Uriel Orlow está presentado actualmente su aclamado video The Crown Against Mafavuke (2016) en la 11 Bienal Momentum. Curada por Théo-Mario Coppola, el título House of Commons se refiere a las nociones de Elinor Ostrom. El evento está moldeado por la unidad y la horizontalidad. Al poner lo común en su centro, esta operó como […]
Estamos encantados de anunciar que Uriel Orlow será parte del British Art Show 9 de la Hayward Gallery Touring. Esta inaugurará en Wolverhampton el 6 de marzo del 2021, y recorrerá Aberdeen, Plymouth y Manchester. La muestra será presentada en varias galerías y espacios de exhibición en cada ciudad, derivando en un programa ambicioso y […]
Tree Story reúne prácticas creativas de todas partes del mundo para crear un ‘bosque’ de ideas relacionadas con problemáticas críticas del medioambiente y de sostenibilidad. En su base -o raíces- están las formas indígenas de conocimiento y el reconocimiento de árboles como nuestros ancestros y familia. Exposición, publicación y serie de podcasts, Tree Story toma […]
Uriel Orlow will participate in the 12th edition of Taipei Biennial. Presented by Taipei Fine Arts Museum (TFAM), Taipei Biennial will take place this November. Co-curated by philosopher Bruno LATOUR and independent curator Martin GUINARD, along with independent curator Eva LIN, who has been specially invited to curate the public programs, this year’s biennial will showcase a line-up of works […]
The British Art Show is the biggest touring exhibition of contemporary art in the UK and it is widely acknowledged as the most important recurrent exhibition of contemporary art produced in the country. The curators of BAS 9, Irene Aristizábal and Hammad Nasar, have made their artist selection after extensive research and travel across the […]
State of Concept Athens presents the recent film of Swiss artist Uriel Orlow, “Learning from Artemisia”. An in depth research of the medicinal plant “artemisia afra”, the three-channel video installation, is an atmospheric, at times harsh and deeply informative journey through the histories of medicinal plants and their relationship to geopolitics. Artemisia afra is an […]
While temporarily closed, La Loge is sharing a small selection of Uriel Orlow’s work over the course of the two following weeks, of which one film, Imbizo Ka Mafavuke (Mafavuke’s Tribunal), is included in the exhibition Learning from Artemisia. https://www.la-loge.be/event/imbizo-ka-mafavuke
On the occasion of Rundgang at Städelschule, the students of the master’s programme Curatorial Studies present the Water Cooler Talks. For three days, this series of events provides an open platform to exchange and discuss ideas together with artists, curators, theoreticians and activists on shifting boundaries in the contemporary art world(s).
For his solo show at Kunsthalle Mainz the artist has developed a route through the exhibition that takes visitors room by room from the origins of colonialism via the anti-apartheid movement through to contemporary concerns. Plants are both the narrators and protagonists here, anchoring all the events in the present day.
Leave No Stone Unturned [Remuer la terre] is a collective exhibition, curated by Clelia Coussonnet, that highlights the links between plants and politics in Morocco and other countries of the global South, while rejecting the idea that nature is ornamental and neutral.