallery-link\" data-rl_caption=\"Collective Ruins, 2019 -\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Screen-Shot-2024-05-02-at-6.23.52-PM-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-36088\" srcset=\"https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Screen-Shot-2024-05-02-at-6.23.52-PM-150x150.png 150w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Screen-Shot-2024-05-02-at-6.23.52-PM-708x708.png 708w, https:\/\/www.mor-charpentier.com\/wp-content\/uploads\/2023\/08\/Screen-Shot-2024-05-02-at-6.23.52-PM-100x100.png 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-36088'>\n\t\t\t\tCollective Ruins, 2019 &#8211; \n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"featured_media":33317,"template":"","class_list":["post-36091","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/artist\/36091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/artist"}],"about":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/types\/artist"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media\/33317"}],"wp:attachment":[{"href":"https:\/\/www.mor-charpentier.com\/es\/wp-json\/wp\/v2\/media?parent=36091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}